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Veer-Zaara (2004)

Not Rated | | Drama, Family, Musical | 12 November 2004 (India)
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Veer-Zaara is a saga of love, separation, courage and sacrifice. A love story that is an inspiration and will remain a legend forever.

Director:

Yash Chopra

Writers:

Aditya Chopra (dialogue), Aditya Chopra (screenplay) | 1 more credit »
Top Rated Indian Movies #149 | 24 wins & 29 nominations. See more awards »

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Cast

Cast overview, first billed only:
Shah Rukh Khan ... Veer Pratap Singh
Rani Mukerji ... Saamiya Siddiqui
Preity Zinta ... Zaara Hayaat Khan
Kiron Kher ... Mariam Hayaat Khan (as Kirron Kher)
Divya Dutta ... Shabbo
Boman Irani ... Jahangir Hayaat Khan
Anupam Kher ... Zakir Ahmed
Amitabh Bachchan ... Chaudhary Sumer Singh (Special Appearance)
Hema Malini ... Maati (Special Appearance)
Manoj Bajpayee ... Razaa Shirazi (Special Appearance) (as Manoj Bajpai)
Zohra Sehgal ... Bebe
S.M. Zaheer S.M. Zaheer
Tom Alter
Akhilendra Mishra ... Jailor
Arun Bali
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Storyline

Squadron Leader Veer Pratap Singh (Shah Rukh Khan) is a rescue pilot with the Indian Air Force. In the line of duty he comes across a stranded Zaara (Preity Zinta) - a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish. Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui (Rani Mukerji), a Pakistani human rights lawyer on her first case, finds herself face to face with an ageing Veer Pratap Singh. He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served. VEER-ZAARA is a saga of love, separation, courage and sacrifice. A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation and deepens with sacrifice. A love that is an inspiration - and will remain a legend forever. Written by Official Source

Plot Summary | Plot Synopsis

Taglines:

A Love Legend


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

India

Language:

Hindi | Urdu | Punjabi

Release Date:

12 November 2004 (India) See more »

Also Known As:

Veer & Zaara See more »

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Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend USA:

$843,010, 14 November 2004

Gross USA:

$2,938,532

Cumulative Worldwide Gross:

$6,887,221
See more on IMDbPro »

Company Credits

Production Co:

Yash Raj Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.40 : 1
See full technical specs »
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Did You Know?

Trivia

Parts of the film were also shot in Pakistan. See more »

Goofs

When Saamiya first asks Veer to talk about his life, her hair fringe is mostly covering the side of her face. In the next shot when Veer looks at her, her hair is tucked neatly to the side. See more »

Quotes

[first lines]
Narrator: One early morning / Lifting the dark blanket of the night / From its pillow of mountain peak / The sun lifted its head / And saw... / The valley's heart is filled with the season of love / And the branches of memories have sprouted / Innumerable blossoms of moments past / That begin to scent the air. / Unspoken, unheard yearnings / Half asleep, half awake / Look out sleepily at life / As it flows in wave upon wave / Every moment new, but also the same / Yes, this life! / Which ...
See more »

Crazy Credits

The end credits also show how Veer and Zaara spend their lives in Veer's home village, including Veer playing cricket with teenagers, discussing about progress of the village and erecting two statues of Chaudhary Sumer Singh and Maati. See more »

Alternate Versions

The Blu-ray release of the movie now has the deleted song "Yeh Hum Agaye Hain Kahan" as per the director's vision. See more »

Connections

Featured in Billu (2009) See more »

Soundtracks

Kyon Hawa
Sung by Lata Mangeshkar and Sonu Nigam
Commentary by Yash Chopra
Composed by Madan Mohan
Lyrics by Javed Akhtar
See more »

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User Reviews

 
Progressive Film
15 November 2004 | by vijayvenkataramananSee all my reviews

Reviewed by: Vijay Venkataramanan Reviewer's Rating: 9 out of 10

It's Diwali - the time for sweets, new clothes, fireworks, and as is customary every year in India, a star-studded, feel-good blockbuster. Yash Chopra's reclamation of the director's throne after seven long years is a simple return to the classical traditions of mainstream Indian film-making. The flair and sensitivity for romance is intact along with the passion for deep-rooted cultural and traditional mis-en-scene. However, neither is "Veer Zaara" a classic, nor is it even remotely comparable to Chopra's earlier masterpieces such as "Silsila", "Kaala Pathar", "Kabhie Kabhie", and "Lamhe". Yet, it is an ideal Diwali gift, exquisitely packaged, filled to the brim with sentiments and emotions, presented with only the best of intentions.

Squadron Leader Veer Pratap Singh (Shahrukh Khan) has been decaying in a Pakistani prison for twenty-two years. Saamiya Siddiqui (Rani Mukherjee), a local lawyer representing the Human Rights Commission undertakes the challenge of fighting for Veer so he can return to India. As Saamiya tries to unearth the hidden truth behind why and how Veer ended up in this situation, we are taken through a trip down memory lane as Veer recollects the days when he found and lost the love of his life, a Pakistani girl called Zaara (Priety Zinta).

What "Veer Zaara" lacks in terms of an innovative plot structure, it more than makes up for with Aditya Chopra's sometimes flawed, but sensitive writing. The supporting characters are extremely well fleshed out, and his dialogs witty and subtle. The storytelling is further enhanced with Javed Akhtar's lyrical wizardry, and Yash Chopra's tact for stretching defining moments of the story into musical interludes continues to fascinate. "Do pal ruka, khwaabon ka kaarvaan", a fine example of Mr. Akhtar's and Mr. Chopra's brilliance remains etched in your memory.

The film's grand-scale packaging is embellished by Sharmishta Roy's artistic, and exquisitely detailed production design, with each set being highly reflective of the characters that it holds in. Cinematographer Anil Sharma (Lagaan, Kal Ho Na Ho) sets up a rustic, yet opulent scheme to the film's largely rural setting that brings back memories of the evergreen "Dilwale Dulhania Le Jaayenge".

Actors including the great Amitabh Bachchan (who makes a stunning special appearance in this film with Hema Malini) have always elevated their performances to higher levels under Yash Chopra's baton. Rani Mukherjee follows in the same footsteps, playing the rookie lawyer with an admirable juxtaposition of nervousness and ferocity. While Preity Zinta and Shahrukh Khan too perform well in their respective roles, at no point does one feel that these two talented actors are ever challenged with roles such as these. Having played the loverboy so many times in the past, Veer Pratap Singh is a cakewalk for the Khan. The lead pair's chemistry from their younger days all the way to the days of their fifties is highly appreciable however. The supporting cast comprising of Divya Dutta, Kirron Kher, Boman Irani, and Manoj Bajpai make full use of their well-defined characters to enact high-caliber performances.

Other than the story of two fanatically devoted lovers, "Veer Zaara" is a progressive film for the Indian Film Industry because it makes an effort to break stereotypes with respect to Indo-Pak relations. It is a welcome change from the mindless Pak-bashing fare that we are routinely subjected to. Sensitive approaches like this first of all would help improve cultural ties, considering Hindi movies do comprise of a large portion of India's unofficial exports to Pakistan. Equally important is the economic factor because a culturally sensitive film like "Veer Zaara" is bound to officially open up a potentially huge, untapped, cinema-going audience across the border


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