Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or receive outside help, Stuart's negotiation with the caller leads to a jaw-dropping climax.
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
When a family falls victim to a vicious attack perpetrated as a gang initiation ritual, the vengeful father, Nick Hume, vows to track down each person involved in the crime. A sympathetic homicide detective questions her pledge to assist Hume after suspecting that he may have turned to murder as a means of exacting his revenge.Written by
Jason Buchanan, All Movie Guide
When Bones Darley is opening up his gun safe, he quotes a line from The Crow by James O'Barr - "Fear is for the enemy. Fear, and bullets." See more »
Several areas of the movie indicate it takes place in California (police car logo, police phone number with 310 area code); however, none of the cars have front license plates which is a state requirement in California. See more »
I've been debating about how to review this film...and you know what? I'll keep it as lean and focused as "Death Sentence" was. I got to view some fine film-making, expertly acted and directed. Bacon has always been an actor whose dives head-first into difficult roles, and this one covers a wide range of emotions...from family concern and love to grief to rage to fear to finally cold machine-like calm. I was particularly impressed with James Wan, who really raised his game to A-list level, easily creating moments of drama, action and suspense. His skill gave the film moments of real entertainment, because the plot was not...it's bleak and brutal, and hardly ever lets up...but like Rob Zombie's "The Devil's Rejects" or William Friedkin's "Bug", the film will stay with me for a long time.
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