2,518 reviews
Just saw Kill Bill: Vol. 1 and was surprised, to be honest, at how incredibly GOOD this film is. Here is a craftsman (or artist, if you prefer) at the top of his game. Some of the shots are simply incredible; the score is, for the most part, vintage Tarantino selections- and the RZA does a very good job at filling the blanks; Uma Thurman is a great female lead, for sheer presence (and decent acting chops). Even Lucy Liu, who I expected was going to re-hash her Charlie's Angel character, burst on the scene like a flaming nunchuck.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
- emperorpasta
- Oct 9, 2003
- Permalink
Pros:
1. The bright colour palette does a wonderful job at highlighting the over-the-top nature of the film.
2. The entire animated sequence of the O-Ren Ishii (Lucy Liu) origin story is gorgeously animated, as well as being impactful and brutal.
3. The score envelops the movie in a pulsating lively aura, and adds reems of energy to the scenes.
4. The action and fight scenes are incredibly entertaining and brilliantly choreographed.
5. The editing is mostly top-notch, especially with the quick cuts adding a lot of vibrancy to the fight scenes.
6. The costume and set design create the outlandish world perfectly.
7. Both Uma Thurman (The Bride) and Lucy Liu deliver great performances.
8. The sound-mixing is very crisp and clean, and it adds so much weight to the action scenes.
9. The make-up and art production is off-the-charts and, in regards to the gore, helps to make the deaths to feel more potent in their execution.
Cons: 1. The slow-motion used is extremely unattractive and pointless. 2. There is annoying minor usage of stock action screams.
Cons: 1. The slow-motion used is extremely unattractive and pointless. 2. There is annoying minor usage of stock action screams.
- dommercaldi
- Sep 9, 2020
- Permalink
This is movie is unusual, but it works for me. It kept me intrigued from the beginning with the plot which is not entirely clearly, but that made it more interesting for me. There's a lot of action in the movie which I found excellent and enjoyed a lot. It might not be realistic, but its a movie so it doesn't have to be. The plot is amazing and I can't wait to watch volume 2 soon because of how intriguing volume 1 was.
- SafReviews
- Apr 25, 2019
- Permalink
- bevo-13678
- Jun 21, 2020
- Permalink
I can't explain why you like this movie so much. I don't know how rare this feeling comes to me. Actually this happens only for this movie. I don't know how can I explain why I like this movie so much. I don't like that much Samurai movies, I don't like that much Gangster movies. I don't know how this movie effected me this much. Is it revenge? No it doesn't have the greatest Screenplay.
I really don't know why. If someone would say "This movie is so nonsense, they're in modern times, so why are they fighting with Katanas? At least for not dying they could use guns." I would agree and can't argue.
Tarantino made an amazing Collage with this movie. But the things is I wasn't familiar with those, at least not one by one. So that's also does'nt explains completely why I like this movie so much.
So it could be the technical aspects. Right?
Yes it could be but I don't know any other movie that I rated 10 without amazing storyline.
Revolutionary acting scenes could be the reason.
Or maybe just the brilliant chosen Scores carries the movie?
I don't know there are so many things that could be the reason. I think all of them effects the movie positively. It has simple but effective screenplay that based on revenge. It has great action scenes, great technical aspects, great scores. Most importantly it is the Collage of so many things. It's the only movie that brings you the taste of Western with Samurai movies and so many more. Still I can't say why I like this movie in one sentence but I think the biggest reason is the great Collage.
I really don't know why. If someone would say "This movie is so nonsense, they're in modern times, so why are they fighting with Katanas? At least for not dying they could use guns." I would agree and can't argue.
Tarantino made an amazing Collage with this movie. But the things is I wasn't familiar with those, at least not one by one. So that's also does'nt explains completely why I like this movie so much.
So it could be the technical aspects. Right?
Yes it could be but I don't know any other movie that I rated 10 without amazing storyline.
Revolutionary acting scenes could be the reason.
Or maybe just the brilliant chosen Scores carries the movie?
I don't know there are so many things that could be the reason. I think all of them effects the movie positively. It has simple but effective screenplay that based on revenge. It has great action scenes, great technical aspects, great scores. Most importantly it is the Collage of so many things. It's the only movie that brings you the taste of Western with Samurai movies and so many more. Still I can't say why I like this movie in one sentence but I think the biggest reason is the great Collage.
Having seen Tarantino's 3 previous films, going into the cinema, my expectations for 'Kill Bill' were already over the roof. However, regardless of my high hopes for quality entertainment, I was not prepared for this film. I was dumbfounded. I was blown away. I had quite simply never seen anything even remotely like it.
In 'Kill Bill', the revenge plot serves only as a larger story arc, thus allowing Tarantino to play with as many different genres as he likes, and boy - what a mix he dishes out! With complete disregard for the conventions of filmmaking, he paints an expressionistic masterpiece in his own unique style, the likes of which the world has never seen before. Cinema rarely gets this exciting. With 'Kill Bill', Tarantino proved once and for all that all the hype around his persona is justified: he IS the most daring, original - and entertaining! - filmmaker of his generation. Simply amazing: 10 stars out of 10.
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget And B-Movies: http://www.imdb.com/list/ls054808375/
All-Time Favorite Films: http://www.IMDb.com/list/mkjOKvqlSBs/
In 'Kill Bill', the revenge plot serves only as a larger story arc, thus allowing Tarantino to play with as many different genres as he likes, and boy - what a mix he dishes out! With complete disregard for the conventions of filmmaking, he paints an expressionistic masterpiece in his own unique style, the likes of which the world has never seen before. Cinema rarely gets this exciting. With 'Kill Bill', Tarantino proved once and for all that all the hype around his persona is justified: he IS the most daring, original - and entertaining! - filmmaker of his generation. Simply amazing: 10 stars out of 10.
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget And B-Movies: http://www.imdb.com/list/ls054808375/
All-Time Favorite Films: http://www.IMDb.com/list/mkjOKvqlSBs/
- gogoschka-1
- Oct 27, 2015
- Permalink
It's a hefty price to pay, preparing for your wedding day, as your jilted lover Bill, arrives in time to maim and kill, left unconscious, comatose, muscles wasting, decompose, four years later you awaken, and you feel a little shaken, so you start to wiggle toes, then start looking for your foes, there are several scores to settle, you know how to use sharp metal.
