Camera

While a veteran actor (Leslie Carlson) laments the state of film and film acting, a group of young children sneak a Panavision camera into the apartment where the actor resides and decide to make a film with it.

While I understand that the inspiration for this film comes from a childhood dream that Cronenberg had, I am not at all clear on why he apparently made it much later in life and threw it on as an extra for "Videodrome". But it is interesting to note that Cronenberg in 2000 is not the man he was in, say, 1980. He has increasingly moved away from experimental film and is today (2013) largely mainstream. This same film made in 1980 would have likely had a very different -- perhaps surgical -- feel to it.

What is the message (if there is one)? Hard to say. Clearly it is about youth, aging, death, and the world of film and photography. But how does the camera affect aging? The common belief seems to be that photos keep us young forever, but the man in this film says almost the exact opposite...

Camera is a surreal, at times impenetrable film following the attempt of a group of young children to make a short film with an elderly actor using an antique camera. In the process, they examine many of Cronenberg's typical themes, all without the use of body horror.

Or is it? In the end, the film deals with the ultimate transformation of the body, death. The actor's monologue deals with his aging and mortality, and the way that the camera catches past moments. In some respects, this is the ultimate body horror, a very real threat to all people.

Simultaneously, this short deals with some of Cronenberg's past themes regarding technology and in particular the visual image. To a certain extent, the film is a meditation on how cinema captures chunks of the past. This visual focus makes it a good complement to Videodrome. (Indeed, it is included on the Criterion Collection DVD of said film.)

As some reviewers have stated, this film does not really have a narrative and can be difficult to decipher. However, I think most people who are actually willing to seek this film out will be able to appreciate it.

An old man sits in his home and tells how his group of children found an old camera and brought it home with them. He dreads the action of the camera but prepares himself to be filmed by it with an air of inevitability.

As I watched this I found it quite difficult to get into and struggled to understand what was going on. As I watched this I found this to be a weakness however afterwards I realised that it's strength is that it forces you to analyse it after you have finished watching it as you search for understanding. The film is essentially driven by a good performance by the man who practically gives a one man show (asides from the children). His fears over the effect of film are voiced well albeit without an abundance of explanation or clarity.

I don't know why the subject interested Cronenberg but he has made an interesting short regardless. The idea of film capturing the moment has always been a good thing to me – I never thought that it might be hard to know that the moment it captured is now gone forever and is not just another second of your life – it is more a finished chapter. Of course I may be just chattering here because I am still not 100% sure what it was getting at – but that is the reason I enjoyed it.

At times the direction seems a little clichéd, mostly notably when the old man is shot with a very close focus on his lower face, however this was only the odd shot. For the most part it is a clever mix of shots, all of which are held together by a well written and well delivered narrative.

Far from his most interesting work but this is still worth seeing as it is quite thought provoking and interesting. The downside for me was that, although thought provoking – I am still leave without good answers as to what it was actually getting at beyond my own interpretation.

A great short, one of the two best created by Canadian auteurs to serve as Preludes for the 25th Anniversary of the Toronto Film Festival. (The other MUST-see from the group is Guy Maddin's "Heart of the World".)

It is not a two-character piece (as misstated elsewhere), but a somewhat rambling, splendidly written monologue "filmed" by an intriguing on-screen crew of unlikely film makers. Warm, funny, ironic and profound (not qualities normally associated with Cronenberg), yet a wee bit little creepy (and with this director, could it be anything else?), it will haunt your memories. Inspired by a dream, it captures the irrational clarity and lurking unease of the dream state in a way that may remind you of Altman's "Three Women" or Lynch's "Eraserhead". This feeling of lucid drifting is a feat that many films attempt but few achieve.

All in all, "Camera" is a splendid few minutes of film, not easy to find, but well worth seeking out.

This is an extraordinary fable about aging and about film-making.

This old actor, unhappy with the route of his career is also the symbol of the great problem faced by the elder ones: looking back and not finding something to be proud about.

However youth comes to rescue him, giving him a chance to always be remembered by spectators and to feel useful to a new generation.

Especially well achieve by Cronenberg is the camera motion and positioning, which seems that of a child discovering all the potential of the found camera.

Pure brilliance!