A brief look into the South American family life, while showing the hardships surrounding adoption in South America; as six woman are forced to stay in the country while awaiting approval of adopting a baby.
In an economically devastated Alaskan town, a fisherman with a troublesome past dates a woman whose young daughter does not approve of him. When he witnesses the murder of his shady brother, he, the woman and the kid run to the wilderness.
Mary Elizabeth Mastrantonio,
1950. Rural Alabama. Cotton harvest. It's a make-or-break weekend for the Honeydripper Lounge and its owner, piano player Tyrone "Pine Top" Purvis. Deep in debt to the liquor man, the ... See full summary »
Humberto Fuentes is a wealthy doctor whose wife has recently died. In spite of the advice of his children, he takes a trip to visit his former students who now work in impoverished villages... See full summary »
Dan Rivera González
The film was made in Acapulco, Mexico. Six women -- dreamy Eileen, abrasive Nan, athletic Skipper, brusque Leslie, vivacious Jennifer and patient Gayle -- are staying at a hotel in Latin America, run by Señora Muñoz. Fed up with the long delays of the adoption system in the United States, they are passing the days waiting to adopt local children to bring back home with them.Written by
Shannon Patrick Sullivan <firstname.lastname@example.org>
Classic Sayles - character/culture as relevant as space/time
Once again John Sayles reveals that people and the land are one. That issues that face a region are inseparable from their culture. Or in this case, a clash of cultures. Sayles weaves a tale of co-dependence between rich and poor, love and need, power and abuse. He lets you feel and think but reminds you that life isn't comfortable. That choice is involved and that responsibility and compassion, or the lack of either, carries life-altering consequences.
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