Chris Nielsen dies in an accident, and enters Heaven. But when he discovers that his beloved wife Annie has killed herself out of grief over the loss, he embarks on an afterlife adventure to reunite with her.
Cuba Gooding Jr.,
Young Trevor McKinney, troubled by his mother's alcoholism and fears of his abusive but absent father, is caught up by an intriguing assignment from his new social studies teacher, Mr. Simonet. The assignment: think of something to change the world and put it into action. Trevor conjures the notion of paying a favor not back, but forward--repaying good deeds not with payback, but with new good deeds done to three new people. Trevor's efforts to make good on his idea bring a revolution not only in the lives of himself, his mother and his physically and emotionally scarred teacher, but in those of an ever-widening circle of people completely unknown to him.Written by
Jim Beaver <firstname.lastname@example.org>
#1 It has to be something that really helps people. #2 Something they can't do by themselves. #3 I do it for them, they do it for three other people. These are the rules when you pay it forward on October 20th. See more »
Several pieces of promotional material (including some press kits) mistakenly referred to Kevin Spacey's character as Reuben Simone. See more »
After Arlene slaps Trevor, she goes into the garage looking for stashed alcohol. On the right side of the shelves she searches, there are two boxes of powder laundry detergent stacked one upon the other. Although each would weigh a few to several pounds even if only half full, she brushes them off the shelf with just a flick of her hand, revealing the boxes to be empty. See more »
Just the Sort of Treacle I Wrote When I Was Eleven
This was not a bad film; in fact, it was fairly well done, for what it was. Unfortunately, what it was was emotionally manipulative. Child abuse survivors, cute kids, recovering alcoholic mom working two jobs, this movie had it all. Above all, the director's vision was muddled. "Life is sh*t," says Trevor (Osment); by the end of the film, we can see that life is not sh*t after all. Or is it? The dramatic twist at the end (I won't spoil it for you) seemed to revoke the entire message of the movie. It had no apparent purpose, other than to lead up to the buy-the-world-a-coke, faux-heartwarming finale. The movie was not a total wash, however, as the genuinely solid performances from everyone involved lifted it above the sappy little mess it could have been. Osment is a gifted actor who manages to be a scared, vulnerable kid, without resorting to overt cuteness; he has a wary toughness which makes his performances very believable. Although I am admittedly ambiguous about Helen Hunt, she did turn in a very strong, thoughtful performance in a role that could easily have been one-sided or overplayed. Final analyss: If you like sentimentality, "Pay it Forward" is worth the effort, but it falls far short of a classic.
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