The Bride starts to track down her past acquaintances and leaves them under no illusion how cold her revenge can be when it comes to finding the whereabouts of the titular Bill. In the style of several classic film genres from several countries, if the pursuit of ultra-violent and vicious vendetta with serious loss of blood and body parts is your thing, then you've come to the right place. Also contains great dialogue.
The Bride starts to track down her past acquaintances and leaves them under no illusion how cold her revenge can be when it comes to finding the whereabouts of the titular Bill. In the style of several classic film genres from several countries, if the pursuit of ultra-violent and vicious vendetta with serious loss of blood and body parts is your thing, then you've come to the right place. Also contains great dialogue.
A lot of people have come up to me and said "How can you love Quentin that much, he is just too extreme!" or "Oh come on, Kill Bill is just SO not realistic.." Yes. No.
Mr. Quentin Tarantino is rather extreme, yes, and it's lovely! And No. Kill Bill is not realistic, but it's not meant to be realistic! Just like... Lord of the Rings, that's not realistic either! But because it has clear unreal elements, like wizards, it's acceptable?
You don't go to see Kill Bill, or any other Q.T-film to see "Stepmom", in the same way you don't go to a Marilyn Manson concert hoping that they will play some Spice Girls..
Kill Bill, both volume 1 and 2, is absolutely gorgeous! The art direction is beautiful! The camera angles are perfect... just Gorgeous! The lighting, the sound, the dialogs... and of course, the details! No one works with small details the way Quentin does. I must also say that the soundtrack is brilliant and the whole film is just so well casted! Uma Thurman is perfect in the leading role, Darryl Hannah has never been this good before, ever! And Chiaki Kuriyama, even though she has a quite small role, is excellent, even better than she is in "Battle Royale". David Carradine is painfully perfect, Michael Madsen is ALWAYS excellent, but never as good as when he works with Tarantino. I must also say that Sonny Chiba was great. I've never been a big fan of Vivica A Fox until now, and I used to think that Lucy Liu was just your average actor but she turned out to be fierce. Pretty much everyone who is in this film is ten times better than they've ever been.
But above all things, Kill Bill is artistic, beautiful... Perfect colors, perfect everything... gotta love it.
Mr. Quentin Tarantino is rather extreme, yes, and it's lovely! And No. Kill Bill is not realistic, but it's not meant to be realistic! Just like... Lord of the Rings, that's not realistic either! But because it has clear unreal elements, like wizards, it's acceptable?
You don't go to see Kill Bill, or any other Q.T-film to see "Stepmom", in the same way you don't go to a Marilyn Manson concert hoping that they will play some Spice Girls..
Kill Bill, both volume 1 and 2, is absolutely gorgeous! The art direction is beautiful! The camera angles are perfect... just Gorgeous! The lighting, the sound, the dialogs... and of course, the details! No one works with small details the way Quentin does. I must also say that the soundtrack is brilliant and the whole film is just so well casted! Uma Thurman is perfect in the leading role, Darryl Hannah has never been this good before, ever! And Chiaki Kuriyama, even though she has a quite small role, is excellent, even better than she is in "Battle Royale". David Carradine is painfully perfect, Michael Madsen is ALWAYS excellent, but never as good as when he works with Tarantino. I must also say that Sonny Chiba was great. I've never been a big fan of Vivica A Fox until now, and I used to think that Lucy Liu was just your average actor but she turned out to be fierce. Pretty much everyone who is in this film is ten times better than they've ever been.
But above all things, Kill Bill is artistic, beautiful... Perfect colors, perfect everything... gotta love it.
- C-rocodile
- Feb 28, 2005
- Permalink
I know it's a couple years late, but I had to write a review for some of the few people that haven't seen one of my favorite and refreshing I've seen over the last few years. Kill Bill Vol. 1 is yet another quality film of Tarantino's short, but distinguished list.
Kill Bill involves a nameless woman (Uma Thurman) who is slowing seeking revenge on her former hit squad the Viper Squad and her boss Bill (David Caradine.) Her former hit squad wronged her by gunning down her closest friends and family during her wedding and putting her into a coma while being pregnant. A few years later she awakens in a hospital, without child, and tries to track down each member of the squad. As the story progresses (through this film and the sequel), you find out who she really, why Bill wanted her dead and the fate of her daughter.
The movie is really a combination of Tarantino's love for the 70's over-dramatized Kung-Fu movie era and story of revenge with rich dialog. Yes, this movie is violent, but in a cheesy way. This created some controversy and really had audiences stirred up, failing to realize it was supposed to be over the top without no sense of realism. Like I said, it was supposed to be a tribute more so than a gruesome action flick. With all cheesiness aside, I can understand how some people could feel a little woozy after seeing someone lose an arm and having 4 gallons of Kool-Aid red blood shoot out of the body like a whale's blow hole. What really makes this movie is Tarantino ability to make bad to mediocre actors seem like good ones, a smart and hilarious dialog and a good storyline. Of course, this is what he does in pretty much in all of his movies.
There are various plot holes in the story, but we are really meant to ignore them unlike most movies. Just like the gory scenes, come to grips to the fact that the most of the implausibilities are there just to fill in the gaps of the movie. The movie also features a couple of classic Tarantino showdowns, including an unforgettable one with the Japanese infamous crime lord, O-Ren Ishii (Lucy Lui.) Once again, Tarantino puts his imagination at work again in his story telling by using some of his old techniques like jumping timelines and some new ones like adding Japanese animation for character backgrounds.
I wouldn't really recommend this film to someone who is really not from the Pulp Fiction era. This film is really just homage to flicks that frequently appear on Sunday Samurai Showcase, revenge and Tarantino's continuous fascination with Uma Thurman. This film contains extreme violence and sometimes strange dialog coupled with some pretty good acting and directing. If you're not a fan of Tarantino's films, you should pass on this one because it is doesn't stray to far from his other stuff. If you like his other works, this is a must see due to its originality and quality. And, if you just don't like Tarantino himself, and find him annoying like everybody else, I don't blame you but it's still worth your while seeing.
Kill Bill involves a nameless woman (Uma Thurman) who is slowing seeking revenge on her former hit squad the Viper Squad and her boss Bill (David Caradine.) Her former hit squad wronged her by gunning down her closest friends and family during her wedding and putting her into a coma while being pregnant. A few years later she awakens in a hospital, without child, and tries to track down each member of the squad. As the story progresses (through this film and the sequel), you find out who she really, why Bill wanted her dead and the fate of her daughter.
