6.7/10
11,735
113 user 106 critic

Palindromes (2004)

Not Rated | | Comedy, Drama | 21 January 2005 (Sweden)
Trailer
1:46 | Trailer
Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.

Director:

Todd Solondz

Writer:

Todd Solondz
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Matthew Faber ... Mark Wiener
Angela Pietropinto ... Mrs. Wiener
Bill Buell ... Mr. Wiener
Emani Sledge Emani Sledge ... 'Dawn' Aviva
Ellen Barkin ... Joyce Victor
Valerie Shusterov Valerie Shusterov ... 'Judah' Aviva
Richard Masur ... Steve Victor
Hillary B. Smith ... Robin Wallace
Danton Stone ... Bruce Wallace
Robert Agri ... First Judah
Hannah Freiman Hannah Freiman ... 'Henry' Aviva
Stephen Singer ... Dr. Fleischer
Rachel Corr ... 'Henrietta' Aviva
Stephen Adly Guirgis ... Joe / Earl / Bob
Will Denton ... 'Huckleberry' Aviva
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Storyline

A fable of innocence: thirteen-year-old Aviva Victor wants to be a 'mom'. She does all she can to make this happen, and comes very close to succeeding, but in the end her plan is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, perhaps, but one pregnant itself with all sorts of strange possibility. She takes a road trip from the suburbs of New Jersey, through Ohio to the plains of Kansas and back. Like so many trips, this one is round-trip, and it's hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Hebrew

Release Date:

21 January 2005 (Sweden) See more »

Also Known As:

Palindromes - nyrjähtänyt rakkaustarina See more »

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Box Office

Opening Weekend USA:

$57,251, 17 April 2005

Gross USA:

$553,368

Cumulative Worldwide Gross:

$809,686
See more on IMDbPro »

Company Credits

Production Co:

Extra Large Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

As some characters' names are palindromes, this clever palindrome is trickier to catch. The exact second Dawn's videotaped funeral comes on screen, starting the film, in the upper right hand corner is the video's time. It clearly displays, 01.22:10 = a numerical palindrome, then continues counting down. See more »

Goofs

The film takes place in New Jersey, yet in one of the hitch-hiking scenes we see a road sign for US Route 3, which in reality is located in New Hampshire. To make matters worse, in the background of the same scenes we see directional signs for "Ellenville" and "Route 199", which reveals the actual filming location of Kingston, NY. See more »

Quotes

'Mark' Aviva Victor: I know. I believe you because pedophiles love children.
See more »

Crazy Credits

In loving memory of Dawn Wiener. See more »


Soundtracks

Up on a Cloud
Written by Nathan Larson
Performed by Nina Persson and Nathan Larson
See more »

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User Reviews

Things You Can Tell By Just Looking At Her
11 July 2007 | by tedgSee all my reviews

I admit, I liked the idea of this. The story is completely a waste for me, even though we all like to poke cheap fun at sanctimonious fundamentalists as the ironic representative of a flawed designer.

What's at the core here is the device of portraying our 13 year old girl by a variety of beings. I liked it when I saw it elsewhere, especially the implicit merger of being in the work of Garcia. Is it worth it for this actorly circumlocution alone? Probably yes, because of the way it is handled. The character, like all real ones, is a blur, a manifold being. We never see people anyway, only our models of them. So to break the wall and see many models is a sort of intimacy. Its not a gimmick, but a device that works.

And that's why we come. For something that goes deeper.

I wish, though, that Solandz was a bit deeper as a person. Medem goes deeper on this ambiguous identity thing. Several Tilda Swinton projects like "Conceiving Ada" or "Female Perversions" go deeper into the knots of birth urge.

Like so many other theatrical experiments, one wishes the technician would meet and marry the emotional explorer. Not work with, not have a relationship with, but marry and coabsorb. Embodiment of futures.

Ted's Evaluation -- 3 of 3: Worth watching.


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