The Hurricane (1999) Poster

(1999)

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9/10
Unexpectedly Great Movie
kmsairam19 February 2001
I wasn't going to comment, but after reading some of the negative comments, I felt I must. I "waited for the video" for this movie because a movie about boxing didn't seem interesting. But that's just the thing. It's not about boxing. So if you're thinking you're going to see Raging Bull, you're not. There are a few boxing scenes, but they only serve to move the story along.

I have seen this movie more than once. The first time I was touched by the underlying theme of the movie, which was in my opinion, love conquering hate and injustice. Then I watched it again. I realized Denzel did a superb job. It WAS NOT a "typical Denzel role." He convincingly played Rubin "Hurricane" Carter, raised full of hate for and distrust of white people. When he goes to prison for the murder, he does an excellent performance showing the different personalities in his head, as well as showing how his inner spiritual journey transformed him. Any good movie shows the hero growing and changing. And Denzel again does this well towards the end of the movie, after befriending Lazarus and the Canadians. My favorite line which to me sums up the entire movie is when they're waiting to hear the judge's verdict and Rubin tells Lazarus, "Hate got me in here. But love's gonna bust me out."

I don't know much about the real Rubin Carter or the details of the case. What I found compelling about the movie was the fact that some people - be they white or black - can harbor such hatred for another person (I'm referring to Della Pesca's hatred toward Rubin). Another thing that got me was the friendship and love between Rubin and Lesra and the whole message of examining the higher principle of truth for which the law was meant to serve. It's just one of those movies that makes you think. Yeah, some of the writing is "just OK" in places, but the theme of the movie is wonderful and I think Denzel gave an Oscar worthy performance.

I gave this a 9 out of 10.
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8/10
Rubin Carter 1937-2014
bkoganbing28 July 2018
15 years after The Hurricane came out Rubin Carter passed away still quite the symbol of what can happen when a malignant criminal justice system puts a target on your back and is determined to nail you. The Hurricane became his nickname in the boxing arena given him for the speed and accuracy of the deadly attack in the ring. He was forever Rubin Hurricane Carter even after he fought his last fight.

After his boxing career had wound down he and a friend were picked up in his home town of Patterson, New Jersey because they vaguely resembled two men who had shot up and robbed a bar and killed 3 people. On some flimsy evidence and some evidence withheld Carter and the other man went to jail and probably escaped the death penalty because it wasn't being used at the time.

Besides the background events The Hurricane mostly focuses on the events of Carter trying to clear himself and the young kid who reads the book Carter wrote while he was in prison. The best scenes in the film are Vicellous Shannon as young Lezra and Denzel Washington as Carter.

The Hurricane brought Denzel Washington one of his Oscar nominations and he will keep you riveted on the screen with his intensity. Occasionally Washington boils over, but it's the slow simmering tension he conveys as Carter that really keeps you watching. His scenes with Shannon are a great relief for him as in this kid he meets someone who believes his story and gets what he's about.

Besides Washington and Shannon, performances to watch out for are Rod Steiger as Judge Sarokin who is the federal judge who decides Carter's fate and Dan Hedaya as the incredibly vicious and racist police lieutenant who made incarcerating Carter a life's obsession.

The real Rubin Carter could not have had his story better told than be Denzel Washington in The Hurricane.
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9/10
Superb performance...
prateek426118 April 2008
I don't really know why people cannot talk without putting terms as "he did it" while thinking about this movie. How racially charged or challenged were those times has been clearly talked about, filmed and factually corrected. Literature, personalities and even a simple man can confirm to those facts and we can really put an end to who did it...or he did it!!! The movie marks the most stellar performance from Denzel Washington as he portrays the character "Hurricane". What surprised and confirmed my earlier thoughts about people rating this movie are that an awful lot of movies in here have better rating than this movie....and the confirmation is that ratings do not matter This movie stands out and lets you feel the passion and focus of a man...not born under normal circumstances but freed under great conditions. I think I am confident enough to say about this movie....if you haven't seen this movie then it doesn't really matter to you what cinema can be and what cinema possibly can create.

