One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.Written by
I must agree with Méliès' granddaughter's description of this film. While there isn't really a plot, the film exudes pure genius in its construction. Although it looks like a single 55-second scene, the film actually combines dozens of snippets of performances and does so amazingly fluidly. The effects in this film could easily be done today using computer graphics, but would have been difficult to achieve before the 1990's. And yet Méliès was able to pull them off almost a century before that.
Although Méliès would later go on to produce some dramatic films, the most famous being his "Trip to the Moon", the pacing and energy of his later works generally fall far short of what he exhibits here. Further, while many of his later films have at least some noticeable mismatch edits or other problems, his technique on this film is perfect. Absolutely amazing.
4 of 5 people found this review helpful.
Was this review helpful to you?
| Report this