A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.
- Won 4 Oscars
- 125 wins & 126 nominations total
- Voice of the Ring
- (voice)
- Gollum
- (voice)
Summary
Featured reviews
I thought that having Galadriel tell what was basically the prologue of the book was a good idea, as it helped those who had never read the story. It also immediately involved me in the film; I felt I had an insider's advantage on the rest of the audience. Cate Blanchett has a wonderfully deep and emotional voice; the way she speaks Galadriel is almost as effective as her appearence as the Elven queen. Also, showing the last battle of Isildur and Sauron helped unfog a part of the novel that had me a trifle confused.
The entire movie is full of beautiful sets and landscapes. The Shire was almost exactly as I'd pictured it. Hobbiton is cute and very whimsical. Mordor was frighteningly well done, extremely real. Rivendell had a little bit of a European-tourist-trap look, but was beautiful all the same. The entire backdrop of the movie (the mountains, Moria, Isengard) was perfect; it's amazing that "Fellowship" was filmed in one country.
Now to the characters. All I can say is, "Wow." I was a little apprehensive about the casting at first; I'd created such real images of the characters in my imagination, I almost didn't want them spoiled for me. However, I was not disapointed in the least. Elijah Wood, though not one of my favorite actors, was believable. You could tell from the first glimpse that Frodo was special; Wood's pale, sharp features contrast sharply with the more ruddy, robust look of the rest of the hobbits. He also cries like a little girl. But his weaknesses and strengths make his Frodo an apt choice for the starring character. The rest of the Hobbiton gang was well-chosen, too. Sean Astin ("Rudy" forever to me) was loyal and a bit bumbling, just like the Gamgee of Tolkien's telling. Pippin and Merry were congenial, slow-witted lads, but very brave nonetheless. Viggo Mortensen is outstanding. He has the ability to make Aragorn both menacing and kind. He physically represents Strider to the nines with his strength and virility; the action sequences of his are very passionate and exciting. Some may have complained about Arwen's character being slightly expanded; I thought it a good change. In the books, you have to read the whole trilogy and then rifle through the appendix in "The Return of the King" to learn the history between Aragorn and Arwen. Liv Tyler is ethereal and breathtaking, but at the same time displays the courage and magic that make the Elves the beings they are. Speaking of Elves, I can't help but gush over the handsome and ever-so-talented Orlando Bloom as noble Legolas. Bloom captured the archer's very movements; he treads lightly and fights fearlessly. Legolas's bowmanship was amazing; he looked so natural loosing his arrows machine-gun style. He was my favorite character in the books, and his essence transcends the film. Gimli was pompous and brave, as well. He is well-represented in the movie. Boromir was hopelessly lost, but at the same time valiant and strong. Sean Bean gave an emotionally-charged performance as the tortured warrior. Hugo Weaving was very good as Elrond. He was noble and cold at the same time. And Gandalf. What more can be said of Ian McKellan's showcase portrayal of the wizard? He was magnificent. He could be Gandalf, the kind old conjurer who set off pyrotechnics for hobbit-children. Then he could turn around and stun the life out of you with Gandalf the powerful wizard, facing the balrog with defiance and an iron will. His Oscar nomination is well-deserved.
Peter Jackson is a brave soul to take on a project that could have backfired in so many places. Instead of bringing us uninspired kitsch, he serves up raw emotion, graphic battles of good and evil, chilling and wonderful characters, and enough special effects (realistic, mind you) to make John Cameron's mouth water. Knowing that "The Two Towers" was my favorite of the books, I eagerly anticipate the second helping of "The Lord of the Rings."
Now about the omissions and alterations. I'm not a crazed fanatic who gets worked up over every little detail. I didn't mind Arwen's inflation and I'm actually glad Tom Bombadil was scrubbed (I felt Tom Bombadil was an unnecessary addition to the book). Despite these minor changes, the screenplay stays extremely close to the book and flows very very well (and the prologue was a nice touch).
The acting was flawless. As I've read many many times in other reviews, McKellen doesn't play Gandalf, he IS Gandalf. Wood, Mortensen, Holm, Astin, everyone was fantastic. My hat's off to Sean Bean who delivers an excellent performance as Boromir, a character who's intentions are good but wrestles with the corrupting power of the Ring. Bean portrays it VERY well. Oh, and Andy Serkis does a PERFECT Gollum voice. It's EXACTLY as I imagined it myself.
The special effects were incredible, the cave troll, the balrog, Gollum, and Sauron's Eye all looked amazing. I was also very impressed by the seamless shrinking of the vertically challenged characters.
What's wrong with this movie? I have no idea... I thought everything was perfect. MY biggest gripe is having to wait an entire year to see The Two Towers!
Having read the books several years ago, I went to see this `impossible' film when it came out with many doubts on my mind. I really liked it, but left the theater with as many doubts as I had before. Was it perfect? Well, maybe not, but what an achievement. After watching it a few times on DVD, and thinking about it for some time now, I find myself loving this film more and more. Let me tell you why...