Forget the ratings....I think when you're done seeing it, you would decide for yourself what I am trying to say here. Where is the Oscar....ohh did we miss it??? Gladly so.
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Denzel Deserved an Oscar
les69692 August 2011
I am not going to get into details regarding how true an account this is or not. I have read a lot that seems to indicate he was guilty and others that he was innocent, both accounts seeing to contradict themselves. I guess we may never really know, but as someone who believes that racism infects a lot of society including organisations like Sporting bodies and the police I can well believe that being black would not guarantee a fair trial. However I also find it hard to believe that Mr Carter was as peaceful a person as depicted in this film. But this is down to the way the film was written and directed and in no way detracts from a truly remarkable piece of acting by Mr Denzel Washington. It seems in every part he plays, you believe that he IS that character and this film was no exception. In the boxing scenes or the prison scenes and in every scene you believe that you are watching Rubin 'The Hurricane' Carter. A truly outstanding performance.
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10/10
An incredible film, with superb acting
rosie-5426 January 2000
Denzel Washington is so convincing as Rubin Carter that one forgets that he is, indeed, an actor playing a role. From the beginning to the end, Denzel is perfect. The film made me think about how poverty and prejudice can ruin a person's life when misfortune, such as being in the wrong place at the wrong time, visits. I didn't think that I could possibly like a movie that I already knew so much about. With boxing in it, yet! But when Denzel received the Golden Globe Award, I felt I had to see it. What a moving experience! Anyone who enjoys superb acting and a story with a rewarding, emotional ending should not miss this film.
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10/10
Absolutely Awesome !
desire_9112 August 2008
This is the greatest true story I've ever seen. I love the emotion in this movie. I really think that the delivery of the performances are what makes it great along with the direction. It's beautiful. I recommend it to any and everyone. The struggle that Ruben Carter endured just puts light on the way things used to be, and makes really grateful that things have improved. Denzel's great!

I completely felt in love with this movie, in which you can find extreme endurance, strong courage, ultimate love and a very realistic character starred by Washington. The character not only shows how powerful spirit a human being can be to survive in harsh situations, how persistent should a man in desperate circumstances, but also bring strong feeling to watchers, who wanna do something better, something higher than what he is currently doing.

The Hurricane is simply one of my best top10 movies of all time.

for Entertainment: 10/10

Overall Score: 10/10
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6/10
There's another side to the story...
Voikkari3 June 2001
Warning: Spoilers
There might be *SPOILERS* ahead...

The movie itself is a solid Hollywood picture, but after reading some comments and checking out info about the case, I felt confused. First of all, I'm still not sure if Carter and Artis committed these murders, but there seems to be a lot of documents and articles which proves they did. I'm not going to go to details here, but check out for starters www.graphicwitness.com/carter if you are interested. One example: In movie Carter is sent to jail as a boy for stabbing a man implied to be a pedophile. In reality, he stabbed somebody in the face with a beer bottle while robbing them.

One thing I don't understand is why they changed the facts so much in this movie and still this was marketed as based on true story. This might have been a good movie if they'd just make it completely fictional, but probably it wouldn't have sold as much. The championship fight scene seems also to be completely wrong, (from the Herald Sun) The Hurricane typically claims racist boxing judges robbed him, but every sportswriter who covered the fight agreed he was beaten by a better man. On the other hand, if they'd make this movie true to the facts, imo this movie would have been much more interesting.

I think it's a shame that Hollywood takes out a tragedy where 4 people were murdered and makes a disgrace towards them and their grieving friends and families by twisting the truth to make this movie better selling and getting more profit.

