Meet Myles and Brody, best friends and total opposites. Myles is a hopeless romantic looking for Mr. Right. Brody is a sexy player on the hunt for Mr. Right Now. These two friends make a ... See full summary »
Michael Adam Hamilton,
After the Kray family meeting at the Waldorf near the film's beginning, Jack Kray emerges onto the street, and into an angry gay rights protest, with dark hair which he doesn't sport in any other scene. It's unexplained, and not a flashback because Anthony climbs onto his car as part of the protest. See more »
This film seems to have come in for much criticism from the reviews on here, so I'm hoping to redress the balance here. As a film, it's OK, but compared to other gay indie films from America it sits near the top of the pile. The acting is generally good, the directing is competent. The script seems a little outdated for 2004, but I remember reading somewhere that there had been delays to the making of the film and so i wouldn't be surprised if the script was actually written in the late 1990s.
What makes this particularly interesting is that it is a far cry from other gay films out there. It isn't a love story, it doesn't try to woo in the punters by having stunningly handsome men who go full frontal or through strong sex scenes. That isn't what this is about. It has a message, though, and some of the scenes are a little clunky (especially the linking sections with the journalist), but that's a small price to pay for a good solid story that is well told.
The two young actors play the leads without making them into stereotypes and there isn't a screaming queen in sight. Thankfully. What makes the two protagonists most appealing is that neither of them are perfect human beings. The senator's son is cocky and arrogant at times, and the boy he meets has his own faults. The supporting cast is also very good, with some nicely drawn characters.
For a low budget gay effort, this is really good stuff.
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