A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ...Written by
Huggo / edited by statmanjeff
Paul Thomas Anderson told Entertainment Weekly magazine that the fake oil used throughout the movie included "the stuff they put in chocolate milkshakes at McDonald's." See more »
In the "bastard from a basket" scene, H.W. and the interpreter leave after the latter says "I thank God I have none of you in me". It is clear by his lip movement that what the actor originally said was "none of me in you." See more »
We'll make you a millionaire while you're sitting here from one minute to the next.
What else would I do with myself?
You asking me?
What else would I do with myself?
Take care of your son. I don't know what you would do.
If you were me and Standard offered to buy what you had for a million dollars, why? So, why?
You know why.
Yeah, you fellows just scratch around in the dirt and find it like the rest of us instead of buying up someone else's hard work.
I've scratched around the ...
[...] See more »
There are no opening credits, except for the title See more »
There Will Be Greed. There Will Be Vengeance. 'There Will Be Blood'. There's no easy way to approach Paul Thomas Anderson's latest effort, it's about as unsettling and disturbing as they come. With piercing subtlety, this haunting epic takes us to a dark place exploring business, religion, and above all else, greed. Completely enthralling and one of this year's most ambitious pictures, 'There Will Be Blood' is a near masterpiece that gives us perhaps the greatest performance we've seen in years.
Paul Thomas Anderson. What can you say? For a man still relatively early in his career, 'There Will Be Blood' is only Anderson's fifth feature film, and his third that tops a whopping 150 minutes. Responsible for the script as well as providing stunning direction, there are few in Hollywood today who can make such heavy, pondering films and somehow hold the attention of so many. Yet despite quite an impressive running time, there's a rich and textured story to be told here that demands every minute of its time. No filler. It's a methodical and deliberate picture, but one that pulls us in from start to finish. The script (adapted from Upton Sinclair's "Oil!") is beautifully constructed, deep and startlingly realistic. Johnny Greenwood's barebones score is chilling and effective (sadly not eligible for an Oscar), and its cinematography is sweeping and wondrous.
A soul-dead oilman, hellbent on succeeding and leaving everyone else in the dust. Whatever the cost. The hype is worthy and very much deserved. Daniel Day-Lewis delivers the performance of a lifetime, one that will surely go down in history as one of cinema's greatest. He is absolutely sensational, every line of dialogue delivered with such a ferocious undertone that will slice through even the toughest of audiences. A brilliantly layered and rich character, Day-Lewis brings Plainview to life with such jaw-dropping vitality. And while it's easy to focus purely on this masterful performance, it's important to keep young Paul Dano in mind as well. A blossoming actor, he shines in this fantastic role as a supposed prophet and healer. These are two actors, both on opposite sides of the spectrum, who understand the art of the craft and pull no punches. They drive 'There Will Be Blood' home.
In the end, I find it difficult to call 'There Will Be Blood' a perfect film. A flawed masterpiece, perhaps. It's difficult to pinpoint exactly what happens, but a slight road bump seems to halter the film's final act. But any film that can lure Daniel Day-Lewis out of the shadows and back on the big screen is a notable achievement, and it's worth talking about. 'There Will Be Blood' is a deeply challenging film whose ability to rattle an audience is like few others.
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