All in all, if ignoring this, the movie was pretty ok, although a bit too long (there was many scenes that could have been cut out) and some characters were just plain ridiculous, Canadians and of course Lt. Vincent Della Pesca, who was almost the opposite of the real detective). Denzel was good, maybe not Oscar nominee-good, but isn't the Oscars usually awarded to those who make most money, not those who have the most talent :)

One more quote from Herald Sun By ANDREW BOLT:

Of course, it's quite possible Carter is innocent. But is he still the right man to preach to us about reconciliation? While on bail for his second trial, he beat Carolyn Kelley, the (black) head of his Carter Defence Fund, so badly that she took a month to recover. ``He's Satan, and Satan can fool a lot of people,'' she says.
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8/10
A Powerhouse of a Film. Washington's Best.
Quinoa198413 January 2000
Norman F. Jewison's "The Hurricane" is an exceptional piece of film making. It has good editing, good writing, good scenes, and great acting. Now, the film itself is good, but the acting makes this film outstanding.

Denzel Washington is a terrific actor, and this film proves it (also a golden globe nomination and Academy Award Win in 1989 backs it up). Washington plays Rubin "Hurricane" Carter with such perfection not seen in a very long time. It's his spirit in this movie that gets this film up in the high life.

And Norman F. Jewison, a great Oscar Winning Director who directs this film of the human spirit with great intensity and knowledge of what Carter's life was like. That makes this film one of the best of the year.
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6/10
Truth be told...
mcoats-7110111 February 2019
The miscarriage of justice of Rubin Carter is still, to this day, a heinous crime. Trying to make up for it in a film with so many story errors is ridiculous though. Some of the fight scenes were too "Raging Bull" especially the one v Joey Giardhello which even Carter admitted was a fight he lost after a promising start. It also smooths over his other misdemeanours as a youth which painted him as this more angelic figure. He wasn't! He just wasn't a murderer.

Some of the acting is awful too, apart from Denzel of course. The mouthy kid in the modern day part of the story was too Straight Outta Compton. Maybe it was the 90s but still - why he gotta be like that?? Enjoyable but only just...
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10/10
Consummate story-telling at its best
Didne5 February 2000
The Hurricane took me by storm! It is riveting story-telling cutting deeply into our deepest emotions. Finely woven autobiography and historical profiling rolled into one. Denzel Washington plays the role of Rubin "Hurricane" Carter with such utter conviction that it is difficult to remember he is the actor, not the man, himself. I couldn't take my eyes from the screen whenever he was there. Assured direction from Norman Jewison boosts this story from the ordinary bio-pic to a masterpiece of pacing where the audience's emotions are taken on a rollercoaster ride. It's not manipulative of our emotions, as some films can be. The truth of the man's life and times and those who were drawn into his exoneration are moving alone. I found the portrayal of the Canadians much less stereotyped than other non-Canadian productions, although I found myself watching John Hannah who played the Canadian Terry. I'm accustomed to hearing his Scottish accent as I've seen his work in the UK. It's hard not to "see" him in his role in "Four Weddings and a Funeral." The only part I thought was a bit "over-the-top" was the prisoners' reaction to the release of Carter. It felt to me like deja-vu. The most original device was Rubin in isolation his personality battling as he struggles with the conflicts inside himself
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7/10
Standard biopic and great performance
SnoopyStyle18 May 2014
Rubin "Hurricane" Carter (Denzel Washington) was a prize fighter. In 1966, he was arrested and convicted for a mass shooting at a bar in Paterson, New Jersey. Vindictive police detective Della Pesca (Dan Hedaya) has been after him since he was 11. With falsified evidence and rampant racism, Carter and his friend get locked up for 3 life terms. He sets about writing his biography which is eventually published. Then 7 years later in Toronto, student Lesra (Vicellous Reon Shannon) finds his biography in a pile of used books. He's a poor student from Brooklyn who is given a chance to study in Canada. With the biography, he starts a long journey to get Carter's release and his good name back with the help of his mentors Lisa (Deborah Kara Unger), Sam (Liev Schreiber) and Terry (John Hannah).

