Directed by
David Raynr |
Writing Credits (WGA)
Gary Hardwick | ... | (written by) |
Cast (in credits order)
Produced by
Marc Abraham | ... | producer |
Diane Batson-Smith | ... | co-producer |
Thomas A. Bliss | ... | executive producer |
Caitlin Scanlon | ... | producer |
Music by
Michel Colombier | ||
Flip Floyd Wilcox |
Cinematography by
John B. Aronson |
Editing by
Earl Watson |
Casting By
Robi Reed | ... | (as Robi Reed-Humes) |
Production Design by
Aaron Osborne |
Art Direction by
Erin Cochran |
Set Decoration by
Cheryle Grace |
Costume Design by
Jennifer L. Bryan |
Makeup Department
KimStacy Carter | ... | hair stylist: Countess Vaughn |
Production Management
Brad Arensman | ... | post-production supervisor |
Mary Montiforte | ... | production supervisor |
Second Unit Director or Assistant Director
Molly Rodriguez | ... | second assistant director |
Brian Whitley | ... | assistant director |
Art Department
Michael Burnett | ... | special props |
Tony Chavez | ... | carpenter |
Thomas Cooper | ... | propmaker foreman |
Perry E. Ellis | ... | set dresser |
Eric Hill | ... | leadman |
Johnny Knight | ... | construction coordinator |
David M. Milstien | ... | set dresser |
Sound Department
Kevin Maloney | ... | boom operator |
Kenneth C. Mantlo | ... | boom operator |
Vince Nicastro | ... | foley artist |
LaNessa Phearson | ... | cable person |
John Rice | ... | sound editor |
Phillip Seretti | ... | re-recording mixer / sound supervisor |
Janja Vujovich | ... | post-production sound coordinator |
Ed White | ... | sound mixer |
Visual Effects by
Matt Linder | ... | digital compositor |
Kevin Mullican | ... | visual effects supervisor |
Christopher Dusendschon | ... | in-show optical process and effects compositor: THDX (uncredited) / optical element Hazeltine colorist: THDX (uncredited) |
Stunts
Claudette James | ... | stunts |
Chris Palermo | ... | stunts |
Diane Reneé | ... | stunts |
Gene Williams | ... | stunts |
Camera and Electrical Department
Sal Alvarez | ... | camera loader |
Stephen Clancy | ... | camera operator (as Steve Clancy) |
Dejon Ellis Jr. | ... | dolly grip |
Sean P. Fickert | ... | production grip |
Sheila Greene | ... | set electrician |
Chris Helcermanas-Benge | ... | still photographer |
Barry Baz Idoine | ... | first assistant camera: "a" camera (as Barry Idoine) |
Joel Jaspan | ... | key grip |
John Lacy | ... | best boy electric |
Bobby Powell | ... | gaffer |
Brad 'Toaster Oven' Reeves | ... | best boy grip |
Bobby Thomas | ... | key grip |
Edward A. Gutentag | ... | assistant camera (uncredited) |
Casting Department
William A. Baker | ... | extras casting |
Yolanda D. Hunt | ... | casting associate |
Editorial Department
Lori Ball | ... | assistant editor |
Robert Mendoza | ... | post-production assistant |
Music Department
Jay Bolton | ... | music editor |
Steve Durkee | ... | score mixer |
Pilar McCurry | ... | music supervisor |
Melodee Sutton | ... | music supervisor |
TQ | ... | composer: song "Come See Me |
Script and Continuity Department
Kim Berner | ... | script supervisor |
Additional Crew
Ed Adams | ... | security |
Blake Busby | ... | graphic artist: titles |
Lisa Coggan | ... | accounting clerk |
Craig Conover | ... | craft service |
Richard Devinki | ... | assistant to Nancy Rae Stone |
Colleen Emry | ... | first assistant accountant |
Jay Field | ... | technical advisor: military |
Carrie Gerlach | ... | publicist |
Misty Green | ... | assistant: Marc Abraham |
Debra J. Kleid | ... | production coordinator |
Sam Montiforte | ... | post-production accountant |
Matt Wall | ... | production executive |
Nicole Warmsley | ... | production assistant |