A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress ...Written by
In the scene where Caden is talking to Hazel directly after having talked to the doctor after his seizure, there is a dog in a box behind Hazel in her box office. Upon cutting to Caden, and then cutting back, the dog is gone. This is the remnants of the character "Squishy", from the original draft of the script. The almost-dead dog was found by Hazel after driving home from the premiere. She was saddened by Caden denying her, and she finds the dog, run over and bloody on the side of the road. She decides to keep it. This is the only scene where he is present, and his presence is not explained. See more »
I don't have a resume, or a picture. I've never worked as an actor.
Good. Tell me why you're here.
Well I've been... I've been following you for twenty years. So I knew about this audition because I follow you. And I've learned everything about you by following you. So hire me. And you'll see who you truly are. Peek-a-boo. Okay... Hazel, I don't think we need to talk to anyone else, this guy has me down. I'm going to cast him right now. And then maybe you and I can get a drink and we can try ...
[...] See more »
It was bound to happen. The brilliant writer of "Being John Malkovich", "Adaptation" and "Eternal Sunshine Of The Spotless Mind" made his directorial debut. Interesting, yes, without question, but self conscious to the point of distraction. Kaufman's mind with all its implications is a the center of this dream colored by illness and paranoia. Strange echoes of Julian Beck and Luis Bunuel made the experience rather gripping but I must confess I felt the need to run home and take a long shower after the film and read something funny, I selected Alan Bennet's "Uncommon Reader" It worked. I may even go again to see this Charlie Kaufman film with its unpronounceable title. I guess that even that is on purpose, so we all can refer to it as Charlie Kaufman's movie. Philip Seymour Hoffman is great, as usual. This time I also felt his body odor. Yuck! I remember Hoffman's dirty fingernails even when he was playing Truman Capote so I presume that is the actor's trait and not the character's, although, here, the filth that he exudes matches perfectly his story. Catherine Keener and Emily Watson are also superb but Samantha Morton, once again, got me completely. I will advise you to see it, at your own risk.
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