User Reviews

A man is trying to catch some sort of bug running around his room. He takes his shoes off and intends to crush it under the heel of his loafer. However as he slowly begins to track the bug down and trap it, things chance dramatically but the man continues his course of action. Before Nolan hit the big time with several successful motion pictures, he made this short while studying English at University in London. It is rather atmospheric and is enjoyable for that reason.

The plot is interesting at the start and has a nice twist at the end which is pretty obvious once you see it being set up, but this isn't too much of a problem because there are only a few seconds between set up and delivery, so you're not wasting time being led somewhere you have already arrived. It is very much a student film as it thinks it is cleverer than it is and it seems like the sort of idea you have when you think that nobody else would ever think the same way - but this is just an observation, not so much an attack.

In terms of atmosphere the majority of the film really works; grainy black and white, dark rooms with bright intrusive light spread sparingly across the room and 'things' moving rapidly around our main man. It does just enough to feel like it is building to something but not so much that the ending will be a disappointment.

Overall it is worth seeing mainly because of what its director has gone on to do since this. As a short film in its own right it is atmospheric enough and with an interesting premise to the point that it is worth a few minutes of your time; but the ending is not as 'out of the blue' or as clever as Nolan must have thought it was at the time - happily he has gone on to much bigger and better things since!

The film begins with a guy chasing what you assume is a bug or perhaps a mouse in his apartment. However, when he catches it and you see what it is, it's an exact duplicate of him--only in miniature. When he smashes this creature, a chain of events follow and the movie ends.

Every director needs to start somewhere. You don't start your career with a mega-hit but work up to it. Despite having some big name films to his credit, such as MEMENTO and BATMAN BEGINS, Christopher Nolan was still a nobody when he made this short film a little over a decade ago. In fact, it's his very first film and so I think it's important to evaluate it as an experimental film done by a student. In this context, it's a pretty good little film--though I agree with Bob the Moo that what will happen in the film is a bit obvious. The style is excellent and the film is only three minutes long--perfect for such a film.

By the way, this film is part of the CINEMA 16: European Shorts DVD. On this DVD are 16 shorts. Most aren't great, though because it contains THE MAN WITHOUT A HEAD, COPY SHOP, RABBIT and WASP, it's an amazing DVD for lovers of short films and well worth buying.

Calling "Doodlebug" as being Christopher Nolan's baby steps into filmmaking would be an outrageous act. This isn't a baby trying to walk, this is a kid already walking and aware of everything around him, skipping part of the evolution but ready to do anything. Light years from making us dream within a dream within another dream and way before of resurrecting the Batman franchise or twisting Leonard's memory, Nolan made this wonderful short about a man who hunts something unknown with his shoes to later find out he's hunting himself in a different way and form. What comes after might not be all surprising but it certainly leaves a great impression on you, to make you frozen thinking what the hell just happened.

The constant themes present on his works such as sanity loss (or the fight in discovering if you are sane or not) are there. He intrigues us in less than three minutes by showing this man (played by Jeremy Theobald) that seems disturbed by this moving thing he starts to chase, and even though he sees that this thing is him in a alternated version he kills it. Perhaps an allusion of us as human race, hunting versions of ourselves simply because they bothers us, by that I mean, humans, people who are born with the same constitution (flesh and blood) but with notable variations and characteristics. And that never ends.

It's really delightful to watch it, you can sense Nolan's incredible sense of style filming in a scary black and white and using some incredible special effects. The student knew exactly what he was doing, a real professional. Many of us, and even the man himself couldn't possibly imagine than in matter of just a few years he would be directing names like Guy Pearce, Al Pacino, Leonardo DiCaprio and Scarlett Johansson in outstanding pictures. Well, here's a positive proof of why this man is one of the greatest directors in activity at the moment and why he deserves all the recognition. His originality goes beyond anything. A real fun to watch. 10/10.

Fun, enjoyable, and simple. This is a very interesting short film made by Christopher Nolan, who is famous for not only reviving the Batman series, but for The Prestige, Insomnia, and my favorite Memento.

This film doesn't require much thinking or anything, which caught me off guard because Nolan is famous for making me think.

The entire running time is very enjoyable. The plot is simple. A man tries to exterminate an annoying doodlebug.

A lot of directors had to start somewhere, but unlike most filmmaker's early years, Nolan's short film is fascinating. The only thing that people complain about is that it becomes very predictable within a minute or so into it. That is true, however it then becomes a story of "Is he? I hope he doesn't do it." type suspense. It's a very enjoyable short that makes me wonder one thing. Where did Nolan get this idea?

