7.6/10
477,236
1,348 user 266 critic

Minority Report (2002)

PG-13 | | Action, Crime, Mystery | 21 June 2002 (USA)
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0:31 | Trailer
In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.

Director:

Steven Spielberg

Writers:

Philip K. Dick (short story), Scott Frank (screenplay) | 1 more credit »
Popularity
771 ( 377)
Nominated for 1 Oscar. Another 20 wins & 89 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tom Cruise ... Chief John Anderton
Max von Sydow ... Director Lamar Burgess
Steve Harris ... Jad
Neal McDonough ... Fletcher
Patrick Kilpatrick ... Knott
Jessica Capshaw ... Evanna
Richard Coca ... Pre-Crime Cop
Keith Campbell ... Pre-Crime Cop
Kirk B.R. Woller ... Pre-Crime Cop
Klea Scott ... Pre-Crime Cop
Frank Grillo ... Pre-Crime Cop
Anna Maria Horsford ... Casey
Sarah Simmons Sarah Simmons ... Lamar Burgess' Secretary
Eugene Osment ... Jad's Technician
James Henderson ... Office Worker
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Storyline

In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

The system is perfect until it comes after you. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, brief language, some sexuality and drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Swedish

Release Date:

21 June 2002 (USA) See more »

Also Known As:

Total Recall 2 See more »

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Box Office

Budget:

$102,000,000 (estimated)

Opening Weekend USA:

$35,677,125, 23 June 2002

Gross USA:

$132,072,926

Cumulative Worldwide Gross:

$358,372,926
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | DTS | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Steven Spielberg turned to Lexus for some ideas in designing a car for the future, but the bulk of the designs were done by Harald Belker, who has also designed vehicles featured in Armageddon (1998) and xXx (2002). See more »

Goofs

When Anderton is arresting Howard Marks, he states the date as April 22. Later while Anderton is running, the commercial states the vote on the National Pre-Cog Initiative is on April 22 and later that same day while he is walking with Burgess, Lamar says that "in one week" the people will vote on the initiative. See more »

Quotes

Dr. Iris Hineman: I call it a gift, for them it was more like a big cosmic joke.
See more »

Crazy Credits

In Memory of Michael Macias See more »

Alternate Versions

In the theatrical version, Dr. Solomon Eddie shouts something in Swedish into the bathroom at Greta. The subtitle reads something like, "Wipe your ass and get out here." This line is absent in the VHS and DVD versions of the film. See more »

Connections

References Fair Game (1995) See more »

Soundtracks

Menuet, Allegro ma non troppo
(1790)
from "String Quartet in C Major, Op. 64, No. 1"
Written by Franz Joseph Haydn
Performed by The Angeles String Quartet
See more »

Frequently Asked Questions

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User Reviews

What must film makers do? This was GOOD - believe nothing else.
17 July 2002 | by DGoodgerSee all my reviews

I think some people just write reviews for sites like this because they like to complain. I actually find myself wondering if all the gripers here have actually seen Minority Report, as I just have, because I have to say that is one of the most gripping and involving movies I have seen in quite a while.

The content is amazing - all the little details that put the audience firmly in the middle of the 21st century. Personally I can absolutely believe that technology will have advanced in the kind of ways portrayed in the film within 50 years. Just look back 50 years into the past and you should be able to see why. The lives of everyday people in the film, where they are scanned and advertised 'at' all day every day, apart from an excuse for product placement (and why not?), certainly make you think about a world where 'they' know your every move (a future towards which we are already hurtling with some speed).

The style is amazing - why the wooden balls? Because they're cool is why. I like to think that as we progress as a civilization we will keep a few such elegant idiosyncrasies knocking around. The plastic, chrome and glass sets, objects and architecture all looked clean and functional and the way that they suck the color out of a scene worked well and gave the film a distinctive palette. The cars are the best looking vehicles I have ever seen in a film. I have only one criticism here - why do all the computer displays look like Macs? Surely a touch unrealistic ;)

The story is amazing - complicated, yes, but also engrossing, exciting and scary. There are elements here that are only hinted at, but which give the plot a depth increasingly lacking in modern action flicks. And it asks the kind of questions about morality, justice, exploitation and society that'll keep you thinking for much longer that the film's two and some hours.

The direction and performances are amazing - the pre-visualization on this movie must have been a nightmare and yet all the incredible special effects blend perfectly into a visual style that is completely natural and assured, as might be expected from Spielberg and Michael Kahn. There are, of course, numerous references and homages to the work of Stanley Kubrick, which have given a hint of the edge and flair of 'Clockwork Orange' or '2001'. I hope it will continue to be a big influence on Spielberg.

Cruise delivers a first class performance as usual, but the discovery of this film is Samantha Morton as Agatha. Who saw the film and didn't share her terror and vulnerability? Little touches such as the way she clings to Cruise, almost like a baby's reflex, make her a character you immediately care about, innocent and tragic.

Anyway, if that's not enough to recommend the film, then you'll probably never find another one you like again. But if you need another reason, go to see it just for another fantastic soundtrack from the master, John Williams.

Full marks, five stars, a must see several times and buy the DVD movie.


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