Thor

In the pantheon of Marvel Superheroes, from my vantage point, Thor is a second-tier player. Even amongst non-obsessive comic aficionados, such as myself, Thor doesn't quite have the readership draw or the common familiarity in the public that heroes such as Spider-Man, Batman, Superman, etc., have. However, that doesn't mean that Marvel Studios, the filmmaking wing of the company, feel inclined to give the filmic adaptation of Thor short shrift. The cinematic entry for this character, titled simply Thor, is among the better of the Marvel adaptations of recent years, mixing a good sense of fun, strong acting, and some Shakespearian level drama that makes for an especially entertaining time at the movies.

Liberally adapting portions of Thor comic book lore to fit in a more modern comic book film reality, Thor introduces us to a centuries old war between the Asgardians, beings that live for long periods of time and can travel through space from their home realm of Asgard to various other worlds, such as Earth, via the Bi-Frost bridge, and the conflict centric Frost Giants, whom the Asgardians conquered some time back. Odin (Anthony Hopkins), ruler of the Asgardians, is preparing to abdicate his throne to his son, Thor (Chris Hemsworth), but on the eve of Thor's inauguration, agents of the Frost Giants infiltrate Asgard and attempt to steal back a device that is the key to their power, which had been taken by Odin at the end of their long struggle. When Thor disagrees with his father's desire to not to retaliate in order to not disturb the peace that currently exists between the Asgardians and the Frost Giants, he takes matters into his own hands, traveling to the Frost Giant's realm with his brother Loki (Tom Hiddleston), and compatriots Sif (Jaimie Alexander), Volstagg (Ray Stevenson), Hogun (Tadanobu Asano) and Fandral (Josh Dallas) in tow. When the encounter with the Frost Giants ends with tensions re-ignited between the two factions, Odin decides that his son is not prepared to lead his people, and exiles Thor, sans his powers, to Earth.

When he arrives on Earth, he is discovered by astrophysicist Jane Foster (Natalie Portman) and her associates Professor Selvig (Stellan Skarsgaard) and Darcy Lewis (Kat Dennings), who are convinced that he isn't a random homeless vagabond that they found in the middle of the desert. Thor must attempt to locate his power hammer, Mjolnir, from the government agents that have captured it, and attempt to reclaim his place in Asgard. However, he finds that, without his super-human abilities, and surrounded by humans, perhaps some of his previous attitudes were incorrect, especially when he connects romantically with Jane. Meanwhile, Loki, who turns out to have some ulterior motives, seizes control of Asgard following the collapse of Odin from strain, and begins to hatch a grand scheme involving the Frost Giants.

Thor, much like Iron Man before it, proves that, in the right hands, a comic tale that appears silly on the surface can have hidden depths when properly plumbed. Sure, Thor has elements that, on the face of it, may lead a bit to some audience snickers (Thor's ability to pick himself up and fly and defeat attackers with little effort are a bit cheesy at times), but the creatives behind Thor, including director Kenneth Branagh, manage to develop a story for Thor that deals with elements of tragedy, pathos, selflessness and, perhaps even more surprisingly, involving character development. Thor is more about the lead characters at its core, again akin to Iron Man, than some other comic book films and this draws the audience into its tale.

When it was first announced that Kenneth Branagh would be taking the reins of Thor as a director, it seemed something of an unusual fit for someone best known for his cinematic adaptations of the works of Shakespeare, but the final results of Thor bare out that Branagh was just the right man for the job. Considering the larger-than-life origins of the Thor comic, involving beings with the power and appearance of Gods and the various machinations of their story, the material fits fairly well with Branagh's body of work to a great extent. Especially strong is the development of Loki, who proves to be less of a traditional mustache twirling villain, and more of a misguided soul, trapped between revelations he makes about himself and his past and his respect in his father, making him more of a tragic figure than a black and white comic book antagonist.

Thor benefits from strong acting from its leads, Hemsworth and Hiddleston. Hemsworth embodies Thor, first as the brash, acting-before- thinking hero, and later as a man faced with the reality that some of his choices and attitudes were not becoming of a king. Hemsworth really makes you empathize with Thor, and gives you a reason to root for the character throughout the film. Hiddleston, working with the somewhat subdued (at first) Loki eventually transforms him from a seeming weak, malleable person into one who's penchant for vengeance and control is revealed in layers, peeling back one by one through the development of the narrative.

