The life of crooner/actor Bobby Darin is presented as part fact, part fiction and much fantasy. It is framed around a biopic being filmed about and starring Darin as himself, with he being surrounded by many of his lifelong entourage from the Bronx. In that fantasy, the young actor portraying him as a child in the biopic emerges as his true younger self, questioning, knowing all, if his adult self wants the biopic to be all sugar and roses, as is the want of his manager, Steve Blauner, or if he wants to tell the truth. Regardless, what is presented of his life includes: his sickly childhood - where he was not expected to survive past his teens - with his vaudevillian mother, Polly Cassotto, his musical mentor, and his much older sister, Nina Cassotto, both who ultimately lived vicariously through his fame; his early singing career where the ultimate goal was not to rival but surpass the fame of Frank Sinatra; the meeting of who would become his wife, already famous actress Sandra Dee ...Written by
The Writers Guild of America, after sorting through the mess of writes, rewrites, and re-rewrites, decided that the screenplay is credited to Kevin Spacey and Lewis Colick who worked on it back in 1987 when Warner Bros. hired him. See more »
Sandra Dee did not stay with Bobby Darin in the hospital as he was dying. She was in an alcohol induced denial at home. She was passed out on the floor from drinking and the family had to break into the house to find her and notify her. In fact, Bobby's second wife was banished from his room because she could not hold her tears. See more »
Memories are like moonbeams... This film is not a literal telling of the life of Bobby Darin. It is a creative work based on fact, but in dramatising the story for the screen, some characters, events, dialogue and chronology have been fictionalised and of course much has been left out. No assumption should be made that any of the persons, companies or products shown or mentioned in the film have endorsed this production. See more »
This film just premiered a few hours ago at the film festival here in Toronto. Kevin Spacey, Bob Hoskins and Kate Bosworth were in attendance. It was a gala event. Having said that I was very nervous about the success of a film where one guy not only produces, stars in, directs, co-writes but also does his own singing. Well, the guy pulled it off beautifully. The structure takes a little getting used to. It opens with Spacey playing Darin starring in a biopic of his own life. When a reporter walks up to him and says: "Don't you think you are a little old to be playing a guy in his twenties?" I started to feel relieved. Spacey obviously was aware that this was a potential problem in the way viewers might view his starring role and he chose to deal with it straight on instead of avoiding it. The plot is not important in this film. Rather, what the movie is about is capturing the energy and drive of Darin himself and, perhaps most important, the urgency with which he lived his life. Darin knew from a very young age that his life would likely be cut short due to a heart condition. And that simply drove him to do the best he could, and to do it as quickly as possible. Spacey's singing talent is a wonder to behold. Without actually imitating Darin, he manages to capture Darin's charisma and stage presence and well as his singing characteristics and mannerisms. While I never forgot that it was Spacey I was watching, I found his performance to be entirely believable. It was obvious that Spacey, the actor, thoroughly loved what he was doing and that every ounce of his being and all of his energy had been invested into this role. This man is a multi-talented individual who tackled a very difficult project and somehow managed to pull it off - beautifully. Highly recommended!
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