The Illusionist

The Illusionist is directed by Neil Burger and Burger adapts the screenplay from "Eisenheim the Illusionist" written by Steven Millhauser. It stars Edward Norton, Paul Giamatti, Jessica Biel and Rufus Sewell. Music is by Philip Glass and cinematography by Dick Pope.

How splendid, a period romantic mystery that's filled with the mysticism of magical conjurings and political volatility. Plot essentially has Norton as Eisenheim The Illusionist, who later in life runs into Sophie (Biel), his childhood sweetheart, and finds that she's on course to marry Crown Prince Leopold (Sewell). Leopold has a bad reputation and it's not long before Eisenheim comes under Leopold's disdain, forcing Eisenheim to try and pull off the ultimate magic act to save Sophie and himself.

Creator Neil Burger crafts a picture that has everything going for it. The story is rock solid with intrigue credentials, where appropriately for a story based around magic tricks nothing is ever as it seems. The period flavours are smartly assembled, the Czech Republic locations smartly standing in for turn of the century Vienna, the art production is on point with the era of setting, as is the costuming. Glass drifts a tender melancholic score over the piece, while Pope's cinematography is simply gorgeous, offering up colour lensing that's aura enhancing, the kind you could get lost in for days.

The magic tricks are beguiling, as they should be and are in fact required since the narrative tantalisingly suggests Eisenheim may have supernatural powers? The story itself has no historical worth, but is fascinating none the less. It all builds towards its revelations, and much hinges on if the pay off is worth the admission fee? Most assuredly so it is, even if from a personal point of view this writer wouldn't have minded if pic had finished five minutes before the final revelation.

Either way, and with smart acting (Giamatti as the police inspector standing out) without histrionics holding things at the top end, this is delicate film making that engages the emotions fully for entertainment rewards. 8/10

Kind of a strange movie but very original and entertaining! It was a Gothic-romance period-piece drama-mystery, and quirky characters and a bizarre--or at least unusual--plot held my interest.

Edward Norton's character plays an inscrutable but romantic master illusionist. But is he just a master illusionist or has he developed powers to effect the creepy conjuring of those who have passed on? (Regardless, the guy is so easy on the eyes.)

Jessica Biel is beautiful and good in her role but I couldn't help thinking, "Hey, Jessica, Scarlett Johanssen called. She wants her lips back."

Paul Giamatti bothered me just a tad at first because he spoke in a near-whisper and had a scruffy beard so you couldn't read his lips. He got louder and his character developed pretty darned well, thank goodness. Actually, he was fantastic (so what else is new?).

The makers of this movie did the same thing the makers of Little Miss Sunshine did--made me want to see the film twice, but for different reasons: LMS because the first time I saw it, I laughed so hard I cried, and I really needed a laugh again (and got it); The Illusionist because I was like the audience for the title character's shows the first time I saw it--just kind of naive and awed and staring up at the action with my mouth hanging open. So I'll have to see it again and pay attention. Kind of like when my daughter told me to go see The Sixth Sense again and pay attention to what Bruce Willis's character was wearing. (Plot-wise, this is unrelated, folks--just a movie watcher's analogy.)

At first, the old-fashioned circle wipes seemed a little distracting, but in retrospect, they were part of the excellent movie-making decisions that created the illusion of time and place in this film. A really good story with really good art direction and really good actors, costumes and settings. Definitely worth a go-see--or two!

I am a long time fan of the old theatre magicians and have been fascinated by the wave of spiritualism that swept both continents around the turn of the last century. This movie plays off those real life happenings, with the added twist of court and political intrigue. The movie is lush - as a period piece should be - with terrific performances from a true ensemble cast. Edward Norton has the charismatic gaze that makes you believe in every thing he does. Jennifer Biel is tragic and compelling as a woman trapped by society and dubious duty. Paul Giamatti - who seems to be in every other movie these days - is wonderful as a conflicted man unsure of whom he serves. Rufus Sewell, as the Crown Prince Leopold, is that man, and he embodies the boo-hiss villain. Vain and driven, he is larger than life and not one to cross, as the illusionist comes to find out. The music of Philip Glass fits the scenes and add just the right amount of tension. Plus the horses are very old world with large hooves and a heck of a lot of presence. A compelling and beautiful film.

