Directed by
| Robert Greenwald | ||
Writing Credits (WGA)
| Anita Hoffman | ... | (book) and |
| Abbie Hoffman | ... | (book) |
| Marty Jezer | ... | (book) |
| Bruce Graham | ... | (screenplay) |
Cast (in credits order)
Produced by
| Jon Avnet | ... | executive producer |
| Ken Christmas | ... | executive producer |
| Vincent D'Onofrio | ... | executive producer |
| Brad Gordon | ... | co-producer (as Bradley H. Gordon) |
| Robert Greenwald | ... | producer |
| Gerald Lefcourt | ... | associate producer |
| Jacobus Rose | ... | producer |
| Elizabeth Selzer | ... | co-producer (as Elizabeth Selzer Lang) |
Music by
| Mader | ||
Cinematography by
| Denis Lenoir | ... | director of photography |
Editing by
| Kimberly Ray | ||
Casting By
| Jeanne McCarthy | ... | casting director: USA |
Production Design by
| Linda Del Rosario | ||
| Richard Paris | ||
Set Decoration by
| Renee Davenport | ||
Costume Design by
| Sherry McMorran | ||
Makeup Department
| Sid Armour | ... | makeup artist |
| Patricia Grande | ... | key hair stylist |
| Sylvia Nava | ... | hair department supervisor: Rick Baker/Cinovation |
| Edelgard K. Pfluegl | ... | makeup artist |
| James Ryder | ... | makeup artist: Vincent D'Onofrio / special makeup effects artist: Vincent D'Onofrio / wigs: Vincent D'Onofrio |
| Yoichi Art Sakamoto | ... | character dental prosthetic designer: Vincent D'Onofrio |
| Marilyn Terry | ... | makeup artist |
Production Management
| Judith Blume | ... | post-production supervisor |
| Marilyn Stonehouse | ... | unit production manager |
Second Unit Director or Assistant Director
| Harley Cohen | ... | third assistant director |
| Yolanda Graci | ... | second assistant director |
| Kevin Hourigan | ... | third assistant director |
| Tony Lucibello | ... | first assistant director |
| Jacobus Rose | ... | second unit director |
Art Department
| Malcolm Byard | ... | lead dresser |
| Ann-Marie Ferney-Tellez | ... | property master |
| Phillip Tellez | ... | construction coordinator |
| Grant Van Der Slagt | ... | assistant art director |
Sound Department
| Alek Bromke | ... | assistant adr recordist |
| Daniel Fontana | ... | assistant sound editor (as Dan Fontana) |
| Bruce Fortune | ... | sound designer / sound supervisor / supervising sound editor |
| Douglas Ganton | ... | production sound mixer |
| Kimberly Ellen Lowe | ... | dialogue editor |
| Steve Mann | ... | sound effects editor |
| Ryan Murphy | ... | sound recordist |
| Steve Nelson | ... | sound effects editor |
| Jeffrey Perkins | ... | re-recording mixer |
| Alexander Schwartz | ... | foley artist |
| Mike Shuman | ... | assistant sound editor |
| Edward M. Steidele | ... | foley artist |
| Robert Troy | ... | dialogue editor |
| Carl D. Ware | ... | sound designer |
| Patrick Cicero | ... | sound assistant (uncredited) |
| J. Aloysius Flanagan III | ... | sound editorial support (uncredited) |
Special Effects by
| Martin Malivoire | ... | special effects coordinator |
| Dean Stewart | ... | special effects assistant |
Visual Effects by
| Christopher Dusendschon | ... | hazeltine optical element timing: THDX (uncredited) / in-show optical compositor: THDX (uncredited) |
Stunts
| Plato Fountidakis | ... | stunt cop |
| Robert Reece | ... | stunt cop |
| Herb Reischl Jr. | ... | stunt cop (as Herb Reischl) |
| David Stevenson | ... | stunt coordinator / stunt cop |
| Ryan Weichel | ... | stunt cop |
Camera and Electrical Department
| P. Michael Agnello | ... | camera trainee |
| Nick Bacon | ... | dolly grip (as Nicholas Bacon) |
| Bob Becchio | ... | assistant camera : 'a' camera: second unit |
| James L. Conway | ... | best boy grip |
| Brad Durante | ... | camera operator: second unit / director of photography: second unit |
| Greg Grainger | ... | grip |
| Sean Jensen | ... | steadicam operator |
| Jason Micallef | ... | electrician |
| Jeff Miller | ... | key grip |
| Ila Packman | ... | grip |
| Matthew Pill | ... | grip |
| Christopher Probst | ... | first assistant camera: USA |
| Michael Rintoul | ... | camera operator |
| Ken Rudolph | ... | stop motion photographer: main titles |
| Robert Vigus | ... | best boy grip |
Casting Department
| Blythe Cappello | ... | casting associate: USA |
| Tina Gerussi | ... | casting: Toronto |
| Meredith Jacobson Marciano | ... | extras casting: New York (as Meredith Jacobson) |
| Jeanne McCarthy | ... | casting: USA |
Costume and Wardrobe Department
| Sidney Sproule | ... | costume buyer |
Editorial Department
| Steve Ansell | ... | assistant editor |
| Brad Durante | ... | second assistant editor |
| Brett S. McCarthy | ... | assistant editor |
| Mike Stanwick | ... | color timer |
Location Management
| Joe Barzo | ... | location scout |
| Darren Sacks | ... | location manager |
| Philip Spurvey | ... | location scout |
| Ajamu Walker | ... | location manager |
| Sherry Wolfson | ... | location manager |
Music Department
| David Appelt | ... | music mixer / music recording engineer |
| P.J. Bloom | ... | music coordinator |
| Ray Espinola Jr. | ... | music coordinator |
| Steffan Fantini | ... | musician |
| Evyen Klean | ... | music supervisor |
| Eric Liljestrand | ... | music editor |
Transportation Department
| Robert Tenaglia | ... | transportation captain |
Additional Crew
| James Azzopardi | ... | Utility Stand In |
| Jason Bretz | ... | executive assistant |
| Donald Colafranceschi | ... | production assistant |
| Melissa Crich | ... | production coordinator (as Melissa F. Barrie) |
| Patricia Hanley Cumming | ... | on-set supervisor |
| Billy Driver | ... | assistant to producer (as William Driver) |
| William Engel | ... | set groupie |
| Robert Enriquez | ... | development |
| Joel Green | ... | unit publicist |
| Stephen Krug | ... | executive assistant |
| Ray McMillan | ... | front projectionist |
| Kimberlee Morley | ... | assistant production coordinator |
| Karen Roberts | ... | production accountant |
| Deborah Ross | ... | title designer |
Thanks
| Tom Hayden | ... | special thanks |
| Anita Hoffman | ... | dedicatee |
| Bobby Seale | ... | special thanks |