It's a very standard biopic from Norman Jewison. Carter's story is never in doubt. Most people would know the ending to the movie. So the tension is not that high. The investigation isn't that exciting. It's no John Grisham novel. However there is a compelling story, and a very compelling performance from Denzel Washington. He is exceptional in this as in many of his performances. There is also a nice side story of a young man who finds purpose in life.
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8/10
Denzel Washington is superior, a film with a strongly constructed message. ***1/2 out of ****.
Movie-127 February 2000
THE HURRICANE (1999) ***1/2

Starring: Denzel Washington, Liev Schreiber, John Hannah, Deborah Unger, Vicellous Reon Shannon, Dan Hedaya, Debbi Morgan, Clancy Brown, David Paymer, and Rod Steiger Directed by Norman Jewison. Written by Sam Chaiton. Based on the novel "The 16th Round," by Rubin "Hurricane" Carter. Running Time: 155 minutes. Rated R (for language and some violence).

By Blake French:

(The following review of "The Hurricane" contains a description plot description that may or may not be of a spoiling nature.)

The most amazing property of Norman Jewison's "The Hurricane" is that it would have been equivalently as powerful, equally as touching, and just as thought-provoking if there never lived a man named Rubin "The Hurricane" Carter. The movie is such a relevant, understandable feature, it has abundant emotional impact on the majority of an appreciative audience regardless if they realize it is based on an actual individual or not. This is one of the best movies of the year. In accordance with its many strong areas it succeeds in, the picture should present itself well when Academy Award time comes around.

"The Hurricane" tells the true story of famous African American middleweight boxing champion named Rubin "Hurricane" Carter. The time period is the late 1960's. Rubin spent more of his childhood being incarcerated in one way or another. The past is behind him, however, and Carter has miraculously turned his life around and raised a happy family consisting of a wife and young boy.

A corrupt police force wrongly accuses "The Hurricane" and his friend of murdering several innocent pedestrians when coming home from a party one evening. Det. Vincent Della Pesca, a cruel, racist law enforcer who has been after Rubin since he was a child, demands that Carter and his pal be named the killers. A half dead victim, full of hate towards his shooters, identifies Carter and his acquaintance as the terrorists. After a trail based on stacked lies, Rubin "Hurricane" Carter and his buddy are convicted and sentenced to three life sentences in a state prison.

While serving his term, Rubin puts the prison warden a fight it isn't ready for. Carter refuses to wear clothing that other convicts ware; he does not allow himself to be at the same level as others who have committed horrendous crimes. "I've committed no crime, a crime has been committed against me," states Carter in a powerful confrontation sequence. He makes several attempts for acquittal while serving his time--all are eventually denied. Carter eventually loses hope, orders his wife to divorce him, and becomes a strong, hardened prisoner, focusing only serving his time..

For years, Carter's innocent life is wasted away while concealed behind concrete walls. Rubin "Hurricane" Carter decides to write a book about his life experiences. In the book, Carter explains to his readers about the injustice that was served to him, the police corruption with so much malignity towards his race, his life as a child going up in a racist time, and his practice as a professional boxer. That publication, titled "The 16th Round," becomes a bestseller. However, as time passes, it becomes over looked, and forgotten.

This is where the movie's decisive script introduces several new, important characters. Lesra (Vicellous Reon Shannon), an African American teenager living with his Canadian foster parents, Sam Chaiton (Liev Schreiber), Terry Swinton (John Hannah), and Lisa Peters (Deborah Unger). One day, Lesra randomly picks up a book and it just so happens to be "The 16th Round." After reading it, and being emotionally touched, he begins to plead with his foster parents to help Carter fight for his redemption.

