The story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.

Director:

Randall Wallace

Writers:

Harold G. Moore (book) (as Lt. Gen. Harold G. Moore), Joseph L. Galloway (book) | 1 more credit »
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Popularity
2,175 ( 379)
3 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mel Gibson ... Lt. Col. Hal Moore
Madeleine Stowe ... Julie Moore
Greg Kinnear ... Maj. Bruce Crandall
Sam Elliott ... Sgt. Maj. Basil Plumley
Chris Klein ... 2nd Lt. Jack Geoghegan
Keri Russell ... Barbara Geoghegan
Barry Pepper ... Joe Galloway
Duong Don ... Lt. Col. Nguyen Huu An
Ryan Hurst ... Sgt. Ernie Savage
Robert Bagnell ... 1st Lt. Charlie Hastings
Marc Blucas ... 2nd Lt. Henry Herrick
Josh Daugherty ... Sp4 Robert Ouellette
Jsu Garcia ... Capt. Tony Nadal
Jon Hamm ... Capt. Matt Dillon
Clark Gregg ... Capt. Tom Metsker
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Storyline

A telling of the 1st Battalion, 7 Cavalry Regiment, 1st Calvary Division's battle against overwhelming odds in the Ia Drang valley of Vietnam in 1965. Seen through the eyes of the battalion's commander, Lieutenant Colonel Hal Moore (played by Mel Gibson), we see him take command of the battalion and its preparations to go into Vietnam. We also see how the French had, years earlier, been defeated in the same area. The battle was to be the first major engagement between U.S. and N.V.A. forces in South Vietnam, and showed the use of helicopters as mobility providers and assault support aircraft. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

We were... young, brave, husbands, wives, sons, mothers, daughters, soldiers. See more »

Genres:

Action | Drama | History | War

Motion Picture Rating (MPAA)

Rated R for sustained sequences of graphic war violence, and for language | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Hal Moore is a lieutenant colonel during the battle signified by the silver oak leaf on his helmet and collar, and though it is not mentioned in the film, if you look closely you can see a silver eagle on his collar when he returns home after his tour. This indicates that at some point after the battle he was promoted to full colonel. See more »

Goofs

SPOILER. The air strikes that supported the bayonet charge (to clear the area around the landing zone toward the end) were done by fixed-wing A-1E Skyraider aircraft rather than the Huey helicopters flown by Snake Crandall and Too Tall Freeman. It would have been impossible for the ground crews to change the configuration of the Hueys from "Slick" (troop carrier) to "Hog" (gunship) and back in the time frame depicted, especially with the nearly nonstop flying that Crandall and Freemen did. See more »

Quotes

[first lines]
Joe Galloway: [Narrating; voice-over] These are the true events of November, 1965, the Ia Drang Valley of Vietnam, a place our country does not remember, in a war it does not understand. This story's a testament to the young Americans who died in the valley of death, and a tribute to the young men of the People's Army of Vietnam who died by our hand in that place. To tell this story, I must start at the beginning. But where does it begin? Maybe in June of 1954 when French Group Mobile 100 moved ...
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Alternate Versions

Trailers include a scene where Julie Moore explains that the last thing most dying soldiers say is "Tell my wife I love her". This is not included in the theatrical release. See more »

Connections

Featured in WatchMojo: Top 10 Most Accurate War Movies (2019) See more »

Soundtracks

Mansions of the Lord
By Nick Glennie-Smith and Randall Wallace
Performed by the United States Military Academy Cadet Glee Club
Also performed by Metro Voices
Produced by Nick Glennie-Smith
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User Reviews

 
A Vietnam Veteran Contemplates WE WERE Soldiers
17 May 2005 | by gftbiloxiSee all my reviews

I live with a Vietnam Vet who served in the late 1960s with 1st Cav. Medivac. During service he earned two Purple Hearts, the Distinguished Flying Cross, and the Air Medal. Since WE WERE SOLDIERS concerns the 1st Cav., Randy wanted to see it. I reluctantly agreed; I am not partial to war films and I dislike Mel Gibson, and Randy is very hard on Vietnam War films. He dismisses PLATOON as a Hollywood 8x10 glossy; says APOCALYPSE NOW is an interesting movie that captures the paranoia, but all the technical details are wrong; and describes DEER HUNTER as excellent in its depiction of the strangeness of coming home but so full of plot holes that he can hardly endure it. And about one and all he says: "It wasn't like that."

He was silent through the film, and when we left the theatre I asked what he thought. He said, "They finally got it. That's what it was like. All the details are right. The actors were just like the men I knew. They looked like that and they talked like that. And the army wives too, they really were like that, at least every one I ever knew." The he was silent for a long time. At last he said, "You remember the scene where the guy tries to pick up a burn victim by the legs and all the skin slides off? Something like that happened to me once. It was at a helicopter crash. I went to pick him up and all the skin just slid right off. It looked just like that, too. I've never told any one about it." In most respects WE WERE SOLDIERS is a war movie plain and simple. There are several moments when the film relates the war to the politics and social movements that swirled about it, and the near destruction of the 1st. Cav.'s 7th Battalion at Ia Drang clearly arises from the top brass' foolish decision to send the 7th into an obvious ambush--but the film is not so much interested in what was going on at home or at the army's top as it is in what was actually occurring on the ground. And in this it is extremely meticulous, detailed, and often horrifically successful. Neither Randy nor I--nor any one in the theatre I could see--was bored by or dismissive of the film. It grabs you and it grabs you hard, and I can easily say that it is one of the finest war movies I have ever seen, far superior to the likes of SAVING PRIVATE RYAN, which seems quite tame in comparison.

Perhaps the single most impressive thing about the film is that it never casts its characters in a heroic light; they are simply soldiers who have been sent to do a job, and they do it knowing the risks, and they do it well in spite of the odds. Mel Gibson, although I generally despise him as both an actor and a human being, is very, very good as commanding officer Hal Moore, and he is equaled by Sam Elliot, Greg Kinnear, Chris Klein, and every other actor on the battlefield. The supporting female cast, seen early in the film and in shorter scenes showing the home front as the battle rages, is also particularly fine, with Julie Moore able to convey in glance what most actresses could not communicate in five pages of dialogue. The script, direction, cinematography, and special effects are sharp, fast, and possess a "you are there" quality that is very powerful.

I myself had a criticism; there were points in the film when I found the use of a very modernistic, new-agey piece of music to be intrusive and out of place. And we both felt that a scene near the end of the movie, when a Vietnamese commander comments on the battle, to be improbable and faintly absurd. But these are nit-picky quibbles. WE WERE SOLDIERS is a damn fine movie. I'll give Randy, who served two tours of duty in Vietnam, the last word: "It may not be 'the' Vietnam movie. I don't think there could ever be 'the' Vietnam movie. But they pretty much get everything right. That's how it looked and sounded, and that's what I saw, and this is the best movie about Vietnam I've ever seen." Gary F. Taylor, aka GFT, Amazon Reviewer


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Details

Official Sites:

Official site

Country:

USA | Germany | France

Language:

English | Vietnamese | French

Release Date:

1 March 2002 (USA) See more »

Also Known As:

The Lost Patrol See more »

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend USA:

$20,212,543, 3 March 2002

Gross USA:

$78,122,718

Cumulative Worldwide Gross:

$115,374,915
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Company Credits

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Technical Specs

Runtime:

| (cut) | (TV)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
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