Why does this have to be some great metaphor for something? I just see it as a great little flicker of darkness that takes you on a brief surreal journey that plays off of the senses. To me this short's like a dark joke with the end being the punchline. You see a rough-looking man, he's hopping around a dank room, swatting at something we can't see, which soon turns out to be himself, which is needless to say, odd. Than you see that the miniature man is attempting to squish some kind of micro version that is smaller still. You notice that all three(and very possibly more)are all making the same gestures, and that those gestures are happening closer and closer together, just as a startling realisation enters the mind-POP! Short's over. Mildly unsettling. Those were my exact reactions when I first watched this-although I did actually watch it years ago but completely forgot all about it.(not good) I mean, the man: you have no idea if he's mad, a junkie having a bad trip(he was all sweaty and ragged), or is it his nightmare that we're seeing? I believe it's a nightmare becomes of how everything seems to culminate and converge just as it ends. Because, many times in my own dreams and nightmares,(of which I am eternally grateful to whatever unknowable forces there may be) I've felt a very strong and lucid sensation of my own scattered self and consciousness rushing together just as I wake up. I read somewhere once that everybody you meet in your dreams is actually you. So why was the guy trying to kill himself? Maybe he was just trying to kill the little parts of his personality that he subconsciously couldn't stand, and some bigger, deeper subconscious part of himself from the dark depths of his mind had a desire to swallow-up and erase himself... It was a kaleidoscopic effect, all was one and one was all, and a kind of visual sleight-of-hand. You're so busy looking at the little thing on the floor that you're not looking at where the magician's hands are going. Not seeing the bigger picture. I thought this short was a pretty cool, mind -bending idea that was very well done. Of course, being only three mins long its quality is limited. I've seen far better shorts-but never one quite like this. Thank you.

This three-minute black-and-white film is famous director Cgristopher Nolan's very first work. He was in his 20s here. The lead actor resembles James McAvoy a bit, but is fairly unknown. Nolan cast him again after this one, also for a very small role in "Batman Begins". Anyway, the story seems to be about a man with some kind of disorder (why else would he destroy a phone?) who has a very strong desire to kill a bug in his apartment. There is one flaw with this movie though: There are no telephones so small that the "bug" could actually use them. The final revelation about the bug is one that fits Nolan in terms of his ideas in movie such as "Inception". Pretty forgettable short film (with over-the-top music) though and it probably would be completely unknown if it wasn't by one of the top directors these days. An okay watch at three minutes, but nothing one has to see.

Christopher Nolan's Doodle Bug is just a man trying to crush a bug, until that bug is found out to be a tiny version of himself. He is then crushed by a big version of himself. Of course, it's just a small film, but that was quite a twist.

A distressed man has been trying endlessly to squash a bug that's bothering him. This chase continues till we find out that the bug is a tinier version of himself. When he kills it, a larger version of the man kills him in turn.

Christopher Nolan's effort doesn't amount to a brilliant shot in the sense that it's obvious (and Christopher isn't to blame) that the maverick had made this just to experiment with camera, lighting, sound and special effects. But it is indicative of the themes he has brought to his feature film: insanity, narcissism, never-ending cycle and twist endings. Also, Christopher's command over the camera is noteworthy – look how the camera shifts slightly while the character is in view to reveal a clue or an object. It would be rather futile to over-analyze this work because it is what it is; the first thing that you understand is what it is.

My Rating: 6.5 out of 10

An excellent recommended short film for all film and Nolan fans!

Duddlebug is an unique short film that with only 3 minutes makes you think outside of the box. This is of course what Christopher Nolan is known for, his unique one-of-a-kind films that go beyond a normal imagination. Duddlebug is the beginning of Nolan and you can see where this idea of a dream within a dream (Inception), a journal within a journal (The Prestige) or a flashback within a flashback (Memento) comes from. In this short a man runs around chasing a bug trying to smash it with his shoe. In the end as he finally succeeds defeating the film's conflict, a man appears in the same position with the same shoe right above him ready to smash him. Above that man is another man in the same position ready to smash him, and so on. This scenes shows Christopher's Nolan's major idea that he has used in some of his films, for example: in Inception there's the dream within a dream , a journal within a journal (The Prestige) or a flashback within a flashback (Memento).

Christopher Nolan's first short film "Doodlebug" is a subtle masterpiece. Probably the first conception of inception, a reality in a reality in a reality in a never ending cycle. Filmed in black and white with the perfect scenario, music and constant noises like ticking clocks that give a strong sense of paranoia and insanity.

Perhaps there is a philosophical point to the film in which the doodlebug is his own God, ending his life again and again all through eternity in a parallel reality.

Well done Mr. Nolan. It is a very good way to start a film career, something to be proud of.