The Lord of the Rings is a fairy-tale of myth and fantasy. Peter Jackson directed a film that was considered, for a very long time, impossible to make, and not only for technical reasons. The narrative roots are incredibly long and detailed, and the storyline is deeply connected with the creation of a fantastic continent from a time unknown called `Middle Earth'. It's author, Tolkien, dedicated a considerable part of his life developing this continent's background, it's mythology and origins, it's different kinds of people, cultures and languages, and therefore it's geographic references are determinant to the unfolding of the story of the One Ring.
Peter Jackson went out to achieve the impossible and came out with a recreation of the original that is pure and true to the story in every detail. The first time the four hobbits meet a black rider on the road, for example, is absolutely faithful to the feeling of the book. The assault of the riders at Weathertop is another great example, and it captures that feeling of danger, density and atmosphere that are the main characteristics of the tale. Jackson also took some liberties with the story, and made some right choices along the way. If the so called `purists' may not approve the removal of Tom Bombadil altogether, it should be comprehensible that the travel from Hobbiton to Rivendel is a very long and detailed one and could easily make a movie on it's own. I felt more uneasy with how short the Council of Elrond was. In the book, the council is where the whole story of the rings is first explained, and many passages from the past ages of Middle Earth are unveiled. It is a fascinating moment of the story, that had to be shortened for obvious reasons. Still, after some consideration, I now agree with the options made by Peter Jackson, and think that the movie prologue narrated by Galadriel was the wisest choice. The magic is all there when Gandalf shuts his eyes the moment Frodo stands in the council and says `I will take the ring'. It is there at Moria's Gate, and at the fall of Boromir. It is a powerful film that doesn't fit the rhythm of the standard Hollywood action movie. It is a film that breeds, that takes time to unfold, it's tale branching in every direction.
I could go on and on, talking about all the different elements that bring this film close to perfection, but I'll end saying that deep down, this is not about action, beards and big monsters. The greatest thing about this film, to me, is that it brought me back to a time when I was in love with a different world where everything was possible. Reading The Lord of the Rings night after night, I came to understand what this thing of `mankind' really was all about. The corruption of absolute power, the importance and value of friendship, the inevitability of growing up, the strength of hope... That this film could capture that magic, and be a new bearer to it's message of humanism, is a statement to it's greatness. Gandalf's words, that even the smallest person may change the course of the world, and have a part to play in the destiny of all, are immortal.
In the end, this is a wonderful film, but that doesn't mean you are going to like it. I cannot tell you what it is like to see this film if you don't know or love the book. But I hope it may plant a seed on your heart to discover a great world of fantasy, beauty and humanity. I believe Tolkien would have liked that.
Did you know
- TriviaSir Christopher Lee (Saruman) read "The Lord of the Rings" once a year until his death in 2015, and had done so since the year it was published. He was also the only member of the cast and crew ever to have met J.R.R. Tolkien.
- GoofsMany viewers spotted a car in the background of the theatrical version when Sam says that he is now the furthest he has ever been from home. In a 1 December 2003 Newsweek article, director Peter Jackson confirmed this, and revealed the car had been removed digitally for the DVD release. Jackson says: "We actually didn't know about the car until we were cutting the movie. The smoke and dust wasn't so bad because there was already lots of it around, but the bloody windshield was reflecting the sun back into the camera lens. So we erased it for the DVD. I think some people were upset because they tried to show it to their friends and it was gone." (The infamous car can be seen on the "Academy DVD" which was created for the Oscar jurors and leaked on the Internet. Also, the unaltered shot with the car appearing in it is contained in the bonus material of the SEE DVD - the feature about the film score.)
- Quotes
Frodo: I wish the ring had never come to me. I wish none of this had happened.
Gandalf: So do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world Frodo, besides the will of evil. Bilbo was meant to find the Ring. In which case, you were also meant to have it. And that is an encouraging thought.
- Crazy creditsAfter the end credits, the DVD and Blu Ray editions of the extended cut feature a list of "Lord of the Rings fan-club members" who contributed financially to the project in exchange for a credit. This additional credit sequence lasts 20 minutes.
- Alternate versionsThe opening and closing New Line Cinema logos are both plastered in the 2011 Blu-ray release of the Extended Edition with the 2003 variant that features the TimeWarner byline instead of AOL Time Warner.
- ConnectionsEdited into Lord of the Piercing (2002)
- SoundtracksFlaming Red Hair
Music Composed and Performed by David Donaldson, David Long, Steve Roche (as Stephen Roche), Janet Roddick with Peter Daly, Chris O'Connor, Ruairidh Morrison, and Grant Shearer
Courtesy of Mana Music
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El señor de los anillos: La comunidad del anillo
- Filming locations
- Wellington, New Zealand(Bree)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $93,000,000 (estimated)
- Gross US & Canada
- $319,372,078
- Opening weekend US & Canada
- $47,211,490
- Dec 23, 2001
- Gross worldwide
- $888,483,037