Thor isn't without its weak points, however. The romance between Thor and Jane Foster is practically and afterthought, rushed into the narrative at light speed and then not given any room to breathe or develop, it plays more as a requirement of adapting the comic story than something that works organically in the film. Portman is fine in the role, but the screenplay doesn't give enough to this relationship for it to be more than a bump in the road of the film's story.

Once again, Marvel has managed to take one of their lesser known heroes and make them the subject of an entertaining film version, with energy and depth that is a bit unexpected. May they keep on making comic book films of this caliber.

Thor was much much better than I expected. I didn't know if they could pull of the balance between the Norse mythology stuff and the real world Marvel Universe. I should've known better because Marvel knows their characters and knows what we want to see. Spider-Man set a new standard for the superhero film genre back in the day. Iron Man upped the ante. Thor takes the ball and runs with it and places that bar even higher. I look forward to seeing it again and know it will do well enough to be worthy of a sequel because word of mouth is going to be great. Trust me when I say Thor REALLY IS as good as Iron Man and is most worthy to be called one of the greatest adaptations ever.

Chris Hemsworth as the Norse god Thor, and Tom Hiddleston as his villainous brother Loki show they have the acting ability and star quality to become mega-marquee names in the future. Marvel found two absolute diamonds in the rough. Both actors make a HUGE impression and are wonderful on screen. You knew Acedemy Award winners Anthony Hopkins and Natalie Portman would bring it but these relative unkowns more than hold their own on screen. I know the script is written mostly for them but they carry it in a big way. From what I've read, Hemsworth and Hiddleston were cast almost a year in advance of filming the story so, they had time to get into shape and do character research. They certain did these long-time Marvel greats proud. Intelligent comic-book popcorn epics are rare and this one is definitely a cut above the usual fare.

Great movie! Has a comic book feel to it. The storyline is very well done! I love how they show Asgard and explain how everything fits into place. The humor is very tasteful, but can be oddly quirky in places. Lots of fun action. The only thing that could have used some improving was the way they filmed the movie. The shakey camera and weird angles are a little annoying, but the rest of the film makes up for this. Very good choice in the cast, could not have picked a better actor for Thor or Loki. Natalie Portman's part isn't the best. She has cheesy lines and her acting doesnt flow right, even though she is a talented actress. She does better with serious parts inatead of light and comical. This movie is very clean and makes a great fun movie for the entire family.

Thor is a film that takes risks - and they pay off wonderfully. The movie grounds itself in reality while keeping a mythological and fantasy-esqe tone, and it never loses sight of the humanity within the characters, with elevates this above standard superhero fare.

This is a throw-off piece of Marvel fiction that is packed full of cliché and predictability...to a point.

I found myself cringing at a lot of the scenes of heroism and there's a definite stink of pure cheetos-stained fanboyism in many of the scenes in general, with the usual over-the-top "glory" of this old four-color trope.

But certain things caught my attention as well-done.

First, Asgard is absolutely beautiful. They went all out in making a realm of metallic and elemental grandeur. I had no trouble in buying this as the realm of Asgard, the ultimate land of beautiful heroism. In particular, the rainbow bridge, the weaponry, and the interior scenes were very fitting in general style and specific detail. Very impressive visually and even thematically.

Second, Branagh's touch can be seen with Shakespearean flair in the family of Odin the AllFather. Odin himself is brimmed with both the rime of age and the wisdom that comes with it and yet his voice can instantly summon fearful authority. Hopkins does well with that balance, even through some cheesy scripting.

And the brothers... the sibling rivalry here is very very potent in that it is nuanced and fully realized by both actors. There is love there, but also a lack of understanding, envy, and hate. Loki is far from a cardboard villain, in that we see, all in one package - a fighter who protects his allies, an honest counselor, a liar, a cautious thinker, a smooth tongue, and an awkward one. He loves and reveres his father, but comes to almost fatally doubt him and even hate him...but it's all very real and very stirring. And even when it's clear that he's done very grim deeds, you can actually understand and accept his motives...and his last scene in the film brings all three of the family men together in a very poignant moment of utter loss.

I was pretty surprised how moving this all was, especially when put in the middle of some otherwise-uninspiring hero pablem.

So in summary, this movie both met my negative expectation of disappointment and surprised me with some purely moving content. See it to see if it surprises you at all as well, and forget the whole comic-book hero thing, since that's been done far better.

Thanks for reading.