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9/10
Aside from the obvious casting problem, a really exceptional episode.
planktonrules12 February 2024
After being gone a decade, American Indian Billy Cole (Stuart Whitman) has returned to his old home town for revenge. It seems that he left after one of the respected townspeople gathered a lynch mob and a judge who was in it, and hung Billy's father. Now the town is dirt poor, as it's hard a hard drought...and Billy is very rich. With his wealth he's bought up all the loans of the townsfolk and announces he's ready to forgive all the loans...if they kill the man responsible for his father's death!

"A Killing at Sundial" is a great start to the show "Chrysler Theatre". The story was excellent...as you might expect from Rod Serling. But, when seen today, there's an obvious problem...the casting of two white actors to play American Indians. Stuart Whitman and Joseph Calleia were both very good and their acting is top-notch...but even without political correctness, it just was hard to believe them playing such parts. It's a shame...as it's really quite nice otherwise.
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Strong Serling statement
lor_21 October 2023
While still busy with "The Twilight Zone", Rod Serling also wrote the script for this pungent drama of social justice, for the "Chrysler Theatre". His crisp, powerful dialogue still resonates.

It takes a bit of effort to get used to the lily-white TV casting of the time, with two principal Native American roles going to fine actors (but hardly authentic) Stuart Whitman and Joseph Calleia. The familiar confrontational story structure of good bad-guy Melvyn Douglas versus bad good-guy Whitman plays well, and having Angie Dickinson on board as Douglas's tough-talking daughter is a plus.

The subject is lynching, and Serling making it about Indians rather than Blacks works well with the contemporary small-town Western setting. It plays like a parable, and from Whitman's distinctive swagger to Calleia's egalitarian wisdom there are fine, memorable moments.
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