The movie is really a combination of Tarantino's love for the 70's over-dramatized Kung-Fu movie era and story of revenge with rich dialog. Yes, this movie is violent, but in a cheesy way. This created some controversy and really had audiences stirred up, failing to realize it was supposed to be over the top without no sense of realism. Like I said, it was supposed to be a tribute more so than a gruesome action flick. With all cheesiness aside, I can understand how some people could feel a little woozy after seeing someone lose an arm and having 4 gallons of Kool-Aid red blood shoot out of the body like a whale's blow hole. What really makes this movie is Tarantino ability to make bad to mediocre actors seem like good ones, a smart and hilarious dialog and a good storyline. Of course, this is what he does in pretty much in all of his movies.
There are various plot holes in the story, but we are really meant to ignore them unlike most movies. Just like the gory scenes, come to grips to the fact that the most of the implausibilities are there just to fill in the gaps of the movie. The movie also features a couple of classic Tarantino showdowns, including an unforgettable one with the Japanese infamous crime lord, O-Ren Ishii (Lucy Lui.) Once again, Tarantino puts his imagination at work again in his story telling by using some of his old techniques like jumping timelines and some new ones like adding Japanese animation for character backgrounds.
I wouldn't really recommend this film to someone who is really not from the Pulp Fiction era. This film is really just homage to flicks that frequently appear on Sunday Samurai Showcase, revenge and Tarantino's continuous fascination with Uma Thurman. This film contains extreme violence and sometimes strange dialog coupled with some pretty good acting and directing. If you're not a fan of Tarantino's films, you should pass on this one because it is doesn't stray to far from his other stuff. If you like his other works, this is a must see due to its originality and quality. And, if you just don't like Tarantino himself, and find him annoying like everybody else, I don't blame you but it's still worth your while seeing.
- Leofwine_draca
- Aug 9, 2016
- Permalink
Like many of Tarantino's films, this movie features exaggerated, action-packed, and gruesome fight scenes, but with a darkly comedic element. The main plot of this film is an anonymous woman who is referred to as "The Bride" is shot by a man named Bill, with whom she used to be acquainted with. She is then in a coma for four years and when she awakes is fearless when preparing to fight Bill and the other members of his Deadly Viper Assassination Squad. While it is in the style of a classic, action-packed thriller, this movie is anything but ordinary. With exaggerated and comedic, but still suspenseful fight scenes, intelligent dialogue, stellar acting, and more this is a must-see for all Tarantino fans, martial arts movie fans, action movie fans, and anyone else who wants to enjoy the first two of four hours of purely entertaining from start to finish action.
It's a good movie but with loads of gore and guts . It's a typical Tarantino film , several murders , fights and plot twists . The film mingles martial arts , Hong Kong movies , Spaghetti Western , action movies with Japanese Manga or anime .
Uma Thurman is wonderful and overblown . Uma came up with the film's opening shot of her beaten up and wearing a wedding gown . Her struggle with the enemies is incredible , the training with the master ¨Xian Ping¨ has been extraordinary , likeness to Matrix . Although numerous scenes were done by Zoë Bell , Uma Thurman's stunt double , as the shot where the Bride splits a baseball in two with a samurai sword was done for real on the set . Luci Liu is also unbelievable , her performance is breathtaking , as well as the fighting against Uma Thurman . Support cast is frankly well , such as : Vivica A. Fox , Daryl Hannah , Julie Dreyfus , Michael Madsen , Kuriyama , Michael Parks , James Parks , Michael Bowen and Sonny Chiba as the old master . David Carradine makes an invisible intervention , his acting stays for the second part .
Interesting and stirring screenplay , according to Quentin Tarantino and Uma Thurman the idea for doing "Kill Bill" began during the filming of Pulp Fiction (1994) , the two began talking about the kinds of movies that they would like to do and Quentin said he would like to do a 70's style kung-fu flick . Thrilling and moving musical score by RZA. Colorful as well as evocative cinematography by Robert Richardson . The motion picture was compellingly directed by Quentin Tarantino . Rating : Above average.
Uma Thurman is wonderful and overblown . Uma came up with the film's opening shot of her beaten up and wearing a wedding gown . Her struggle with the enemies is incredible , the training with the master ¨Xian Ping¨ has been extraordinary , likeness to Matrix . Although numerous scenes were done by Zoë Bell , Uma Thurman's stunt double , as the shot where the Bride splits a baseball in two with a samurai sword was done for real on the set . Luci Liu is also unbelievable , her performance is breathtaking , as well as the fighting against Uma Thurman . Support cast is frankly well , such as : Vivica A. Fox , Daryl Hannah , Julie Dreyfus , Michael Madsen , Kuriyama , Michael Parks , James Parks , Michael Bowen and Sonny Chiba as the old master . David Carradine makes an invisible intervention , his acting stays for the second part .
Interesting and stirring screenplay , according to Quentin Tarantino and Uma Thurman the idea for doing "Kill Bill" began during the filming of Pulp Fiction (1994) , the two began talking about the kinds of movies that they would like to do and Quentin said he would like to do a 70's style kung-fu flick . Thrilling and moving musical score by RZA. Colorful as well as evocative cinematography by Robert Richardson . The motion picture was compellingly directed by Quentin Tarantino . Rating : Above average.
I cannot believe that people genuinely enjoy this movie. I was yearning for the exit after the first 20 minutes. And yes, I am familiar with all of the movies that Tarantino is straight RIPPING OFF and I enjoyed them. This "film" has absolutely no narrative. It has no value. It stinks. Go rent a best of asian action movie and a couple of anime flicks. You'll have a better time. I swear. This movie SUCKED!
- harrison-4
- Oct 23, 2003
- Permalink
I did not realize it's been that long until I wrote the title for this review... time flies. But the good thing about it, is that Kill Bill doesn't feel dated. I guess that's the advantage of making an homage movie with elements that are purposefully reminiscent of old movies... the final result is pretty timeless. This is pure Tarantino having fun creating something straight from Wire Fu and Chambara movies I'm sure were part of his childhood. Other movies may have more impressive fight choreographies but to this day the Lucy Liu / Uma Thurman fight is one of the best executed: pacing, cinematography, music... just perfect. Highly recommended as a classic Tarantino that doesn't age.
