After years of being home schooled by hippie parents, Emerson is enrolled at his local high school. The intelligent and androgynous youth confounds his classmates and captures the attention... See full summary »
After his mother dies, 15-year-old Charley must live with his unloving, bullying father. Out of loneliness, Charley strikes up an illicit romance with 29-year-old Eban. When their families find out, they must make a life-altering decision.
Gio Black Peter,
Invited to present his first feature film "My life with James Dean" in Normandy, the young director Géraud Champreux has no idea this film tour is about to change his life. From wild ... See full summary »
Nick Guest (Dan Stevens) comes to London to live with his college friend's family, the Feddens. A short stay becomes permanent, and Nick positions himself in the family's plentiful lives of parties and politics during the Thatcher years. Over the course of three episodes spanning four years in the mid eighties, we follow Nick's two homosexual love affairs in a time of promiscuity and carelessness, until the A.I.D.S. crisis, and a bout of scandal, threaten life as he has come to know it.Written by
Peter Brandt Nielsen
The title refers to a feature of architecture, a concave shape combined with a convex shape, known as an ogee. "Ogee" is also the name of the magazine that Nick and Wani publish in the series. See more »
"The Line of Beauty," which I recently saw on Logo, is a wonderful film, but it reminded me heavily of "The Great Gatsby" in that it makes the narrator a character in the scenario. Sam Waterston was given the role of Daisy Buchanan's poorer cousin, Nick Carraway. In "Line" Nick Guest serves in much the same way, with the exception that Nick Guest never realized he was an outsider, whereas Nick Carraway always did. Also much like Hemingway's reaction to F. Scott Fitzgerald's (author of "Gatsby") that "The rich are very different from us" - "Yes, they have more money", Guest finds out that human emotions, in this case recrimination, blame and betrayal, are just as much a part of the upper class as the lower. Guest and Gatsby both admire the upper class and at some point in each story, believe themselves equal to them, until each are made to pay for the sins of those they admire. In Gatsby's case, he is mistakenly shot by the wife of a garage mechanic who believes him to be Daisy's husband Tom, who is both wealthy and immoral. It is a classic story of social separatism, told with an extra layer of the start of the AIDS epidemic. It is a fine job of writing and acting all around. I was particularly impressed with the final slap in the face Nick gets from the housekeeper, who should have been more sympathetic to Nick, but who is also self-deluded in her thinking that she is part of the family, and not an outsider.
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