Ruth's been brainwashed by a guru in Delhi, India. Her parents in Sydney hire a specialist in reversing this. Ruth is tricked to return to Australia and is isolated in an outback cabin with the specialist. It gets messy.
While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire P.J. Waters, a macho cult de-programmer who confronts Ruth in a remote desert hideaway. But P.J. quickly learns that he's met his match in the sexy, intelligent, and iron-willed Ruth.
This motion picture's opening title card states: ''Sans Souci, Sydney''. See more »
As the pickup truck with Ruth and PJ pulls away near the end of the film, the camera rig and crane are reflected in the truck's rear window. See more »
Ok tampax tool, I'm gonna give it to you right up your arse. All this "man-hating" shit for a start. "Oh she criticised me, I'll call her a man hater!" I know what you want from me, you just want a youthful pussy transfusion, preferably one you can take home to show the men folk what a beautiful post you got to piss on. Jeans pressed, cowboy boots... is that a uniform for individuals, is it? I want a young man.
Your physical superiority makes you unkind.
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The sex scene between Keitel and Winslet has been trimmed in the U.S version. On the Australian VHS, Keitel is seen putting himself between Winslet's legs and reaching down to his crotch before thrusting. As they are making love, Winslet says "Don't come, don't come", then there is the sound of Keitel doing so. He stops, and Winslet moans for a bit before the film cuts to the next scene. In the U.S version, they trim Keitel getting inbetween her legs and reaching for his crotch. The scene plays out as normal just until Keitel "comes" and the sound of Winslet moaning is also trimmed. The U.S version also misses some of the thrusting and related sounds. See more »
You Oughta Know
Words by Alanis Morissette
Music by Alanis Morissette and Glen Ballard
Music Corporation of America Inc./Vanhurst Place Music/MCA Music Publishing, a division of Universal Studios Inc./Aerostation Corporation.
All rights for Vanhurst Place Music controlled & administered by Music Corporation of America Inc. (BMI)
All rights for Aerostation Music controlled and administered by MCA Music Publishing, a division of Universal Studios,
Performed by Alanis Morissette
Courtesy of Maverick Recording Company
By Arrangement with Warner Special Products See more »
Flawed, but entertaining, beautiful and watchable all the same.
Holy Smoke was not a film I cared for, really. So, when I saw it, I was a bit unsure about what I was going to see. Fortunately, Holy Smoke is an experience I really enjoyed, and I would easily watch it again.
Kate Winslet plays Ruth Baron, the wilful daughter who swaps life in the suburbs for nirvana in India. Fearing that she has been cult-napped into marrying a wrinkly guru, her family hires P.J. Waters (Harvey Keitel), a US hotshot who specialises in the de-programming' of brainwashed hippies, to bring her back.
The performances are brilliantly enjoyable, Kate Winslet is great as Ruth, you can see she is trying a selection of different characters, while Harvey Keitel is at his best as P.J. Waters. Pam Grier is unfortunately underused in Holy Smoke, but the scenes she has are very enjoyable to watch. Anna Campion and Jane Campion's script is very well thought-out and extremely interesting, while Jane puts in lots of effort in directing, although sometimes she overdoes with different camera angles, making some of the shots very hard to watch and slightly confusing. But, apart from that, Holy Smoke is a genuinely beautiful movie to watch, the art-direction is another stand-out.
Although it doesn't quite match up to Campion's other films, The Piano and A Portrait Of A Lady, Holy Smoke is still a nakedly honest and watchable film that I recommend.
I rate Holy Smoke 7 out of 10.
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