The music first is breathtaking. The action is mind boggling. The animation is something magical. I am going to see all of the Kill Bills. Uma Thurman redefines herself and every woman alive. This is Wonder Woman times 10. Bravo Terrantino you deserve kudos for this majestic work.
- sjanders-86430
- Nov 16, 2020
- Permalink
Man, what a film. As a fan of 70's martial arts movies, it was great to see all of the references. I also thought the use of B&W throughout was extremely effective. The cartoon sequences seemed a bit much, but did fit in with the overall feel of the film. I have seen many people posting about the sheer amount of blood and guts, but you have to remember this was Tarantino's homage to Bruce Lee-era action pictures. In those movies, the stories were very similar epics of revenge, and they never had much of a budget for good "gore" effects. It was more or less "throw some fake blood on the guy who just got killed" type of effects, which were duplicated accurately by some of the deaths in this movie. The plot also followed closely the plot of most 70's Kung Fu movies; something despicable happens to the weak hero (whole village razed, family slaughtered, etc..) and the hero goes away for years to learn the secrets of a particular style of Kung Fu. All of these movies contained the "secret move" which the master normally does not teach, except of course, in this rare instance. That move, as depicted in Kill Bill Vol. 2, is always used on the evil leader of the clan whom had brought death and chaos to the hero.
Kill Bill was a terrific modern take on those movies which were always set in ancient China. I was very impressed with Uma Thurman's swordplay, at no point did I feel that it looked scripted or fake. Even when fighting against more than 50 Crazy 8's, it replicated admirably the incredibly one-sided fights from some of the best martial arts movies made 30 years ago.
All in all, a great and original film! R.
Kill Bill was a terrific modern take on those movies which were always set in ancient China. I was very impressed with Uma Thurman's swordplay, at no point did I feel that it looked scripted or fake. Even when fighting against more than 50 Crazy 8's, it replicated admirably the incredibly one-sided fights from some of the best martial arts movies made 30 years ago.
All in all, a great and original film! R.
- planktonrules
- Feb 4, 2010
- Permalink
Kill Bill: Vol. 1 (2003) is a unique film. I've never seen anything quite like it. My commentary for this film is almost all positive. First off, the cast really blew me away, each and every actor did a great job with their respective roles. Uma Thurman is a terrific actress and she was definitely the right choice to play the lead character. Thurman commands this role and you are transfixed by her in every scene she's in. It's not just the action sequences that she is great in, she's just perfect for the role all around. And it wasn't just her that I loved, I also liked Vivica A. Fox, Daryl Hannah, and Lucy Lui. They all showed off their acting chops here, especially Fox, I personally loved her short time she's in the film. The writing is well done, I especially enjoyed Thurman's dialogue, the well written dialogue and the impressive way that she delivers that dialogue all comes together to make something great. I think most movie goers will enjoy this acclaimed movie, as long as they're not too conservative that is. I say that because the violence is truly graphic and very bloody, but in a strange way it kinda works for this one. I'm usually not a big fan of that, but here it works. Good job Tarantino! 8/10.
- davispittman
- Feb 27, 2018
- Permalink
Sure it's outlandishly violent and bloody. Can anyone expect Tarantino's movie not to be a true mind-blowing, adrenaline-pumping shocker? Of course not! Gritty and slick, his first installment of KB rocks with moody western imagery, the '60s and '70s-era of Hong Kong martial arts-action, the influences of the ritualistic samurai swordsmanship, and Japanese anime. Like in all his films, Tarantino never fails to merge dark humor with terror. It's impossible not to smile over the Shaw Bros.' iconic introduction ploy and the De Palma-esque split screens. Observe the `Carrie' blank-starry eyed image settled on The Bride's gory face as she's introduced to the audience. Perhaps, Uma Thurman in her yellow suit is a salute to the yellow-suited Bruce Lee in his last film, The Game of Death. Or is The Bride 'Just another little Western girl playing at being a samurai' - as O-Ren Ishii blatantly puts it?
This film's a sampling of the Tarantino 'fury,' short of the Tarantino customary fiery tongue. It celebrates the Tarantino trademark of avoiding the use of computer-generated CGI special effects. It's almost as if I'm watching a colorful and bloodied kabuki stage that's displaying a stunningly massive tournament of multi-layered kung-fu and female samura sword-fighting styles to dazzle the audience. It's examining how Tarantino catalogues the great stylistic elements of his favorite 'old-school' filmmakers and transforms them into a phenomenally creative and mesmerizing film. Yep, there's a great deal of captivatingly artistic boldness in this film. Powerfully portrayed and not to be easily forgotten. Violently brutal and gloriously gory without doubt, and yet so aesthetically operatic and astoundingly artful. The music and lyrics that accompany the scenes are astounding. They set the moods so appropriately with the events.
Even at 'The House Of Blue Leaves', we get to see Tarantino weaving the artistic styles of Lucio Fulci, Chang-Che, Sergio Leone, Kurosawa, Zhang Yimou and Busby Berkeley to bring the audience a stylistic exhibit of remarkable montage grandeur. The themes of betrayal and revenge come off strong. Every camera shot and scene seems to scream out, non-stop, `Kill Bill and all of Bill's DVAS members.' My adrenaline's still flowing as I'm recalling the scenes. Tarantino has make a solid point with this film to show that martial arts scenes should stick to the artful and realistic choreographic treatment to sustain the true spiritual spirit of martial arts. A+
This film's a sampling of the Tarantino 'fury,' short of the Tarantino customary fiery tongue. It celebrates the Tarantino trademark of avoiding the use of computer-generated CGI special effects. It's almost as if I'm watching a colorful and bloodied kabuki stage that's displaying a stunningly massive tournament of multi-layered kung-fu and female samura sword-fighting styles to dazzle the audience. It's examining how Tarantino catalogues the great stylistic elements of his favorite 'old-school' filmmakers and transforms them into a phenomenally creative and mesmerizing film. Yep, there's a great deal of captivatingly artistic boldness in this film. Powerfully portrayed and not to be easily forgotten. Violently brutal and gloriously gory without doubt, and yet so aesthetically operatic and astoundingly artful. The music and lyrics that accompany the scenes are astounding. They set the moods so appropriately with the events.
