The Road Home is the classic Americana love story. It is about unconditional love and fate. It also shows how baseball is not only a metaphor for America but for our story's hero, Danny Fost... Read allThe Road Home is the classic Americana love story. It is about unconditional love and fate. It also shows how baseball is not only a metaphor for America but for our story's hero, Danny Foster, as well.The Road Home is the classic Americana love story. It is about unconditional love and fate. It also shows how baseball is not only a metaphor for America but for our story's hero, Danny Foster, as well.
- Awards
- 2 wins total
Photos
David A. Burr
- Paul Ford
- (as David Alan Burr)
Chris Stanley
- Radio Voice
- (voice)
Jake Torem
- D.J. Voice
- (voice)
Corinna Jones
- Melissa Curtis
- (as Corinna Harney-Jones)
Emerald Rachael Godfrey
- Rachel
- (as Emerald Godfrey)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Well...Nice to know some people appreciate it, in that case it doesn't matter what someone says, it was worth it for them. I was so-so. It is a decent and cute idea, I didn't find it too cliché like some supposedly said, and I don't mind too much if it was, if done right...I don't know much about baseball to keep this movie in check on facts so I can't/won't discuss that. I just didn't feel that much chemistry between the lead actors. The progression of the story to me spent little time in the childhood and connection of the characters to really understand why he loved her so much, besides that he just never tried to find anyone else. At it's core it is a humble story which makes it nice and not trying too hard, but then I feel they could've done just a bit more. It's reminiscent of Forrest Gump if no one minds that comparison, but not by any means as good. I say if it's good to you,just ignore other people and if you hated it, go ahead. I never see a problem with people who can appreciate something for what it is. But I guess my tastes just didn't match....
The difficulties of making a first film were apparently wiped away as Drew Johnson helmed this great story of a college baseball player and his quest for love. Watching this film was shocking as I thought about the fact that this was Johnson's first feature film. Johnson claims that he was blessed all the way during the process, and one couldn't agree more; blessed with a great story, an amazingly talented Director of Photography, darn good acting, and a soundtrack that slips under your skin and makes you teary-eyed more than once.
However, the film is difficult to enjoy due to poor writing. Although the characters are fleshed out well, exposition is done poorly. The key to this comes from the tiring narration and pointless flashbacks that should often be avoided by first timers. This becomes a crutch and an easy way out of dealing with backstory problems. And the constant clues as to time and place were redundant and forced. This is a timeless story that works too hard to be a period film, specifically placed in the late 70s to 90s. Dialogue was chock full of clichés that provoked pathetic, unwarranted laughter from audience members.
As hard as it becomes to watch, I couldn't help but still marvel at how well the final outcome was, especially for a first film. Cinematographer Doug Glover did an amazing job, creating some beautiful scenes with his long lenses and short depths of field. He has come out of film school with all the skills of a fine DP, one that I shall keep my eye on. And Johnson managed to tackle a difficult task of directing and staring in this film. The small flaws in the film might have been avoided had Johnson focused his talent. Yet you can't ding these newcomers for doing a sub-perfect job. The final product was done right, and I can't help but appreciate the fact that these guys did it. They wrestled with themselves and the odds, and got a very nice film made. I have no doubt that Drew Johnson will make another film, one where he can polish what he accomplished here. As close as this subject was to Johnson, it might prove difficult to find other subjects. However, I for one am looking forward to what the future holds for these talented young filmmakers.
A fine baseball film, a fine love story, and a great film for those who are interested in charting the rise of new talent in Hollywood. If you strive for a love story, watch this film for two reasons. Enjoy the onscreen love story, and relish in the off-screen love that Johnson clearly has for his film.
However, the film is difficult to enjoy due to poor writing. Although the characters are fleshed out well, exposition is done poorly. The key to this comes from the tiring narration and pointless flashbacks that should often be avoided by first timers. This becomes a crutch and an easy way out of dealing with backstory problems. And the constant clues as to time and place were redundant and forced. This is a timeless story that works too hard to be a period film, specifically placed in the late 70s to 90s. Dialogue was chock full of clichés that provoked pathetic, unwarranted laughter from audience members.
As hard as it becomes to watch, I couldn't help but still marvel at how well the final outcome was, especially for a first film. Cinematographer Doug Glover did an amazing job, creating some beautiful scenes with his long lenses and short depths of field. He has come out of film school with all the skills of a fine DP, one that I shall keep my eye on. And Johnson managed to tackle a difficult task of directing and staring in this film. The small flaws in the film might have been avoided had Johnson focused his talent. Yet you can't ding these newcomers for doing a sub-perfect job. The final product was done right, and I can't help but appreciate the fact that these guys did it. They wrestled with themselves and the odds, and got a very nice film made. I have no doubt that Drew Johnson will make another film, one where he can polish what he accomplished here. As close as this subject was to Johnson, it might prove difficult to find other subjects. However, I for one am looking forward to what the future holds for these talented young filmmakers.
A fine baseball film, a fine love story, and a great film for those who are interested in charting the rise of new talent in Hollywood. If you strive for a love story, watch this film for two reasons. Enjoy the onscreen love story, and relish in the off-screen love that Johnson clearly has for his film.
A universal story based on so many peoples lives, their first love, life experiences, growing up and most importantly discovering who loves them the most. It's about being young and feeling all those wonderful undiscovered feeling that we all humans feel for the first time. It's joyous to watch and reminisent about your own life as well as experiencing those moments one more time. After all we only live once.
The Road Home is a delightful coming of age film that has just the right mixture of romance and baseball. What an accomplishment for this first time director! The cinematography was beautiful and the original score is something the behold. I think we can expect a lot more from Drew Johnson and his crew in the years to come.
This is a film with heart, and the whole audience really liked it. It's an enjoyable story set in Las Vegas which talks about baseball and love. Good interracial casting, and some fun performances. Beautiful cinematography too!
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Details
- Release date
- Country of origin
- Language
- Also known as
- The Pitcher and the Playmate
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was Pitcher and the Pin-Up (2003) officially released in Canada in English?
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