It is unusual and risky for a film to open a new series of events so far into the plot. However, "The Hurricane" contains character development among the year's best. Most of the production is spent explaining Rubin Carter to us in one way or another, which is why, as the story progresses, we care more and more about him. His development is not necessarily in a certain order, which is understandable here. The structure within the characters presents itself in a non-conventional approach. To my surprise, the narrative point of view, although about a specific character, is more omniscient than a first person like you'd expect.

Denzel Washington recently won a well-deserved Golden Globe award for his portrayal of Rubin Carter. He performs his character with a strong emotional foundation and realistic, vivid details. These qualities are what makes the character so empathetic. Also contributing fine performances are Liev Schreiber, John Hannah, Deborah Unger and Vicellous Reon Shannon, all with solid supporting roles.

Many of the scenes in "The Hurricane" come off as a little on the gentle side. Obviously the filmmakers believe in the theory about catching more flies with honey than sugar. Though the film still packs a powerful message, with such material, director Norman Jewison should have taken a more aggressive approach towards the movie's concepts, such as racism, corruption, and injustice. This somewhat mild advance on us displaces the film on a level just short of profound.

The film's theme of action propels the screenplay along a lengthy road of focused dramatic tension. Also furnishing the picture's visual narrative style, "The Hurricane" embodies superlative dialogue that is on the level of merit equal to a lesser "Forrest Gump." The actions and dialogue support each other here, constructing a strongly structured production.

"The Hurricane" is more about racism than injustice, more thematic in nature than subjective. It proves a solid moral about what society is like. A point that is powerful and touching because of its strong development...but also saddening because it's true.

Brought to you by Universal Pictures.
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6/10
The Hurricane not a TKO
djderka17 April 2011
That this movie is finely crafted is beyond doubt. The acting is good, and it is nicely photographed and edited, but when it belies the truth it drops several notches down.

According to many posters and factual material, the story line takes great liberty with the facts of Carter's life. A similar story was told in I AM A FUGITIVE FROM A CHAIN GANG with Paul Muni. Innocent man goes to jail, escapes, gets caught, goes back to jail. Only he was innocent and Carter seems guilty of a lot of antisocial activity.

In a sense the movie is racist because it portrays facts that are seemingly untrue for dramatic effect and to sell the film to "gullible" audiences searching for racism everywhere.

One of the lines in the movie is by the kid who is "adopted" by the Canadian couple, "are you helping me because I am black or do you have pity for me", all too often the answer is yes, which is a demeaning attitude.

During an interview, Tracy from SNL, was asked about Loren Michael hiring him and he said that Loren said, " I am hiring you because you are funny, not because you are black," and Tracy said that made all the difference to him in his career.

This movie really serves to fan the fires of injustice not to shed light on it. In the Heat of the Night and The Shawshank Redemption are much better examples of racial injustice and interracial friendships.

