Based on the life of a classic french cineast Jean Vigo, the story follows his daily struggle with sanity, normal life and uncompromising filmmaking. Story also focuses on his relationship ... See full summary »
Is the story of Samantha and Dov Ernst, American Zionists who emigrated to Palestine. Kalkofsky, a German Jew and bookseller, left behind his family in Europe. He accommodates Silvia, a young revolutionary against British rule.
The film is set in Northern Ireland shortly after 1994 cease-fire. Hazel is a Protestant and Malachy a Catholic. Romance between them is threatened by Rohan (leader in militant underground ... See full summary »
A man is abducted from the streets of London and transported via secret flights to an unknown country. Held in solitary confinement and cut off from the outside world, he is plunged into a ... See full summary »
Somerset, 1958. Eva enters adulthood with good humor, keeping house for her absent-minded father, letting her younger sister Janie in on the secrets of growing up, working at a furniture ... See full summary »
Tells the extraordinary story of legendary musician Wilko Johnson who, diagnosed with incurable pancreatic cancer and given a few months to live, managed to accept his fate with uplifting ... See full summary »
Rachel discovers she is pregnant. Just as she is about to break the news to her stockbroker boyfriend Bill, he dumps her. Heartbroken and angry, Rachel takes Bill's cherished sports car, ... See full summary »
A manager hires Ray, off the books, to paint all the power towers in a 15-mile stretch of high-tension wires outside Sheffield. Ray's crew of men are friends, especially Ray with Steve, a ... See full summary »
The surname of Poet Laureate Robert Southey is mispronounced consistently by all actors and actresses throughout this movie. It should be "SUH-thee", not "SOUTH-ee". See more »
As they are rolling around from the effects of "Thornapple", the shot of the clouds rolling by show the quick streak of the exhaust of a jet airplane zipping from bottom to top of the picture. See more »
Samuel Taylor Coleridge:
Like one that on a lonesome road doth walk in fear and dread, and having once turned 'roud walks on and turns no more his head, because he knows a frightful fiend doth close behind him tred. 'Tis a strange place this limbo, not a place yet named so.
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The Cast Listing credits starts with Coleridge in modern day London. The soundtrack is Olivia Newton-John's 1980's hit, Xanadu. See more »
This beautifully filmed treasure was a special treat to watch, as it transported me into a different world and captured the feelings I had as a student of English literature studying Coleridge and Wordsworth. Through its artistic interpretation of the inner landscape of Coleridge's mind, it reawakened the emotions that Coleridge's poetry itself evoked. I applaud the credit it gave to the women in the lives of these two masters, particularly Dorothy Wordsworth, whose importance to the poetry itself was unrecognized in the original works and has always been underappreciated. The film really brought to life "The Rime of the Ancient Mariner," "Kubla Khan," and "Frost at Midnight."
The movie was so powerful because of the beautiful filming--the sets, scenery, costumes, etc., the photographic talents that captured these, the haunting background score, and the talented acting of the cast, particularly that of Linus Roach, who displayed a variety of emotional states so wonderfully, though I was really moved by Emily Woof's acting, as well. At first it seemed to me that John Hannah was merely walking through his role, but I now feel that the subdued acting was deliberate in portraying a much more sinister Wordsworth. I also applaud Samantha Morton and Samuel West for their roles.
The one odd thing about the movie was the segment shown during the final credits, in which Coleridge walks around in modern London, with dreadful popular modern music playing. I understand that a statement was being made, but it contrasted too sharply with the beauty of the film and the reverie in which I found myself. (The music was dreadful because of the contrast with the earlier context.) I really didn't need to be unkindly startled from the earlier sweet emotions. Only credit-watchers like me have to worry about it, though.
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