Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
A man is hypnotized at a party by his sister-in law. He soon has visions and dreams of a ghost of a girl. Trying to avoid this, nearly pushes him to brink of insanity as the ghost wants something from him - to find out how she died. The only way he can get his life back is finding out the truth behind her death. The more he digs, the more he lets her in, the shocking truth behind her death puts his whole family in danger.
A lot of people on blogs have wondered how the "creepwalk" was filmed. Here's the secret. The speed of the camera was sped up, and the actress was told to walk as slowly, but to appear as naturally as possible. Then when it was time to edit the scene in, they played the footage at normal speed and all the "imperfections" in her walk add to the beauty of how creepy it looks. See more »
When Tom reaches into the fridge for a carton of juice he accidentally knocks over a bottle of mustard. In the reverse shot, the mustard is neatly tucked away behind another jar. See more »
On the DVD director's commentary, David Koepp states that for the home video release, the two scenes where words appear blurred on a theatre screen were blurred even more with digital effects. He states that this is because on video, what the text said was obvious well before it should be known to the audience. See more »
Performed by Dishwalla
Written by J.R. Richards, Scot Alexander (as Scott Alexander), Rodney Browning Cravens (as Rodney Browning-Cravens), George Pendergast (as George Pendergrast), Jim Wood and Marc Waterman
Published by EMI April Music Inc./Mono Rat Music (ASCAP), 600 Foot Hedgehog Music and MCA Music Ltd.
Administered by MCA Music Publishing, a division of Universal Studios, Inc.
Courtesy of A&M Records, Inc.
Under license from Universal Music Special Markets See more »
I have always admired and marveled at Kevin Bacon's versatility as an actor. From the likable fish-out-of-water guy who trips the light-fantastic through a piece of fluff like FOOTLOOSE, to putting everything on the line to play a pedophile in the unnerving THE WOODSMAN, there's hardly anything he can't - or won't do - to show his amazing range.
That being said, STIR OF ECHOES still holds what is for me one of his all-time Top Five performances.
He plays Tom Witzky, a regular mug living with his family in a working-class suburb of Chicago. Though he loves his family, hotter-than-hot wife Maggie (Kathryn Erbe) and precocious son Jake (Zachary David Cope), he's also a man becoming bored with his life. He wants to do and be something more than who and what he is.
Obviously, the old adage "be careful what you wish for" went right over Tom's head.
At a party for family and friends, Tom volunteers to be hypnotized by his flaky sister-in-law, Lisa (the always excellent Illeana Douglas), who makes a powerful suggestion to Tom that his mind takes literally. What happens next will change his life and everyone's around him forever.
A 'doorway' has been opened inside Tom's head that allows him to communicate with the dead, and for them to reach out and touch him...whether he wants to or not. When the "nightmares" that he's been having begin to intensify, Tom knows he must find a way to close that doorway for good before he loses his family...and his sanity. The urgency is heightened when he discovers how sensitive he was before the hypnotic suggestion, in the most chilling way possible...it seems that son Jake can see and talk to the dead as well.
In the tradition of THE CHANGELING, LADY IN WHITE and THE SIXTH SENSE, the focus of Tom's visions comes from one apparition in particular, who won't leave him or his family in peace until he can figure out what it wants and why. The situation provides fodder for one intense and terrifying performance, and with help from a strong supporting cast, Bacon comes through like a champ.
When movies like this are adapted from older works by classic authors, I usually proceed with the greatest caution. But Richard Matheson's creepy novel has been skillfully transformed by David Koepp, a man who knows a little bit about balancing thoughtful plotting and dialogue with outright terror, (as in APARTMENT ZERO) and the outstanding job he does here will make you think twice the next time somebody wants to 'put you out' at a party with something more than just shots of Captain Morgan...
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