STELLA is a three-man comedy troupe from New York City, comprised of well-known comedians and actors Michael Showalter, David Wain, and Michael Ian Black. Though the three have made a ... See full summary »
Molly owns a quaint little sweet shop. Joel works for a gigantic candy company threatening to shut her down. How they meet, fall in love, break up and get back together is hilariously recounted in this rom-com spoof.
Each episode contains 30 minutes of extremely bizarre and funny sketch comedy performed by THE STATE, an 11 member sketch comedy troupe who wrote and starred in various sketches seen throughout the program.
Michael Ian Black,
Robert Ben Garant
Anger rages in Philip as he awaits the publication of his second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his ... See full summary »
Alex Ross Perry
There are two additional scenes after the movie ends. After the first half of credits, a new scene appears showing the ending from the perspective of Dan (Paul Rudd), who finds himself a Baxter as well. After all of the credits is an additional scene with Elliot's friends from the bar after he left, telling another story. See more »
A quirky premise and some delightful performances made this film refreshingly true to its stated goal. Showalter is charmingly awkward and perplexed throughout, as a "baxter," one of the guys who are always left alone at the altar when their brides' true loves return to abduct them. Michelle Williams is exceptional in her role, and Jon DeVries and Peter Dinklage both contribute some great comedic moments.
A few sour notes rang out, including Elizabeth Banks' performance as Caroline Swann, which seemed confused and inconsistent. But The Baxter's power is in its non-standard take on old romance stereotypes. The impassioned speeches of each reformed lover to his girl are wonderfully recast from the perspective of the safe, nice guy who is our protagonist here. True love for him is not in being a daredevil or a risk-taker, but simply being himself and taking the opportunity that presents itself. As a new kind of romantic comedy that doesn't necessarily play by the rules, The Baxter succeeds in many ways.
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