Even at 'The House Of Blue Leaves', we get to see Tarantino weaving the artistic styles of Lucio Fulci, Chang-Che, Sergio Leone, Kurosawa, Zhang Yimou and Busby Berkeley to bring the audience a stylistic exhibit of remarkable montage grandeur. The themes of betrayal and revenge come off strong. Every camera shot and scene seems to scream out, non-stop, `Kill Bill and all of Bill's DVAS members.' My adrenaline's still flowing as I'm recalling the scenes. Tarantino has make a solid point with this film to show that martial arts scenes should stick to the artful and realistic choreographic treatment to sustain the true spiritual spirit of martial arts. A+
Brutal and kick-ass. Kill Bill really brings it all from a fun and iconic score, to some savage action that leaves you wanting more.
Kill Bill has an extreme lead protagonist with Uma Thurman as The Bride. And finally, we get a character who doesn't have extreme plot armor, fails and gets back up, and has true challenges and threats. That all combined gives you a lovable character that has you cheering for her for the entire film.
On another note, the cinematography and editing merged with the vicious, blood soaked action is something to be cherished. It's so simple in its execution, yet there are some really beautiful shots and scenes in this film that stick out so much.
The black / blue silhouetted fight scene is definitely one of my favorites. There's even a short animated sequence in this that threw me off at first but really fits in snug with the rest of the film.
All in all, I think it's safe to say that Kill Bill officially is one of my favorite action films now. Simple in the best way possible, giving light to some brilliant performances, an iconic score, and some fun, brutal action.
- chandean-69762
- Jan 16, 2021
- Permalink
Quentin Tarantino is certainly a cinephile's director. Many of the reviews that gut this film laud his abilities and his other works. An undeniably distinctive auteur, Tarantino is often criticized for self-indulgence, but that is what makes each of his works feel like a monument to a vision.
"Kill Bill" feels like a schoolboy's dream about an unstoppable protagonist who faces impossible odds. Take Bruce Lee's "Enter the Dragon", infuse it with the stylistic sensibilities of anime, and accent it with pop culture references, especially some strong musical numbers. The result is a personal saga that is the stuff of mythology.
Uma Thurman is the nameless protagonist who virtually rises from the dead to seek a vengeance of desolation and mutilation. A perfect blade is fashioned for her mission, and it amplifies her lethality. Thurman gives a multi-leveled performance full of emotion and cold determination. She faces some strong adversaries and their minions, and she suffers through the terrible toll of her quest.
Stylistically, KB plays with slo-mo, bold colors, silhouettes, and "Crouching Tiger" physics. Tarantino uses angles and viewpoints effortlessly.
In one of the film's best moments, Thurman faces off against Lucy Liu, circling to the strains of Santa Esmerelda's introduction to "Don't Let Me Be Misunderstood"---one of the greatest dance tracks of all time. In a less subtle scene, she takes to the dance floor in a break-dance killing frenzy to "Nobody But Me" by the Human Beinz.
A major question for each viewer is: how much gore is too much? Tarantino never shies from depicting carnage and dismemberment. In fact, he glorifies it in this film which, for my sensibilities, is an unnecessary distraction and a tasteless extravagance. In one scene he creates a literal bloodbath (bath of blood). Consequently, this film is not for everyone.
"Kill Bill" feels like a schoolboy's dream about an unstoppable protagonist who faces impossible odds. Take Bruce Lee's "Enter the Dragon", infuse it with the stylistic sensibilities of anime, and accent it with pop culture references, especially some strong musical numbers. The result is a personal saga that is the stuff of mythology.
Uma Thurman is the nameless protagonist who virtually rises from the dead to seek a vengeance of desolation and mutilation. A perfect blade is fashioned for her mission, and it amplifies her lethality. Thurman gives a multi-leveled performance full of emotion and cold determination. She faces some strong adversaries and their minions, and she suffers through the terrible toll of her quest.
Stylistically, KB plays with slo-mo, bold colors, silhouettes, and "Crouching Tiger" physics. Tarantino uses angles and viewpoints effortlessly.
In one of the film's best moments, Thurman faces off against Lucy Liu, circling to the strains of Santa Esmerelda's introduction to "Don't Let Me Be Misunderstood"---one of the greatest dance tracks of all time. In a less subtle scene, she takes to the dance floor in a break-dance killing frenzy to "Nobody But Me" by the Human Beinz.
A major question for each viewer is: how much gore is too much? Tarantino never shies from depicting carnage and dismemberment. In fact, he glorifies it in this film which, for my sensibilities, is an unnecessary distraction and a tasteless extravagance. In one scene he creates a literal bloodbath (bath of blood). Consequently, this film is not for everyone.
Quentin Tarantino's "Kill Bill: Volume 1" is nothing short of a cinematic masterpiece-an adrenaline-fueled revenge epic that redefines the genre with style, flair, and unapologetic violence. From the moment the iconic yellow jumpsuit-clad Bride, played with fierce intensity by Uma Thurman, bursts onto the screen, audiences are thrust into a world where honor, vengeance, and artistry collide in a stunning ballet of blood.
Tarantino weaves together a stylistic tapestry that pays homage to a plethora of genres-from martial arts films to spaghetti westerns-while maintaining his signature blend of dark humor and poetic dialogue. The action sequences are carefully choreographed to perfection, showcasing breathtaking sword fights and explosive showdowns that leave viewers both exhilarated and breathless. The sushi shop showdown is a standout moment, where Thurman's unstoppable fury meets a cadre of masked assailants in a whirlwind of expertly crafted combat.
Cinematographer Robert Richardson captures each scene with a striking visual aesthetic, alternating between vibrant colors and shadowy noir vibes, enhancing the film's overall impact. Coupled with a pulsating soundtrack that seamlessly ties together the narrative, every scene is a work of art-each frame begging to be paused and appreciated.
Tarantino's talent for character development shines through. Each member of the Deadly Viper Assassination Squad is more than just an adversary; they are richly drawn figures with their own unique stories and motivations. David Carradine's enigmatic Bill looms large, a haunting presence that adds depth to the unfolding drama, and his relationship with the Bride is layered and complex, setting the stage for the ultimate showdown.
"Kill Bill: Volume 1" is not for the faint of heart-its brutal violence and graphic imagery may challenge some viewers, but for those who embrace it, the film delivers a cathartic experience unlike any other. As the Bride embarks on her quest for vengeance, the audience is taken on a wild ride filled with jaw-dropping moments, unexpected twists, and an empowering narrative of resilience and determination.
