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Kill Bill: Vol. 1 (2003)

Trailer
1:34 | Trailer
After awakening from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.

Director:

Quentin Tarantino

Writers:

Quentin Tarantino, Quentin Tarantino (character The Bride) (as Q) | 1 more credit »
Popularity
419 ( 4)
Top Rated Movies #174 | Nominated for 1 Golden Globe. Another 28 wins & 101 nominations. See more awards »

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Cast

Cast overview, first billed only:
Uma Thurman ... The Bride
Lucy Liu ... O-Ren Ishii
Vivica A. Fox ... Vernita Green
Daryl Hannah ... Elle Driver
David Carradine ... Bill
Michael Madsen ... Budd
Julie Dreyfus ... Sofie Fatale
Chiaki Kuriyama ... Gogo Yubari
Shin'ichi Chiba ... Hattori Hanzo (as Sonny Chiba)
Chia-Hui Liu ... Johnny Mo (as Gordon Liu)
Michael Parks ... Earl McGraw
Michael Bowen ... Buck
Jun Kunimura ... Boss Tanaka
Kenji Ohba ... Bald Guy (Sushi Shop) (as Kenji Oba)
Yuki Kazamatsuri ... Proprietor
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Storyline

The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins. Written by JD

Plot Summary | Plot Synopsis

Taglines:

The Fourth Film by Quentin Tarantino See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong bloody violence, language and some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | Japan

Language:

English | Japanese | French

Release Date:

10 October 2003 (USA) See more »

Also Known As:

Quentin Tarantino's Kill Bill: Volume One See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$22,200,000, 12 October 2003

Gross USA:

$70,099,045

Cumulative Worldwide Gross:

$180,899,045
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The Tokyo miniature sets were leftovers from the then most recent Godzilla film (Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001)). See more »

Goofs

When Edgar McGraw is in the chapel examining the aftermath of the massacre, he remarks to his father that "the name on the marriage certificate is Arlene Machiavelli". There wouldn't have been any marriage certificate as this was only the wedding rehearsal; Edgar means the name on the marriage license. See more »

Quotes

[first lines]
Bill: Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
[cocks pistol]
Bill: masochistic.
The Bride: Bill... it's your baby...
[BLAM!]
See more »

Crazy Credits

Presented in Shaw Scope See more »

Alternate Versions

Additional differences between the Japanese DVD vs UK Blu Ray Versions:
  • The opening credit 'Japanese Anime Production I.G., Tokyo Japan' replaces 'Special Effects Make-Up KNB EFX Group' and in the closing credits KNB replaces Production I.G.
  • When Gogo disembowels the Tokyo Business Man at the Bar, the blood spray goes on 1 second longer.
  • After Sofie has her Arm chopped off audio is the same but shot stays on Sophie spraying blood 1/2 second longer before going to the close up of O-Ren.
  • The Close up of Sofie spurting blood on the floor (Just before O-Ren says "Beat it Charlie Brown") is 3/4 of a second longer.
  • There are additional credits in Japanese after the English credits.
See more »

Connections

References Shadow Warriors (1980) See more »

Soundtracks

Death Rides a Horse
Written by Ennio Morricone
Performed by Ennio Morricone
Courtesy of BMG Ricordi S.P.A.
Under license from BMG Film and Television Music
See more »

Frequently Asked Questions

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User Reviews

An adrenaline-driven coaster-ride through gratingly bold and captivating martial-arts extravaganza.
9 October 2003 | by janyeapSee all my reviews

Sure it's outlandishly violent and bloody. Can anyone expect Tarantino's movie not to be a true mind-blowing, adrenaline-pumping shocker? Of course not! Gritty and slick, his first installment of KB rocks with moody western imagery, the '60s and '70s-era of Hong Kong martial arts-action, the influences of the ritualistic samurai swordsmanship, and Japanese anime. Like in all his films, Tarantino never fails to merge dark humor with terror. It's impossible not to smile over the Shaw Bros.' iconic introduction ploy and the De Palma-esque split screens. Observe the `Carrie' blank-starry eyed image settled on The Bride's gory face as she's introduced to the audience. Perhaps, Uma Thurman in her yellow suit is a salute to the yellow-suited Bruce Lee in his last film, The Game of Death. Or is The Bride 'Just another little Western girl playing at being a samurai' - as O-Ren Ishii blatantly puts it?

This film's a sampling of the Tarantino 'fury,' short of the Tarantino customary fiery tongue. It celebrates the Tarantino trademark of avoiding the use of computer-generated CGI special effects. It's almost as if I'm watching a colorful and bloodied kabuki stage that's displaying a stunningly massive tournament of multi-layered kung-fu and female samura sword-fighting styles to dazzle the audience. It's examining how Tarantino catalogues the great stylistic elements of his favorite 'old-school' filmmakers and transforms them into a phenomenally creative and mesmerizing film. Yep, there's a great deal of captivatingly artistic boldness in this film. Powerfully portrayed and not to be easily forgotten. Violently brutal and gloriously gory without doubt, and yet so aesthetically operatic and astoundingly artful. The music and lyrics that accompany the scenes are astounding. They set the moods so appropriately with the events.

Even at 'The House Of Blue Leaves', we get to see Tarantino weaving the artistic styles of Lucio Fulci, Chang-Che, Sergio Leone, Kurosawa, Zhang Yimou and Busby Berkeley to bring the audience a stylistic exhibit of remarkable montage grandeur. The themes of betrayal and revenge come off strong. Every camera shot and scene seems to scream out, non-stop, `Kill Bill and all of Bill's DVAS members.' My adrenaline's still flowing as I'm recalling the scenes. Tarantino has make a solid point with this film to show that martial arts scenes should stick to the artful and realistic choreographic treatment to sustain the true spiritual spirit of martial arts. A+


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