7.4/10
49,175
224 user 195 critic
Trailer
1:48 | Trailer
Several women enter a science fiction author's life over the course of a few years, after the author has lost the woman he considers his one true love.

Director:

Kar-Wai Wong (as Kar Wai Wong)

Writer:

Kar-Wai Wong (screenplay) (as Kar Wai Wong)
38 wins & 80 nominations. See more awards »

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Cast

Credited cast:
Tony Chiu-Wai Leung ... Chow Mo-wan (as Tony Leung)
Li Gong ... Su Li-zhen
Faye Wong ... Wang Jing-wen / Android
Takuya Kimura ... Tak / Wang Jing-wen's Boyfriend
Ziyi Zhang ... Bai Ling
Carina Lau ... Lulu / Mimi / Android
Chen Chang ... Mimi's Boyfriend
Jie Dong ... Wang Jie-wen
Maggie Cheung ... Su Li-zhen
Thongchai McIntyre Thongchai McIntyre ... Bird (as Bird Thongchai McIntyre)
Wang Sum Wang Sum ... Mr. Wang / Train Captain
Ping Lam Siu Ping Lam Siu ... Ah Ping
Rest of cast listed alphabetically:
Farini Cheung ... Party Girl
Sabrina Cheung Sabrina Cheung ... Party girl
Siu-Lung Ching ... Dabao
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Storyline

The story evolves around the main character, Zhou Mo Wan who writes a novel about a mysterious train that leaves for a place called 2046 every once in a while. Everyone who boards that train has the same intention - which is to recapture their lost memories. It is said that in 2046, nothing ever changed. Nobody knows for sure if it was true, because nobody who went there had ever come back- except for one. He had been there but He chose to leave. He wanted to change. Written by chicken noodles

Plot Summary | Add Synopsis

Taglines:

Where everything ends... and begins (Spanish translation) See more »

Genres:

Drama | Romance | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for sexual content | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

In one of the original versions, Tony Leung was to play a futuristic postman. See more »

Quotes

Chow Mo Wan: Whenever someone asked why I left 2046, I always gave them some vague answer. It was easier.
See more »

Alternate Versions

Chinese version is edited for sexuality in the Ziyi Zhang/Tony Leung love scene. See more »

Connections

Follows Days of Being Wild (1990) See more »

Soundtracks

2046 Main Theme
(With Percussion ~ Train Remix)
by Shigeru Umebayashi
(p) & © Block 2 Music Company Ltd.
See more »

User Reviews

 
Mesmerizing
20 October 2004 | by ken_lee54See all my reviews

Review: 2046 (2004) By Ken Lee

Several years in the making and highly anticipated, _2046_ (2004) should pacify director Wong Kar Wai's fans, at least, for its end-of-an-era feel and look. At its core, this is a decidedly (or deceptively) simple movie, in spite of its fractured and non-linear narrative. It tells the tale of an emotionally wrecked man, Chow Mo Wan (played by Tony Leung), a reprised character from Wong's critically acclaimed earlier oeuver, _In the Mood for Love (2000)_, and the many beautiful women he keeps and fails to keep, in a time-space continuance that is laden with sepia-tinted memories: a monologue, if you will, of Chow's torrid love affairs, love spats, and the ensuing heartbreaks resulting, no doubt, from the pangs of a failed liaison Chow is trying to escape. It'd appear that the failed relation with Su Lizhen (Maggie Cheung) in _In the Mood for Love_, who has a "special appearance" in this film, has changed Chow irrevocably, which is key to understanding Chow's troubled soul.

But it is not a sequel necessarily, per se, to _In the Mood for Love_. This film can still be watched on its own, though it'd certainly help if you could link moments in _2046_ to the director's earlier works, for it's laden with jumbled continuity (take the character of Lulu, for example, first seen in _Days of Being Wild (1991)_), hidden meanings (read: Neo-Godardian) and other fun stuff, sorta an insider's joke, if you dig such esoteric things. But I digress. And it's been said that this is a culmination of all the previous filmic experience of director Wong (bordering on narcissism); hence its "end-of-an-era" feel and look is duly appreciated and a point well taken.

In _2046_, Chow's isn't an easily likable character owing to the frailty and the vagaries of his own personal emotions and peccadilloes, but that makes him only human and real, and his character, believable. Take the following exchange:

Su Lizhen (Gong Li) to Chow Mo Wan (Tony Leung): Do you know my past?

Professional gambler Su (she who is of the same name as that of Maggie's character in _In the Mood for Love_) asked Chow, dissonantly, questioning the latter essentially whether there is a future for the both of them, if he cannot forget his past. And it's for the same reason, or so we're led to believe, that Bai Ling (Zhang Ziyi) is left devastated, as Chow cannot treat her any differently from the scores of other women he's seeing; hence eliciting the following memorable line from Bai which I'm sure speaks to most of us one way or another:

Bai Ling (Zhang Ziyi) to Chow Mo Wan (Tony Leung): You may not like me. But I'll like you all the same.

What fools we are made by love. :)

Contrasting Chow as a man who dwells in the past and in need of closure to move on, Tak (Kimura Takuya) isn't ambiguous when it comes to matters of the heart.

Tak (Kimura Takuya) to Wang Jingwen (Faye Wong): I do not know what your answer may be. (I dread to know.) But I need to know.

Here is a man who is not afraid to love and says his love. And he needs to know if his love is unrequited. And in seeking happiness, the message seems to be that there is no other way. Now why does this remind me of all the sorry tales with which we are all-too-familiar with men-who-cannot-commit-or-decide? :) And so the film is thusly replete with impressions of repeated variations of the same theme: the pointlessness of returning to the past. Which is why we have the following line:

Bai Ling (Zhang Ziyi) to Chow Mo Wan (Tony Leung): Why can't it be like before? (The same reason why nobody returns on the 2046 train, in Chow's sci-fi novel of the same name. Seen in this light, it is also a double-entendre for director Wong: Why can't this film be like the one before in the form of _In the Mood for Love_? Where does he go from here?)

Those familiar with Wong's earlier works will notice his signatures throughout: quick cutting, slow motion, fast motion, freeze frames, black and white, tilt shots, color filters, neon-sign lighting, aided ably by three able cinematographers. Production value of _2046_ is expectedly top-notch. Music by Shigeru Umebayashi is haunting and sets the right mood. Zhang Suping (William Chang Suk Ping) does a wonderful job in creating an enrapturing atmosphere set in the late '60s.

How great it is, in an otherwise desolate world of unease, vulnerability, hopelessness, and pathos, we have directors such as Wong to feast our senses. Highly recommended.


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Frequently Asked Questions

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Details

Country:

Hong Kong | China | France | Italy | Germany

Language:

Cantonese | Japanese | Mandarin

Release Date:

29 September 2004 (Hong Kong) See more »

Also Known As:

2046 See more »

Filming Locations:

China See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend USA:

$113,074, 7 August 2005

Gross USA:

$1,444,588

Cumulative Worldwide Gross:

$19,470,239
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

2.35 : 1
See full technical specs »

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