Perhaps if were called Round One, and been totally fictional it would have been more inspiring.
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5/10
Well why let the truth get in the way of a good story?
goreilly4019 June 2015
Warning: Spoilers
People have asked why didn't Denzel get the Oscar for this performance? Well first off it wasn't because the acting was bad by any means, he gives a very strong performance, which is why he was nominated to begin with. So why the Oscar went somewhere else was because of the distortion of the events this movie was based on. Lets start with the main man himself, the movie depicts Ruben Carter as a noble person who was the victim of racism and injustice, were as the real Carter was an unstable violent character with an extensive criminal record. Now the events the movie got wrong, Carter did not stab a child molester as a juvenile, it was assault and robbery. Carter was dishonourably discharged from the army and declared unfit for service, he was not the highly decorated solider depicted here. Carter was not robbed of the middleweight crown, Joey Giardello won the fight fairly, even Carter himself admitted this. Carter's boxing career was in decline at the time of his arrest, he was not about to challenge for the title. The main detective was not the foul mouthed racist who was obsessed with getting Carter, in reality he never met Carter before the murders, he rarely swore and was a sensitive individual due to a facial wound received during WW2, he couldn't have been present at the Federal Court hearing, he died years before. The Canadians did not find new evidence, neither did anyone else and nobody tampered with their car. Carter WAS tried by an all white jury in his first trial, but the second jury had two black members. I could go on and on about what the movie got wrong but there isn't enough space, this movie butchers so many facts and ruins the reputations of people, some of whom are not around to defend themselves. As I said before it's not a bad movie to be sure, however this is not a true telling of the story, by all means watch it but don't accept of what you see as fact.
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good old-fashioned entertainment
fiennes116 January 2000
Jewison's film is an old-fashioned biopic, complete with pivotal backstory, voiceover narration, and a character who enters the protagonist's life and changes it immeasurably. It's one of those stand-up-and-cheer movies where everyone seems to be against the hero, but above all odds (and with more than a little help from some of his friends), he rises above The System and gets his belated due. It's an oft-used scenario, with many scenes that could easily have been taken from Jewison's other films A SOLDIER'S STORY or IN THE HEAT OF THE NIGHT. Yet despite the familiarity of the storyline, I'll be damned if I wasn't choking back tears of elation at the movie's triumphant conclusion. It's a masterful piece of filmmaking that proves Norman Jewison's skill as a director, as he transcends the cliche-bound script and, with the help of Washington and company, makes it a powerful entity all its own.

As the Hurricane, Denzel Washington proves he is one of the best actors (if not THE best) in the business today. He can run the gamut from cold hatred to hearty laughter like few others can. He brings dignity and class to every one of his pictures (he was the only thing worth watching in THE BONE COLLECTOR). Here, he makes you FEEL every single thing he's feeling. In times of righteous indignation, you feel morally outraged alongside him. When he's at his most vulnerable, you can feel your throat constricting and your eyes watering. He has an uncanny knack for reaching into your soul and making you part of the picture itself; it's almost as if he's channelling the viewer while acting. Other actors delight in wowing the audience with grand theatrics and histrionics, but neglect to make the audience care; Denzel is usually soft-spoken and low-key, but always holds your attention.

In summary, THE HURRICANE was one of the most exhilarating motion picture experiences I've had all year. Norman Jewison directs with a deft surehandedness reminiscent of his late 1960s/early 1970s glory years, Denzel Washington delivers perhaps the most awe-inspiring performance of the year, and the audience goes home happy and feeling good about themselves and the world. What more could be asked for?
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10/10
If it weren't true, who would believe it?
rondine18 January 2000
This is an incredible story that should've been brought to the screen earlier. Yet it is enough recent history to make the viewer think, this happened while I was alive! Such injustice and racism in our time seems inconceivable to the enlightened mind. Yet I am reminded of racism when reading a reviewer saying that Spike Lee should've directed instead of Norman Jewison based soley on the color of his skin. Isn't that exactly what's wrong with racism? Making judgements based on a person's skin color? I thought Norman Jewison did a great job of directing this. Most of all, Denzel. What can I say, except that his acting isn't acting. It is the truest, purest and most sincere form of allowing someone to see into your soul. When I watch him it is my feelings that are dredged up, wrought out of me. I know watching him, that it is real and that's what makes it real for me, for the audience. That's why he should be this year's best actor- because he is it for not just a year, but always. Back to his screen debut in "Carbon Copy" where you could see his potential which has come to fruition. Awesome movie! You must see it to believe that there are still people this good in the world.
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10/10
Great director. Great actor. Great Movie.
sfgiantkwok25 December 1999
Denzel Washington is the greatest actor of our decade. This movie only confirms that. The guy can play any type of character from slave to civil rights leader. From crippled cop to wrongly-accused boxer. He can do anything well. He makes bad movies good. This movie is tremendous. Norman Jewison's direction is comparable to his "In the Heat of the Night." Great director. Great actor. Great Movie.
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7/10
Great performance Good film
paudieconnolly3 October 2019
Denzel Washington is brilliant in the film in every scene. It's a crazy and interesting story. So should have all the ingredients to be a great film instead what the filmmakers have left you with is a good film with an amazing performance.
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8/10
"It is very important to transcend the places that hold us."
classicsoncall5 August 2012
Warning: Spoilers
My rating for the picture has to do with the way the story was conveyed on film, irrelevant of the actual facts of the Rubin Carter murder case. In that respect, the movie is a pretty compelling one even if it runs a bit long. However on the flip side, as I read some other reviewers here and dip into some of the facts surrounding the murders, I have a real sense of disappointment that this turned into just another Hollywood 'treatment' of a controversial figure. Even the scene of Carter's match against Joey Giardello in which he was 'robbed' of the middleweight title can be fact checked against the actual footage of the fight, so where's the percentage in going against reality? I was ready to go all out about Carter's perseverance and the injustice of his situation, racism and corrupt cops, the whole nine yards, but now I have to over compensate for the picture's opening remarks stating that 'some characters have been composited or invented, and a number of incidents fictionalized'. Really? Composited, invented? That's a real downer.

