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The evolution of a family from the last days of the Franquist dictatorship to the early 80s.
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Cast

Series cast summary:
Imanol Arias ...  Antonio Alcántara Barbadillo / ... 368 episodes, 2001-2020
Ana Duato ...  Mercedes Fernández López / ... 368 episodes, 2001-2020
María Galiana ...  Herminia López / ... 367 episodes, 2001-2020
Pablo Rivero ...  Toni Alcántara Fernández / ... 367 episodes, 2001-2020
Carlos Hipólito ...  Carlos adulto / ... 362 episodes, 2001-2020
Ricardo Gómez ...  Carlos Alcántara Fernández / ... 347 episodes, 2001-2018
Santiago Crespo Santiago Crespo ...  Josete / ... 289 episodes, 2001-2020
Manolo Cal Manolo Cal ...  Ramón / ... 277 episodes, 2001-2020
Ana Arias Ana Arias ...  Paquita / ... 272 episodes, 2004-2020
Lluvia Rojo ...  Pili / ... 275 episodes, 2001-2017
Roberto Cairo ...  Desi / ... 250 episodes, 2001-2015
Silvia Espigado Silvia Espigado ...  Clara 233 episodes, 2001-2020
Irene Visedo ...  Inés Alcántara Fernández / ... 214 episodes, 2001-2020
Juan Echanove ...  Miguel Alcántara Barbadillo / ... 209 episodes, 2001-2017
Alicia Hermida ...  Valentina Rojas / ... 195 episodes, 2001-2013
Elena Rivera ...  Karina / ... 183 episodes, 2005-2018
José Sancho ...  Don Pablo Ramírez Sañudo 181 episodes, 2001-2011
Tony Leblanc ...  Cervan / ... 181 episodes, 2001-2011
Manuel Dios Manuel Dios ...  Luis / ... 176 episodes, 2001-2019
Antonio Canal Antonio Canal ...  Padre Froilán / ... 165 episodes, 2002-2019
Enrique San Francisco ...  Tinín / ... 162 episodes, 2001-2011
Pepa Sarsa Pepa Sarsa ...  Josefina 151 episodes, 2002-2020
Rosario Pardo Rosario Pardo ...  Nieves / ... 148 episodes, 2001-2018
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Storyline

The evolution of a family from the last days of the Franquist dictatorship to the early 80s.

Plot Summary | Add Synopsis


Certificate:

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Details

Official Sites:

Official site [Spain]

Country:

Spain

Language:

Spanish | English | Swedish

Release Date:

13 September 2001 (Spain) See more »

Also Known As:

Cuéntame cómo pasó See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

José Sancho left the show because he didn't like how the writers were portraying the Spanish history, arguing they had started to fable too much. See more »

Connections

Referenced in Aída: Mi madre se ha comido a mi compañero de piso (2007) See more »

Soundtracks

Cuéntame
Written by José Luis Armenteros
Performed by Ana Belén and David San José
Arrangements by David San José
Lyrics Adapted by Javier G. Amezúa
(2001-2008)
See more »

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User Reviews

 
Retrospections
22 December 2001 | by khatcher-2See all my reviews

This series, made for Televisión Española (TVE) is basically a series of chapters in the life of an ordinary family in 1968, primarily as seen through the eyes of the youngest son.

Based on a background of historical events, such as the May 1968 student uprising in France, the decaying Franco regime, the war in Viet-Nam, the rise of imperialism, and others specifically related to Spanish life at that particular moment, one might regard this series as a simple compilation of characteristic foibles which make themselves so apparent in this kind of entertainment.

Generally treated in a lightweight vein though not lacking in certain moments which might be called dramatic, the series would seem to be aimed at people of around fifty who can rember those times, as, it should be stated, anyone younger either chooses to ignore such happenings or is busily occupied in other things.

The best thing that can be said of this series is Ana Duato's rôle as mother of three children: she plays the part of the total housewife of the times really well, manifesting that peculiar Spanish penchant, especially noticeable among women, of letting all her thinking and her doings be carried forward by the impetus of her heart, without any resorting to the use of the brain. As we say in Spain, common sense is one of the least common senses. Imanol Arias offers very little, apart from not being his usual stereotyped hard policeman as in other television series. Indeed, as an actor, he should not be trusted in anything which is not a TV series. His resources are too limited; however, his part as father of the working-class household is not at all bad.

Not really recommendable for other audiences, even Spanish-speakers in Latin America: the themes are all too parochially related to a specific spot in contemporary Spanish history, such that if the viewer was not living here at that time he will miss most of the references. It is even probable that certain situations which cause a few Spanish smiles would not mean anything to other viewers.


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