An Albanian family is torn apart by a murder, resulting in a blood feud that makes eldest son Nik a prime target and forces his sister, eldest daughter Rudina, to leave school in order to take over the family business.
When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with ... See full summary »
Juan Pablo Rebella,
María Álvarez, an independent, feisty, and underpaid seventeen-year-old Colombian rose packager is stuck in a tedious life and a dead-end relationship with her good-for-nothing boyfriend, Juan. And as if things weren't bad enough, an unexpected pregnancy and an ugly altercation with her unfair boss will tempt María to accept the risky offer to become a drug mule, smuggling drugs from Bogotá to New York City. But, as things rapidly spiral out of control, suddenly, the option of an early retirement and a peaceful future for both María and her unborn baby begins to fade away. Is there a way out from this hopeless predicament?Written by
I wouldn't have to like having to make such choices
This movie was powerful, seamless. I can't think of a scene where I asked myself, why did we need that? It was even-handed. The director could have dramatized the plight of María's family more. But he didn't. I didn't think a real-life Maria would have told Lucy's sister that Lucy had died and she didn't.
I liked seeing the crowding in the house in Colombia and in the house in Queens. The customs agents weren't portrayed as stupid boobs, but rather as professionals, thus making María's plight seem more real. Don Fernando's role seemed incredibly accurate as an immigrant ombudsman. And the ending was powerful. It touched me. I will take my students to see this movie this week. (I'm a high school teacher). When will they stop producing heroin and cocaine in Colombia? As soon as we here in the United States stop shoving it up our noses.
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