I'll give Denzel Washington his due - his portrayal here proves he's a master of his craft. Dan Hedaya made you hate him as the corrupt Sergeant Detective, and he was a compelling figure too, but then again he was one of those invented characters. That Dylan song went a long way to inspire celebrity talent to take up the cause at the time, but I wonder how they feel now, Dylan, Ellen Burstyn, if in fact they bothered to learn more about the case than a surface treatment would suggest. I've always been suspect of films that billed themselves as 'based on a true story'. Now I have more reason than ever to be suspicious.
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6/10
Too manipulative, even with Denzel
Richard-19231 July 2000
I finished watching The Hurricane on video last night and felt vaguely uncomfortable. What was the problem?

After some thought, I realize that I felt highly manipulated by a poor script.

I am not a racist, but I don't like Hollywood's manipulation of a movie into what is really a racist view. The movie script makes almost all the characters out as caricatures of racism. The whites are either so purely evil or so purely altruistic that I found myself very discomforted. They're not real characters at all, with mixed motivations and feelings. The movie, in a sense, is racist in it's presentation of a difficult subject. It missed an opportunity to tell a deeper, more thought provoking story.

Hurricane Carter is played well by Denzel. Not Oscar material, but good.

What's disappointing is the degree to which the general population is easily manipulated by Hollywood's view of what should sell, what is Politically Correct and what we should feel and think.

Why couldn't a more realistic story be told, leaving viewers with more serious questions, like: What would I have done? Was there racism or was there judicial incompetence? Where was the truth? Who else would have had motivation for the murders?

Why is there so little criticism of this script and manipulation?
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10/10
A movie that got my attention from start to end.
talpel12 February 2000
It hard to imagine that this movie could really happened to one of us, hard to think that this movie is based on a true story...but it is...and got my attention from start to end. Denzel Washington gives a great performance, he makes you believe he's Rubin "Hurricane" Carter. It`s a movie that you must see!!!
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7/10
Outline is fine, but movie as a whole could have been much better.
sahuneeraj21 August 2020
As we all know, Filmmakers do take creative liberties and only God how much they have taken in this one. I don't know how true the events are. It is generally somebody's words against somebody else's. But as a movie it could have been so much better. Apart from Denzel Washington, most of the remaining cast looked out of sorts as far as acting is concerned. They ruined some of the scenes which could have been very engaging, the scenes were not as moving as the writers of the movie might have imagined. Bob Dylan's song is used very neatly. Historical data like pictures have also been used very carefully. On the whole, i would recommend this movie, but request you to not have very high hopes of it being a very good movie per se.
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10/10
A film about Ruben Hurricane Carter's attempt to overcome his false imprisonment.
Dr. Mike-33 January 2000
Possibly the best film of 1999. Denzel Washington is brilliant. When an actor of his stature is on screen, and you see his character as opposed to his celebrity, you know that Washington has done a good job. Predict a second Oscar for Washington. Film is nearly as good as he is.
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7/10
Justice MIA
damianphelps24 April 2021
I feel awkward saying how much I enjoyed the story and the movie when it's unfortunately based on a true story.

