Directed by
| Leila Conners | ... | (as Leila Conners Petersen) |
| Nadia Conners | ||
Writing Credits
| Leila Conners | ... | (as Leila Conners Petersen) & |
| Nadia Conners | ||
| Leonardo DiCaprio | ||
Cast (in credits order) complete, awaiting verification
Produced by
| Chuck Castleberry | ... | producer |
| Leila Conners | ... | producer (as Leila Conners Petersen) |
| Irmelin DiCaprio | ... | executive producer |
| Leonardo DiCaprio | ... | producer |
| Brian Gerber | ... | producer |
| Harold Linde | ... | associate producer |
| Stephan McGuire | ... | associate producer |
Music by
| Jean-Pascal Beintus | ||
Cinematography by
| Peter Youngblood Hills | ||
Editing by
| Luis Alvarez y Alvarez | ||
| Pietro Scalia | ||
Makeup Department
| Stayc St. Onge | ... | hair stylist: New York (as Stacy St. Onge) / makeup artist: New York (as Stacy St. Onge) |
Production Management
| Nick Case | ... | unit production manager |
| Dessie Markovsky | ... | post-production supervisor |
| Kevin L. James | ... | post-production executive (uncredited) |
Second Unit Director or Assistant Director
| Bettina Godi | ... | assistant director |
Sound Department
| Ron Bartlett | ... | re-recording mixer |
| Andrew Bock | ... | first assistant sound editor |
| Eric Flickinger | ... | sound recordist |
| Nick Foley | ... | adr recordist |
| Dennis Haggerty | ... | additional sound mixer |
| Doug Hemphill | ... | re-recording mixer |
| Richard King | ... | supervising sound editor |
| Hamilton Sterling | ... | sound effects editor |
| Ted Swanscott | ... | adr mixer |
| Richard Thornsberry | ... | boom operator (as Rick Thornsberry) |
| Hugo Weng | ... | dialogue editor |
Visual Effects by
| Reece Ewing | ... | visual effects producer (as Larry Ewing) |
| Jarrod Linton | ... | visual effects |
| Janice Body | ... | digital image restorer (uncredited) |
Stunts
| Rex Reddick | ... | stunts: fourth episode |
Camera and Electrical Department
| Nico Bally | ... | camera crane technician |
| Christina Fiers | ... | first assistant camera |
| Felipe Perez-Burchard | ... | second assistant camera (specific segments) |
| Andrew Rowlands | ... | camera operator: specific segments |
Animation Department
| André Holzmeister | ... | animator |
| Marcel Luiz | ... | animator |
Editorial Department
| Padraic Culham | ... | on-line editor |
| Mark Dinicola | ... | digital intermediate colorist |
| Steve Gute | ... | assistant editor |
| Sean Martin | ... | assistant editor |
| Sean McQueeney | ... | assistant editor |
| Shawn P. Mitchell | ... | assistant editor |
| Alessandra Pasquino | ... | post production supervisor |
| Eric Potter | ... | assistant editor |
| Anna DiNuovo Slaughter | ... | digital intermediate producer (as Anna DiNuovo) |
| Miklos Wright | ... | additional editor |
| Heidi Zimmerman | ... | assistant editor |
Music Department
| Eric Avery | ... | composer: original music |
| Andy Snavley | ... | music editor / music scoring mixer |
Script and Continuity Department
| Eric Potter | ... | script supervisor |
Additional Crew
| Brent Bailey | ... | production assistant |
| David Thomas Jenkins | ... | production assistant |
| Polly Johnsen | ... | studio executive (uncredited) |
| Shannon Livingston | ... | stock footage researcher |
| Kate Pulley | ... | key set production assistant |
| Sylvia Saether | ... | production assistant (as Sylvia Sether) |
| Mike Theiss | ... | stock footage |
| Alexander Vickers | ... | film publicist |
| Irwin M. Rappaport | ... | production attorney (uncredited) |
Thanks
| Walton Goggins | ... | special thanks |
| Jason Krieger | ... | special thanks |
| Nathan Mills | ... | special thanks |
| Leland Sexton | ... | special thanks: BlackLight Films |
| J.P. Welgus | ... | special thanks |
