5.7/10
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1 user 1 critic

Sex Crimes (1992)

A female prosecutor plans revenge against the thug who raped her.

Director:

David Garcia

Writer:

Joan Moran
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Cast

Credited cast:
Craig Alan Craig Alan ... Max
Kirsten Ashley Kirsten Ashley ... Dancer
Carlos Cestero Carlos Cestero ... Forensic Man
Norm Coupe Norm Coupe ... Judge
James DiStefano ... Tony
David Eisenstein David Eisenstein ... Edward
Fernando Garzón Fernando Garzón ... Victor
Ron Howard George Ron Howard George ... 1st Bartender
Danelle Gregorio Danelle Gregorio ... Public Defender
Richard Haje Richard Haje ... Jack
Nicholas Hill Nicholas Hill ... Punk
Joe Lambie
Cindy Manella Cindy Manella
Derek Mitchell Derek Mitchell ... Lawrence
Joan Moran Joan Moran ... Prosecutor
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Storyline

A female prosecutor plans revenge against the thug who raped her.

Plot Summary | Add Synopsis


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Details

Country:

USA

Language:

English

Also Known As:

Vingança Oficial See more »

Company Credits

Production Co:

Life Entertainment See more »
Show more on IMDbPro »

Technical Specs

Color:

Color
See full technical specs »

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User Reviews

 
BROUGHT DOWN BY GENERAL INCOMPETENCE.
23 March 2004 | by rsoonsaSee all my reviews

Maria Richwine is cast as Rosanna, a prosecuting attorney who, after being raped early in the film, does not report the crime due to her distaste of adverse publicity and, after being appointed as a superior court judge and therefore committed to strict interpretation of laws, the criminal cases she must reject because of technicalities, when added to her recent victimization, cause her to assume various disguises while searching for career criminals who have preyed upon women and, after locating them, she kills them. This plot is, of course, outrageous and is not blessed with capable execution as the screenplay is a disorganized mess of cliche and confusion, the direction is agonizingly clumsy, the acting is, for the most part, shallow and production values, even after allowance is made for an obviously scant budget, are of a very low level, notably the sound track. Sound mixing, dubbing and editing during post-production are abysmal, with the scoring not only boringly derivative but obtrusive to the extent that dialogue is often drowned out; at other times the track completely disappears; conjunctive with the production's many other weaknesses, the product is a poorly made work that clearly attempts to justify violent, sadistic, and grisly sociopathic activity by its female juridical protagonist.


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