In a world filled with cookie-cutter action flicks, Tarantino's bold vision breathes fresh air into the genre. "Kill Bill: Volume 1" is a kaleidoscopic explosion of style, substance, and savagery-an unforgettable cinematic journey that demands to be seen. This is more than a film; it is a declaration of vengeance wrapped in a stunning visual feast. Whether you're a seasoned Tarantino fan or a newcomer to his work, "Kill Bill: Volume 1" is an essential, badass experience that will leave you craving more.
Tarantino weaves together a stylistic tapestry that pays homage to a plethora of genres-from martial arts films to spaghetti westerns-while maintaining his signature blend of dark humor and poetic dialogue. The action sequences are carefully choreographed to perfection, showcasing breathtaking sword fights and explosive showdowns that leave viewers both exhilarated and breathless. The sushi shop showdown is a standout moment, where Thurman's unstoppable fury meets a cadre of masked assailants in a whirlwind of expertly crafted combat.
Cinematographer Robert Richardson captures each scene with a striking visual aesthetic, alternating between vibrant colors and shadowy noir vibes, enhancing the film's overall impact. Coupled with a pulsating soundtrack that seamlessly ties together the narrative, every scene is a work of art-each frame begging to be paused and appreciated.
Tarantino's talent for character development shines through. Each member of the Deadly Viper Assassination Squad is more than just an adversary; they are richly drawn figures with their own unique stories and motivations. David Carradine's enigmatic Bill looms large, a haunting presence that adds depth to the unfolding drama, and his relationship with the Bride is layered and complex, setting the stage for the ultimate showdown.
"Kill Bill: Volume 1" is not for the faint of heart-its brutal violence and graphic imagery may challenge some viewers, but for those who embrace it, the film delivers a cathartic experience unlike any other. As the Bride embarks on her quest for vengeance, the audience is taken on a wild ride filled with jaw-dropping moments, unexpected twists, and an empowering narrative of resilience and determination.
In a world filled with cookie-cutter action flicks, Tarantino's bold vision breathes fresh air into the genre. "Kill Bill: Volume 1" is a kaleidoscopic explosion of style, substance, and savagery-an unforgettable cinematic journey that demands to be seen. This is more than a film; it is a declaration of vengeance wrapped in a stunning visual feast. Whether you're a seasoned Tarantino fan or a newcomer to his work, "Kill Bill: Volume 1" is an essential, badass experience that will leave you craving more.
- chiragrathod19
- Jul 20, 2024
- Permalink
Before you jump to any conclusions after reading the title of my review, let me clear a couple things up. One, I usually love Tarantino--his directing, writing, the films he's produced, etc.--and two, the reason I didn't like Kill Bill Volume 1 had nothing to do with not liking the fight scenes or violence/gore. I love that stuff and that's the only part of the film that I found even mildly entertaining.
Instead, the problem with Kill Bill Volume 1 is that it is extremely boring, almost completely lacks suspense, has awful pacing, and makes a number of self-indulgent stylistic missteps.
I say "almost completely lacks suspense" only because of the first, relatively short section, where Uma Thurman's character, a former "hitperson", fights with another of the same kind, played by Vivica A. Fox. Suspense arises here because we don't know who the characters are yet, we don't know anything about the plot, we don't know what their motives are, etc. There is a sense of venturing into the unknown, where anything could happen.
However, after this, Tarantino chooses to cling too tightly to his beloved device of non-sequential story construction, and the bulk of the film concerns Uma Thurman's attempt to take down a character whom we already know she has killed. That saps all of the tension from the rest of the film and makes it plod along as a fulfillment of something we're already aware of. It has all the drama of listening to your spouse tell _that_ story for the fiftieth time, this instantiation being filled with enough detail to take up an hour or two, and you're trying to read a book while they're telling it.
Yes, Tarantino references tens of other films and genres in a "homage" that geeky fanboys can have a party game with--the one who names the most receives a free graphic novel and a case of Hawaiian Punch. Who cares? That in itself doesn't make Kill Bill a good story any more than a pointless clipfest of those films would make a good story. There is a reason that DVD's consisting only of promotional trailers aren't usually bestsellers.
Yes, there are some interesting shots and intriguingly blocked scenes in Kill Bill. However, there aren't enough of them to make the film succeed if looked at merely as a series of images rather than a story.
And yes, as I mentioned, I thought the over-the-top violence/gore was entertaining. If looked at isolated from its context, Quentin almost outdoes Sam Raimi ala Evil Dead here. However, and this is a big however due to having to consider context, Raimi's gallons of blood worked much better-because they were in an engaging, suspenseful story. In Kill Bill, the violence was almost boring.
In an effort to be "retro hip", Tarantino includes a number of elements that blend with the film as seamlessly as President Bush in an Iraqi mosque. These are ubiquitous and varied, ranging from the stilted dialogue in the kitchen scene near the beginning (and this coming from someone who usually writes brilliant dialogue), to the strained inclusion of Sonny Chiba, to the ridiculous presence of a female Japanese band who can't sing or play their instruments--even though they're only trying to play I-IV-V "rockabilly" (and by the way, if this is what Tarantino think counts as quality music, what was he doing as a judge on American Idol?), to the almost obligatory occurrence of an anime scene. The latter is there just because Quentin and the fanboys think it's cool. For me, however, it underscores both the problem with most anime and with Kill Bill--yes, the subject matter, the violence, the attitude, etc. are interesting, but the animation, the storytelling, the pacing, and just about everything else sucks, and there are a number of inexplicable stylistic choices (such as the Caucasian-looking, big-eyed characters in anime). 'Forced' is probably the best way to describe the plethora of references and stylistic decisions in Kill Bill. Even the foot fetish stuff didn't work for me this time around, and I share the fetish with Tarantino.
I'm not usually one to recommend tempering self-indulgence, and I suppose it doesn't matter anyway, since at this point people are going to love Tarantino films just because they're Tarantino, although if this film were made by anyone else, it would have earned the reputation of the 1998 Jeremiah Chechik-directed The Avengers instead. But if this is a sign of the quality to come, if Quentin is going to make further films that amount to laundry lists of all the stuff he likes _just because he likes it_, like a mega-budget mix-tape for a new girlfriend, I'm not watching any longer.
Instead, the problem with Kill Bill Volume 1 is that it is extremely boring, almost completely lacks suspense, has awful pacing, and makes a number of self-indulgent stylistic missteps.