Denzel obliterates the viewer once again with a scintillating outing in the titular role.

If you don't know how the story plays out for real (which I didn't) then the movie is a rollercoaster of emotions and heart breaking events.

Whilst I felt considerable sympathy for Hurricane and his pain, I didn't find him a particularly likeable character. So I was rooting for some justice rather than the man.
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5/10
Menace 2 Society.
rmax3048231 November 2007
Warning: Spoilers
This is the story of a world-famous boxer unjustly imprisoned for more than two decades for felony murders he did not commit. His conviction, upheld in a second trial, before he is finally released by a federal court, is practically an operational definition of the term "railroaded." Rubin "Hurricane" Carter would still be in Trenton State Prison, a hell hole if there ever was one, if it hadn't been for the altruistic efforts of three adults and one adolescent member of a Canadian commune, who became amateur sleuths by accident.

The film isn't particularly complicated. In fact, it's dumbed down to a point beyond which a lack of comprehension would be attributed to pathology. Almost all the frissons that might have made this more than a simple tale of moral strength and fortitude have been left out or shaped to fit a familiar mold. Dan Hedaya, for instance, is Paterson, New Jersey's Detective Della Pesci, the personification of racist-motivated darkness. The only reason he's in the movie is to snarl, threaten, make foul racist remarks, chivvy Carter, and see to it that he spends as much time in the slams as possible. Now, imagine that the movie gives him edge and adds other dimensions. Imagine, instead of Detective Della Pesci, Inspector Javert of "Les Miserables," another police officer who simply cannot give up his persecution and yet is recognizably human rather than another familiar stereotype. It would have been so EASY to give the heavy a family and a dog or at least a social context -- rising black crime in the cities of the 1960s and the panic associated with it. Yet the writers and the director throw away any chance to turn the film into something other than a condemnation of racism and the white people infected by it. As a kid, Hurricane stabs a middle-aged white guy only to save his chum from an oily child molester. Does anyone believe this? Ho hum.

Not to diminish the heinous effects of racism (or, more generally, prejudice) in our justice system. It's an imperfect machine, and Carter suffered abominably for every fourteen-year-old black kid who ever decorated a brick wall with graffiti from a can of spray paint. During one of his trials, the prosecution refers to his having been convicted by "a jury of his peers" and Jewison gives us a long shot of the all-white jury, in case we might otherwise miss the point. We can't help being relieved when Carter is ultimately released, and can't help thinking somewhere in the back of our minds about those twenty years of imprisonment.

Nobody really has much to do as far as acting is concerned. Denzel Washington is pretty good at projecting pent-up anger and defiance. And the writers have his character develop too. At first he concentrates on turning his body into an instrument of power. But after reading some inspirational books he develops his mind as well, and in practical ways. He resists being swept up in the prison system by rejecting what sociologists have called "the small reward system" of total institutions. If favors are returned by cigarettes, Carter doesn't smoke. If submission leads to protection, Carter can do without the protection. His career in the Army, however, was not quite the smooth ride the movie gives us, but let's not dabble in too many discrepancies between art and life.

The other characters are rather blank. Life in the Canadian commune was evidently not lastingly satisfying. (Carter and Deborah Kara Unger's blond altruist were married, then divorced.) But we don't really get to know much about them. They -- and Carter's legal defense team -- are played mostly as bland do-gooders who would have failed if not pushed to the wall by the power of Carter's will.

There's a good movie around this story, lurking someplace, unorganized, entropic, waiting for someone to write it and put it on the screen. It's a parable of good and evil. Not of good people and evil people, but of people who are each, within themselves, good and evil, just like all the rest of us. But this isn't that movie.
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