A young girl travels to Cairo to visit her father, and becomes unwillingly involved with a bizarre sadomasochistic cult led by the charismatic Paul Chevalier, who is a descendant of the ... See full summary »
The grand tale of a zombie holding a arm. He also travels the world learning about life, and the meaning of it all. He also meets a girl zombie holding a body. Will they fall in love? Will they complete that human body? Watch and find out.
A psychotic redneck, who owns a dilapidated hotel in rural East Texas, kills various people who upset him or his business, and he feeds their bodies to a large crocodile that he keeps as a pet in the swamp beside his hotel.
Hollywood, California is turned upside down by a series of strange and horrific murders creating chaos and turmoil in tinsel town. One particular victim is kidnapped, held captive and ... See full summary »
In Hollywood, the young teacher Nell and her husband, the resident Steven Barrows, move to an old building called Lusman Arms. Some sixty years ago, the place was glamorous, but presently is completely decadent. Many dwellers have disappeared along the years. While her husband is working in the hospital, the lonely Nell hears some weird noises and becomes afraid of the place. While jogging, she is introduced to (and becomes close to) her neighbor Julia Cunningham, and they schedule a hike together on the next day. Julia never shows up, and Nell looks for her in the building, finding a hiding block behind the wall, where an evil being, which was born from death, lives with many dead bodies.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When the killer reappears through the window he enters making a spectacular jump, even there is not enough space behind the window to execute it, as it is shown after he falls down. See more »
I just wanted to welcome you guys. I know it's a bit of a shock with all the hub-bub and emergency personel, but we're really a quiet building... Did I give you the storage key?
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Every years thousands of people come to Hollywood to pursue their dreams. Some succeed. Some move back home... And some just disappear. See more »
The US release was heavily censored to get an "R" rating rather than an "NC-17". The following scenes were edited:
The "drill kill" of the girl in the apartment was about 20-30 seconds longer, showing much more blood fly out of the back of her head, and the drill going all the way through her mouth. After the killer retracts the drill, he then begins drilling again into her head. Also, this scene is well-lit as opposed to the darkened version in the "R" rated cut.
The man getting his head sawed in half; this scene was much longer. More blood and grue flies out as the killer saws, and the aftermath of the top half of the man's head being ripped off was shown, and the camera lingers longer on it when it hits the ground.
The man being strapped to the table and killed was a bit longer. There were more hits with the hammer, more screams from the man, and a better view of the powder being poured on his head. A more grisly after-view of the man's lye-laden head was present afterward.
After a fifteen year long string of awful horror movies and forgettable TV shows, director Tobe Hooper finally roars back to life with this fun, scary and intense horror thriller.
When I first heard Hooper was remaking TOOLBOX MURDERS, I thought he had hit a new low. The director of THE Texas CHAINSAW MASSACRE is making a remake of a movie that was in many ways a rip-off of CHAINSAW? I didn't think I'd bother.
Then I started hearing some internet buzz that the movie was actually pretty good, so I picked up the DVD at a horror convention. I was pleasantly surprised. It's a throwback to Hooper's earlier movies like CHAINSAW, EATEN ALIVE and THE FUNHOUSE, with a similar atmosphere of dementia and claustrophobic terror. The performances are excellent and the screenplay is very good (written by the same team that wrote Hooper's previous film, CROCODILE). Also top notch are the expressionistic cinematography and editing.
Hooper's previous movies reeked of TV movie blandness (possibly due to his having slowly moved into that realm over the years), but TOOLBOX MURDERS has a healthy dose of grindhouse grit to go with the slick, professional quality of his hired hand work. The result is a movie that is as technically well-made as SCREAM or WRONG TURN, but with the guts of a 70s drive-in shocker.
While the killer finds some creative ways to kill people with various hardware items, and the action takes place in a single apartment building, this movie has little to do with the original TOOLBOX MURDERS. It's actually more similar in plot to Lucio Fulci's HOUSE BY THE Cemetery. However, despite its remake status and its borrowing plot points from a few previous movies, it has a surprisingly fresh and original feeling to it.
I'll go out on a limb and say Tobe Hooper's TOOLBOX MURDERS is one of the better horror movies I've seen in quite some time. It leaves the CHAINSAW remake in the dust. It's better than most so-called horror movies I've seen in the last few years.
I highly recommend this to horror fans, but especially to admirers of Hooper who thought he would never crawl out of his rut. Well, he's back, and with a vengeance!
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