I say "almost completely lacks suspense" only because of the first, relatively short section, where Uma Thurman's character, a former "hitperson", fights with another of the same kind, played by Vivica A. Fox. Suspense arises here because we don't know who the characters are yet, we don't know anything about the plot, we don't know what their motives are, etc. There is a sense of venturing into the unknown, where anything could happen.
However, after this, Tarantino chooses to cling too tightly to his beloved device of non-sequential story construction, and the bulk of the film concerns Uma Thurman's attempt to take down a character whom we already know she has killed. That saps all of the tension from the rest of the film and makes it plod along as a fulfillment of something we're already aware of. It has all the drama of listening to your spouse tell _that_ story for the fiftieth time, this instantiation being filled with enough detail to take up an hour or two, and you're trying to read a book while they're telling it.
Yes, Tarantino references tens of other films and genres in a "homage" that geeky fanboys can have a party game with--the one who names the most receives a free graphic novel and a case of Hawaiian Punch. Who cares? That in itself doesn't make Kill Bill a good story any more than a pointless clipfest of those films would make a good story. There is a reason that DVD's consisting only of promotional trailers aren't usually bestsellers.
Yes, there are some interesting shots and intriguingly blocked scenes in Kill Bill. However, there aren't enough of them to make the film succeed if looked at merely as a series of images rather than a story.
And yes, as I mentioned, I thought the over-the-top violence/gore was entertaining. If looked at isolated from its context, Quentin almost outdoes Sam Raimi ala Evil Dead here. However, and this is a big however due to having to consider context, Raimi's gallons of blood worked much better-because they were in an engaging, suspenseful story. In Kill Bill, the violence was almost boring.
In an effort to be "retro hip", Tarantino includes a number of elements that blend with the film as seamlessly as President Bush in an Iraqi mosque. These are ubiquitous and varied, ranging from the stilted dialogue in the kitchen scene near the beginning (and this coming from someone who usually writes brilliant dialogue), to the strained inclusion of Sonny Chiba, to the ridiculous presence of a female Japanese band who can't sing or play their instruments--even though they're only trying to play I-IV-V "rockabilly" (and by the way, if this is what Tarantino think counts as quality music, what was he doing as a judge on American Idol?), to the almost obligatory occurrence of an anime scene. The latter is there just because Quentin and the fanboys think it's cool. For me, however, it underscores both the problem with most anime and with Kill Bill--yes, the subject matter, the violence, the attitude, etc. are interesting, but the animation, the storytelling, the pacing, and just about everything else sucks, and there are a number of inexplicable stylistic choices (such as the Caucasian-looking, big-eyed characters in anime). 'Forced' is probably the best way to describe the plethora of references and stylistic decisions in Kill Bill. Even the foot fetish stuff didn't work for me this time around, and I share the fetish with Tarantino.
I'm not usually one to recommend tempering self-indulgence, and I suppose it doesn't matter anyway, since at this point people are going to love Tarantino films just because they're Tarantino, although if this film were made by anyone else, it would have earned the reputation of the 1998 Jeremiah Chechik-directed The Avengers instead. But if this is a sign of the quality to come, if Quentin is going to make further films that amount to laundry lists of all the stuff he likes _just because he likes it_, like a mega-budget mix-tape for a new girlfriend, I'm not watching any longer.
- BrandtSponseller
- May 17, 2004
- Permalink
- james_a_young
- Oct 19, 2003
- Permalink
It has been six years since we have seen a movie from one of the world's most talked about directors, Quentin Tarantino, but the wait for me, has been worth the while. Tarantino can now add the martial arts masterpiece 'Kill Bill' to his resume, a film that left me speechless after I had seen it. It certainly is one intense, hateful movie, containing some of the greatest sword fighting sequences ever filmed in a movie. Tarantino has made KB with class, precision and close intense attention to every detail. But, what else should we expect from a movie freak, like Quentin Tarantino?
An entire wedding party is slaughtered during a dress rehearsal in a rural chapel: the pregnant woman in the blood-splattered wedding dress is Black Mamba, better known as 'The Bride'. The assassin, Bill, and his circle known as 'The Vipers' leave 'TB' for dead, however she was merely comatose. Four years later, 'TB' suddenly awakes from her coma, ferociously focused on one mission, to seek revenge on her former master. One by one, she will kill the various assassins. She is saving Bill for last.
I am not sure where I want to start with my review of Kill Bill. I love parts of it, but then find other parts to be extremely difficult to watch. Quentin Tarantino has written and directed another powerful piece of cinema, in a way that only he could. This time we see more violence, the action and the result of that violence, with it being a bit over-powering in the end. But without the violence, KB would have not been the movie it was.
This time Tarantino has not focussed on the dialogue in this movie, when it came to writing its script, more he wanted to show what the characters he had created, and why they were in the position they were in. For me I can appreciate both aspects of what Tarantino shows, as he can express himself either visually or with dialogue.
The other part I like about KB is the way Tarantino dedicated the movie to certain aspects of cinema history. To quote Quentin he said Kill Bill is 'my yakuza movie, my samurai movie, my spaghetti western movie', and it was quite clear for me how passionate Tarantino was in showing these parts. However it was also so much more, with one of the great sections of the movie being presented in Japanese animation. I also believe that there was a clear reference to black and white movies and silent movies, as KB had these sections a few times. I also feel that Tarantino is in some way trying to show his appreciation to Pulp Fiction, the movie that made him successful, via KB. If this is true, I do not feel it is gloating, rather I give Tarantino great praise, because some movie makers ignore the movies that give them success, but not here.
While 'KB' has some interesting characters, none are what I would call 'likeable'. 'The Bride', aka Black Mamba (Uma Thurman) is a girl totally driven by the desire to get revenge. Thurman really suits her part well, as she not only looks attractive, but is really believable as this American martial arts tough girl. Helping 'TB' on her quest is Samuri sword expert Hattori Hanzo (Sonny Chiba). This character brings a very oriental feel to the movie, something I liked. The bickering with his assistant was fun to see being played out.
'The Deadly Viper Assassination Squad' are the cruel callous people who inflict horrific harm on 'TB'. Bill (David Carradine) is their leader, a person we only hear and see in hand gestures, which is reminiscent of Marsellus Wallace in Pulp Fiction. Bill still has a very strong presence in the film, even though we never see him. Under Bill are killers like O-Ren Ishii, aka Cottonmouth (Lucy Liu), whose introduction, via the Japanese Animation, was great. Under Cottonmouth is her personal assistant, lawyer and translator, Sofie Fatale (Julie Dreyfus), who was present at the slaughtering of 'TB'. When 'TB' sees Sofie once again, she is pretty bitter about what Sofie let have happen to her. What we hear has happened to Sofie at the hands of 'TB', is truly unbelievable.
