Cast overview, first billed only: | |||
Maki Horikita | ... | Mutsuko Hoshino | |
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Hidetaka Yoshioka | ... | Ryunosuke Chagawa |
Shin'ichi Tsutsumi | ... | Norifumi Suzuki | |
Koyuki | ... | Hiromi Ishizaki | |
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Hiroko Yakushimaru | ... | Tomoe Suzuki |
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Kazuki Koshimizu | ... | Ippei Suzuki |
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Kenta Suga | ... | Junnosuke Furuyuki |
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Masaya Takahashi | ... | Saburo |
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Kaga Mochimaru | ... | Yûichirô |
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Tôru Masuoka | ... | The Theatre Manager |
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Takashi Matsuo | ... | The Realtor |
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Hiroshi Kamido | ... | The Postman |
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Hiroshi Kanbe | ... | The Postman |
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Magy | ... | The Butcher |
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Yôichi Nukumizu | ... | The Bicycle Shopkeeper |
Leaving her provincial home, teenage Mutsuko arrives in Tokyo by train to take a job in a major automotive company but finds that she is employed by a small auto repair shop owned by Norifumi Suzuki. Suzuki's hair-trigger temper is held somewhat in check by the motherly instincts of his wife, Tomoe, and his young son Ippei immediately bonds with Mutsuko as if she were his older sister. The Suzuki shop lies almost in the shadow of the Tokyo Tower as it rises steadily above the skyline during construction in 1958. Others in the neighborhood also are striving to better themselves as Japan continues to emerge from the shadow of war. Hiromi has just abandoned her shady life as a dancer to start a sake bar. Abandoned by his single mother, young Junnosuke is first handed off to Hiromi but she passes him off to Ryunosuke Chagawa, a struggling writer who runs a candy shop and only manages to sell adventure stories for boys as his serious novels continue to be rejected. Junnosuke is an avid ... Written by Brian Greenhalgh
this is the best film i've seen. it emotes and moves you. Idealistic and simplistic (how can you avoid them in a two-hour media) but still captures the essence of Tokyo pre-economic boom and Japan's march toward materialism. Hope, innocence, inter-dependence, both individually and societally, are wonderfully captured in this film. Acting for the roles of Ippei, Tomoe, Roku, and Junnosuke are superb. The background music is excellent. Memorable scenes: Ippei and friends flying airplane, Roku and Ippei meeting for the first time and exchanging greetings in Roku's Tohoku dialect, Ippei noticing Roku crying in her room the first night at the Suzuki's and Ippei asks, "What happened? Do you have a stomach-ache?" Ah, the innocence lost. Where have you gone?