Metacritic reviews

Riveting, often haunting.

The carefully crafted Everything Put Together is unpredictably venturesome, and cinematographer Roberto Schaefer makes virtuoso use of digital video to create the images and movements that play so large a part in the film's success.

Mitchell -- gives a harrowing, beautifully conceived performance, the depth and arc of which can't be fully appreciated until the film's final scene.

A tale of yuppie conformity and domestic angst that quickly turns into a horror film.

In the end it all comes down to Mitchell. She turns in a truly harrowing performance that will leave you shaking.

The movie is ''Rosemary's Suburban Baby'' without a witch in sight.

Seeks to portray loss as a literal, convulsive nightmare, and it's not above resorting to horror-movie tropes and Grand Guignol trickery.

Unfortunately, director Marc Foster (who co-wrote the screenplay) never allows anyone except Mitchell to play more than a one-dimensional character.

Instead of a credible main character this 1999 button pusher has lots of showy cinematography and generic dread.

Roberto Schaefer's cinematography keeps things visually interesting, but spending an hour and a half with a gloomy, static lunatic hardly makes for a scintillating evening out, no matter how pretty she may be.