Another of Cottonmouth's women is a little girl, Go Go Yubari (Chiaki Kuriyama), who is more deadly than she looks. Her school girl sound and look is very interesting, while her confrontation with 'TB' highly entertaining. Then there is the evil nurse, Elle Driver, aka Californian Mountain Snake (Daryl Hannah), who shows very little emotion towards 'TB', other than hate. Vernita Green (Vivica A Fox) is another woman that 'TB' has on her hit list. Her demise was highly entertaining to say the least, again reminiscent of Pulp Fiction.
All the scenes with fighting in KB are a highlight for me, especially the sword fighting, as they are so fun and intense, with the last hour of the movie purely exhausting, with the final showdown between 'TB' and Cottonmouth & co. being terrific. The middle section of film was also great, as it tells the majority of the KB Vol. 1 story, although parts are pretty disturbing.
Kill Bill is another film by Quentin Tarantino, where I have to say it was 'exceptionally well made'. There is a scene in Volume 1, which reminded me of 'Matrix Reloaded'. Now I have heard that Tarantino hates the Matrix franchise, and you can see what he is making a stand against, film's laden with SFX. KB is 'not guilty' of being that. The violence is very graphic in KB, but at certain times the violence was 'laughable', as it seemed to look deliberately fake. But perhaps I am wrong? Volume 1 ended at a good point, setting up the conclusion, Volume 2 beautifully. So Kill Bill: Volume 2, get here, A.S.A.P.
CMRS gives 'Kill Bill: Volume 1': 4.5 (Very Good - Brilliant Film)
An entire wedding party is slaughtered during a dress rehearsal in a rural chapel: the pregnant woman in the blood-splattered wedding dress is Black Mamba, better known as 'The Bride'. The assassin, Bill, and his circle known as 'The Vipers' leave 'TB' for dead, however she was merely comatose. Four years later, 'TB' suddenly awakes from her coma, ferociously focused on one mission, to seek revenge on her former master. One by one, she will kill the various assassins. She is saving Bill for last.
I am not sure where I want to start with my review of Kill Bill. I love parts of it, but then find other parts to be extremely difficult to watch. Quentin Tarantino has written and directed another powerful piece of cinema, in a way that only he could. This time we see more violence, the action and the result of that violence, with it being a bit over-powering in the end. But without the violence, KB would have not been the movie it was.
This time Tarantino has not focussed on the dialogue in this movie, when it came to writing its script, more he wanted to show what the characters he had created, and why they were in the position they were in. For me I can appreciate both aspects of what Tarantino shows, as he can express himself either visually or with dialogue.
The other part I like about KB is the way Tarantino dedicated the movie to certain aspects of cinema history. To quote Quentin he said Kill Bill is 'my yakuza movie, my samurai movie, my spaghetti western movie', and it was quite clear for me how passionate Tarantino was in showing these parts. However it was also so much more, with one of the great sections of the movie being presented in Japanese animation. I also believe that there was a clear reference to black and white movies and silent movies, as KB had these sections a few times. I also feel that Tarantino is in some way trying to show his appreciation to Pulp Fiction, the movie that made him successful, via KB. If this is true, I do not feel it is gloating, rather I give Tarantino great praise, because some movie makers ignore the movies that give them success, but not here.
While 'KB' has some interesting characters, none are what I would call 'likeable'. 'The Bride', aka Black Mamba (Uma Thurman) is a girl totally driven by the desire to get revenge. Thurman really suits her part well, as she not only looks attractive, but is really believable as this American martial arts tough girl. Helping 'TB' on her quest is Samuri sword expert Hattori Hanzo (Sonny Chiba). This character brings a very oriental feel to the movie, something I liked. The bickering with his assistant was fun to see being played out.
'The Deadly Viper Assassination Squad' are the cruel callous people who inflict horrific harm on 'TB'. Bill (David Carradine) is their leader, a person we only hear and see in hand gestures, which is reminiscent of Marsellus Wallace in Pulp Fiction. Bill still has a very strong presence in the film, even though we never see him. Under Bill are killers like O-Ren Ishii, aka Cottonmouth (Lucy Liu), whose introduction, via the Japanese Animation, was great. Under Cottonmouth is her personal assistant, lawyer and translator, Sofie Fatale (Julie Dreyfus), who was present at the slaughtering of 'TB'. When 'TB' sees Sofie once again, she is pretty bitter about what Sofie let have happen to her. What we hear has happened to Sofie at the hands of 'TB', is truly unbelievable.
Another of Cottonmouth's women is a little girl, Go Go Yubari (Chiaki Kuriyama), who is more deadly than she looks. Her school girl sound and look is very interesting, while her confrontation with 'TB' highly entertaining. Then there is the evil nurse, Elle Driver, aka Californian Mountain Snake (Daryl Hannah), who shows very little emotion towards 'TB', other than hate. Vernita Green (Vivica A Fox) is another woman that 'TB' has on her hit list. Her demise was highly entertaining to say the least, again reminiscent of Pulp Fiction.
All the scenes with fighting in KB are a highlight for me, especially the sword fighting, as they are so fun and intense, with the last hour of the movie purely exhausting, with the final showdown between 'TB' and Cottonmouth & co. being terrific. The middle section of film was also great, as it tells the majority of the KB Vol. 1 story, although parts are pretty disturbing.
Kill Bill is another film by Quentin Tarantino, where I have to say it was 'exceptionally well made'. There is a scene in Volume 1, which reminded me of 'Matrix Reloaded'. Now I have heard that Tarantino hates the Matrix franchise, and you can see what he is making a stand against, film's laden with SFX. KB is 'not guilty' of being that. The violence is very graphic in KB, but at certain times the violence was 'laughable', as it seemed to look deliberately fake. But perhaps I am wrong? Volume 1 ended at a good point, setting up the conclusion, Volume 2 beautifully. So Kill Bill: Volume 2, get here, A.S.A.P.
CMRS gives 'Kill Bill: Volume 1': 4.5 (Very Good - Brilliant Film)