Laconic and self-contained, Edward Wilson (Matt Damon) heads C.I.A. covert operations during the Bay of Pigs. The agency suspects that Fidel Castro was tipped, so Wilson looks for the leak. As he investigates, he recalls, in a series of flashbacks, his father's death, student days at Yale (poetry; Skull and Bones), recruitment into the fledgling O.S.S., truncated affairs, a shotgun marriage, cutting his teeth on spy craft in London, distance from his son, the emergence of the Cold War, and relationships with agency, British, and Soviet counterparts. We watch his idealism give way to something else: disclosing the nature of that something else is at the heart of this movie's narration as he closes in on the leak.Written by
Robert De Niro and Billy Crudup appeared in Sleepers (1996). See more »
When Wilson is transferred to Berlin, the first original footage of the ruins of the city is subtitled "Soviet Sector, Berlin". In fact, the footage shows the area around the Kaiser Wilhelm Memorial Church, which was in the American Sector, and later on the center of West Berlin. See more »
Valentin Mironov #2:
Soviet power is a myth. Great show. There are no spare parts. Nothing is working, nothing, it's nothing but painted rust. But you, you need to keep the Russian myth alive to maintain your military industrial complex. Your system depends on Russian being perceived as a mortal threat. It's not a threat. It was never a threat. It will never be a threat. It's a rotted, bloated cow.
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The murky world of CIA deception as seen by one family man...
Before I go on to praise the good points of THE GOOD SHEPHERD, I should mention at the start that the film badly needed some judicious editing. There are many scenes that go on for too long a time and are badly in need of some artful editing to get the point across just as well.
Aside from length, everything else about the film is on the plus side--the handsome cinematography, the vast amount of settings, the background score that adds to the drama, and the performances of the entire cast which are uniformly good. I'm not a great admirer of ANGELINA JOLIE as an actress, but here I think she demonstrated skill at suggesting the loneliness, frustrations and jealousies of a woman whose life has to remain outside the boundaries of her husband's job with the CIA. Through a series of detailed vignettes, the murky world of an agent's life of deception within the government is sharply observed.
More of a character study of Edward Wilson (played in stolid, very serious fashion by MATT DAMON) than a straightforward spy yarn, it manages to hold the interest even though it uses the flashback method of storytelling that is apt to confuse a viewer if it isn't done well. But here again, there is a flaw--it covers a span of twenty or more years but the aging of the central character is never quite convincing enough. Damon never looks that much older than his grown son--whereas a few gray hairs might have helped considerably. As his grown son, EDDIE REDMAYNE does reasonably well as the man seeking his father's approval.
As for the supporting players in this story about one man's experiences in the newly developing CIA, JOHN TURTURRO does an outstanding job as a tough inquisitor and MICHAEL GAMBON is outstanding as a security risk with homosexual tendencies. ALEC BALDWIN has little to do but is intense enough as one of the agency's top men and others in the cast maintain credibility all the way through.
The story itself is rather problematic in that nothing is what it seems and not all the information is readily given to the viewer in a way that makes sense. This is partly the fault of the script and partly the fault of director Robert De Niro who also assumes a small role effectively.
But still, despite the handicap of being too long (and a bit too involved at certain points), it makes for fascinating viewing and is the kind of film you dare not divert your attention from for a moment. If you do, you are liable to miss an essential plot point.
Summing up: Highly recommended for anyone with a keen interest in espionage dramas.
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