Imaginative and intriguing flick set in turn-of-the-century Vienna, where takes place a crash of wits between a famous magician , a price and and a Police Inspector . This enjoyable and fresh story about intense rivalry among an ambitious , easy-going magician named Eisenheim (Edward Norton who did many of his own magic tricks, with the coaching of James Freedman) who becomes a prestigious illusionist and get mutual envy , a Police chief (Paul Giamatti) and the heir prince (Rufus Sewel) ; being set in turn-of-the last century , Vienna (although the film is set in Austria, it was filmed mostly in the Czech Republic) . Their escalating cat and mouse feud is played out in palaces , theaters and Vienna streets . Eisenheim (his character is closely based on the magician and supposed clairvoyant Erik Jan Hanussen, who was famous in Vienna in the early part of the 20th century and was murdered by Nazi soldiers in 1933) delivers the most spectacular version of a teleportation trick that calls for something like real magic . The stage illusionist falls in love with a woman well above his social standing . He will use his abilities to secure the love of a gorgeous girl (Jessica Biel replaced Liv Tyler, who dropped out of the film just as filming was about to begin) far above his social standing as the magician use his powers to combat his enemies . The Duchess Von Teschen is soon to be wed to the Crown Prince Leopold in what would be for him a marriage solely in pursuit of power : overthrowing his father, the Emperor Leopold , as well as overtaking the Hungarian side of the empire .

This splendid movie is stunning in many aspects and blends appropriately various genres : the lush romantic period piece during nineteenth century Victorian Era , mystery thriller and fantasy . The picture gets it all : suspense , mystery drama , star crossed lovers , plot twists , murders ,tragedy , exquisite costumes and supernatural illusions . It inhabits a world between reality and illusion as when Inspector's investigation develops , it's amazingly unclear whether the illusionist is the performer of unbelievably excellent tricks or genuine supernatural acts . Explicitly modelled on the pattern of a magic trick , it's also bound by the rules of the mystery thriller genre . And in devoting so much room to romantic subplot , the picture ends up breaking the magician's cardinal rules . Featuring an excellent casting, as main actors, Edward Norton , Jessica Biel and Paul Giamatti as well as eclectic secondaries , Rufus Sewel , Jake Wood and Eddie Marsan .Although the story is fictional, some of the details are based on the life of Austrian Crown Prince Rudolf, only son of Emperor Franz Josef. The painting of the emperor which Eisenheim creates is an actual portrait of Franz Josef ; the bodies of Rudolf and his mistress, the Baroness Mary Vetsera, were found at his hunting lodge Mayerling on January 30, 1889 in what is now known as the "Mayerling Incident". This was initially covered up by the Imperial Family, creating controversy and mystery. Luxurious attention to period detail in brilliant costumes and spectacular production design . Beautifully and mesmerizing cinematography by Dick Pope ; too marvelously photographed in a red sepia palette flashed with colorful images . Intriguing as well as evocative musical score by Philip Glass . The motion picture was perfectly directed by innovator director Neal Burger , a filmmaker who has filmed notorious movies such as ¨The lucky ones¨ , ¨Interview with the assassin¨ and his most successful , ¨Limitless¨ . At the same time was made another film (2006) with similar theme about magicians titled ¨The prestige¨ (2006) by Christopher Nolan with Hugh Jackman , Christian Bale and Michael Caine . 'The illusionist' results to be a magnificent picture which achieved much success . Rating : Above average, it was throughly amusing and exciting , and no as predictable as you would think . The film turns out to be a complete pleasure to watch these actors at this work , it's highly recommended and keep you guessing until final

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I just saw this wonderful film at the San Francisco Film Festival as a surprise entry. Beautifully shot and realized, it keeps you guessing until the end as to the true outcome. It was throughly entertaining and innovative. This movie has it all: romance, suspense, star crossed lovers and supernatural illusions. Edward Norton is perfectly cast as Eisenheim The Illusionist. His accent flowed seamlessly and he simply disappeared into the role. The real revelation to me was none other than Paul Giamatti. Paul's richly accented role was not altogether unlike Tommy Lee Jones' role in The Fugitive. I found his scenes with Norton full of respect and begrudging admiration. It was an absolute joy to see these two pros at work. I will definitely be paying to see this one again when it's released theatrically.