Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
It's the Christmas season. With her mom's help, Lynne, a girl of perhaps eight, dresses up; her younger brother Steven plays with a toy car. The children leave with their dad, who's ... See full summary »
Lynne Ramsay Jr.,
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
Framed round a candid conversation between the photographer Brigitte Lacombe and the film maker discussing their process and fascination with images as well as Brigitte's close relationship... See full summary »
Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
Following her boyfriend's suicide, supermarket clerk Morvern Callar passes off his unpublished novel as her own. With the money her boyfriend left for his funeral, she leaves Scotland for Ibiza where she travels with her closest friend. The journey prompts a series of internal and external transformations for Morvern-- ones which bring to light her experiences of grief, memory, freedom, and desire.Written by
Morvern Callar was the debut novel by Scottish author Alan Warner, first published in 1995. See more »
When Morvern drags Lanna out of the hotel room and into the cab with the loud music and the decorated dashboard, the shots of the driver show that the dials on the dashboard of the car are not operating, suggesting that the car is, in fact, being towed for filming purposes. See more »
I won't summarise the plot as it is done so by other reviewers.
This is a highly original and unconventional yet mesmerising piece and I agree with many others that Lynne Ramsay is an exceptional talent, who possesses a vision the likes of Guy Ritchie could never even begin to imagine.
This is not an easy film to watch and it requires patience and concentration. Ramsay lets the film unfurl, slowly, with confidence and an assured touch that uses mystery and a touch of incoherence to create a confusing but oddly compelling dreamscape. Where are we? What are we seeing? What exactly is Morvern thinking and feeling? She is clearly in a very strange, disorientated headspace and this film is perfectly engineered to assist us in understanding and occupying that space.
The mystery and enigma of Morvern is wonderfully portrayed by Samantha Morton and the soundtrack encapsulates the atmosphere, as does the lack of incidental music.
Those that want to quibble over inconsistencies such as the direction of the computer keyboard delete key and whether it is in fact possible to bury a body on the moors with a trowel should get over it, step back and look at the big picture.
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