A reporter investigating the bizarre death of a woman who leaped from a building in flames finds herself mixed up in a cult of witches who are making her part of their sacrificial ceremony during the Christmas season.
Little Billy witness his parents getting killed by Santa after being warned by his senile grandpa that Santa punishes those who are naughty. Now Billy is 18, and out of the orphanage, and he has just become Santa, himself.
Charles E. Sellier Jr.
It's summer camp as usual at Camp Manabe where the kids torment each other for fun while the underpaid camp staff provides as little supervision as possible. Greedy camp owner Frank and junior partner Ronnie do their best to keep everyone in line, but something sinister is about to put a slash in the roster. When campers and staff mysteriously begin disappearing and turning into gruesome corpses, paranoid Ronnie can't shake the memory of a series of grisly murders that took place at Camp Arawak, where he worked two decades earlier. Has a ghost from the past come back to haunt him? As the paranoia worsens, Ronnie's list of possible killers starts growing just like the body count. Everyone becomes a suspect from vicious kids to shady members of the camp staff, and even former Camp Arawak camper Ricky who mysteriously works nearby. Who is knocking off these victims and why? Only one thing is for certain, something is carving a bloody new trail at Sleepaway Camp where kids can be so mean ...Written by
Once the credits at the end are over, another short scene starts up. A female motorist's car breaks down on a deserted road. Sheriff Jerry stops to help. With the car jacked up, he crawls under it to check it out and it suddenly falls, crushing his head. The woman turns around, revealing herself to be Angela. See more »
"Return To Sleepaway Camp" isn't as much a real movie as it is a joke that got a bit out of hand. Apparently there's a website entirely devoted to 80s slasher gem "Sleepaway Camp", and they moved heaven and Earth to get some of its cast and crew back together for a sequel. They even got Robert Hiltzik back in the director chair, even though he retired from filmmaking decades prior. Sadly though, that totally shows. Hiltzik has forgotten pretty much everything that made his first movie such an underground classic. The first one thrived on its inventive kills and compelling mystery (with an amazing conclusion). In this one, the kills just make no goddamn sense (the bed of spikes!?) and you've figured out the twist well before halfway. Even worse though is the handling of the characters. When someone teased cute innocent kids in the original, you were glad they died minutes later. In this one the protagonist is a teen that picks on little kids in the cruelest ways possible, and then gets picked on by adolescents in the cruelest ways possible. You just can't sympathize with anyone in this movie, which makes you indifferent to all the deaths. The biggest difference is in the acting though. Why is everyone acting so tongue-in-cheek all of a sudden, why the sudden shift in tone? I don't remember wanting to punch Jonathan Tiersten in the face any time he opened his mouth in the original, what happened? This movie was released four years after completion: that's rarely a good sign.
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