The two best special agents in the Wild West must save President Grant from the clutches of a diabolical, wheelchair-bound, steampunk-savvy, Confederate scientist bent on revenge for losing the Civil War.
Pivoting around the eternal game of love, the suave matchmaker and New York's greatest date doctor, Alex "Hitch" Hitchens, guarantees that any man can get the girl of his dreams if he overcomes his fears and follows his infallible advice. However, when the timid accountant, Albert Brennaman, wants to win the attention of the rich and beautiful heiress, Allegra Cole, Hitch will discover his perfect match: the inquisitive gossip columnist, Sara Melas. Now, the self-assured charmer is in need of his own services to save his relationship. Can the silver-tongued expert of romance survive the delicate complications of love?Written by
The flag on Allegra's boat, is the flag of Saint Vincent and the Grenadines. See more »
When Albert grabs Hitch on the boat, the shot from behind Albert shows that Hitch's hands are on Albert's shoulders. Then when we see it from the opposite angle, his hands are instantly on Albert's forearms. See more »
Basic principles: no woman wakes up saying, "God, I hope I don't get swept off my feet today!" Now, she might say, "This is a really bad time for me," or something like, "I just need some space," or my personal favorite, "I'm really into my career right now." You believe that? Neither does she. You know why? Because she's lying to you, that's why. You understand me? Lying! It's not a bad time for her. She doesn't need any space. And she may be into her career, but what she's really...
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She Wants to Move (Mac & Toolz Remix)
Written by Chad Hugo & Pharrell Williams
Published by EMI Blackwood Music Inc. o/b/o itself and Waters of Nazareth and Careers-BMG Music Publishing o/b/o itself and Raynchaser Music
Performed by N.E.R.D.
Courtesy of Virgin Records America, Inc.
Under license from EMI Film & Television Music See more »
Has enough charming moments to make it worth going through the clichéd last third.
"Hitch" starts off well, with some genuinely good advice for men and their relationships and introduces to us the interesting characters. Basically the story is about Hitch (Will Smith), a man who knows all of the ropes when it comes to dating women, taking Albert (Kevin James) under his wing. Normally the guy would have as much chance of getting together with the apple of his eye (Amber Valletta as Allegra) as a skyscraper has of surviving a Godzilla attack, but Hitch is a real pro, so love might just be in the air.
I never thought I'd say this but Kevin James is actually good in this movie. Will Smith is charming as usual, but the both of them really work together. There's chemistry between the actors and there are ample touching, funny and even romantic moments (well, not between James and Smith). When the two male leads are doing their comedic parts, the film is enjoyable and when it's being truthful, it feels genuine. What really hurts the movie is the last third of the running time. The story was deliberately avoiding the usual tropes that romantic comedies always have to labor through and then it flat-out turns into a generic romance plot. Why was it necessary to include the big misunderstanding, the chase, the earth shattering revelations and the dramatic resolution, all because no one can just sit down, talk and explain themselves to the other people? This is a movie that contains one of my all-time pet peeves because just like in every bad horror movie where the dumb teenagers get themselves killed because either they've never seen a horror movie in their entire lives, or horror movies just don't exist in this film, the people of "Hitch" suddenly all lose their brains and make the same dumb mistakes we've seen over and over. For its good parts "Hitch" is worth seeing but unfortunately it fumbles the ball right before the end and falls just short of being a truly great, original romantic comedy. (On DVD, October 30, 2012)
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