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Angels & Demons (2009)

PG-13 | | Mystery, Thriller | 15 May 2009 (USA)
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2:18 | Trailer
Harvard symbologist Robert Langdon works with a nuclear physicist to solve a murder and prevent a terrorist act against the Vatican during one of the significant events within the church.

Director:

Ron Howard

Writers:

David Koepp (screenplay), Akiva Goldsman (screenplay) | 1 more credit »
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Popularity
2,076 ( 394)
1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tom Hanks ... Robert Langdon
Ewan McGregor ... Camerlengo Patrick McKenna
Ayelet Zurer ... Vittoria Vetra
Stellan Skarsgård ... Commander Richter
Pierfrancesco Favino ... Inspector Olivetti
Nikolaj Lie Kaas ... Assassin
Armin Mueller-Stahl ... Cardinal Strauss
Thure Lindhardt ... Chartrand
David Pasquesi ... Claudio Vincenzi
Cosimo Fusco ... Father Simeon
Victor Alfieri ... Lieutenant Valenti
Franklin Amobi Franklin Amobi ... Cardinal Lamasse
Curt Lowens ... Cardinal Ebner
Bob Yerkes Bob Yerkes ... Cardinal Guidera
Marc Fiorini ... Cardinal Baggia (as Marco Fiorini)
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Storyline

Following the murder of a physicist, Father Silvano Bentivoglio, a symbolist, Robert Langdon, and a scientist, Vittoria Vetra, are on an adventure involving a secret brotherhood, the Illuminati. Clues lead them all around the Vatican, including the four altars of science, Earth, Air, Fire and Water. An assassin, working for the Illuminati, has captured four cardinals, and murders each, painfully. Robert and Vittoria also are searching for a new very destructive weapon that could kill millions. Written by XXDustfingerXX

Plot Summary | Plot Synopsis

Taglines:

The holiest event of our time. Perfect for their return. See more »

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for sequences of violence, disturbing images and thematic material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Italy

Release Date:

15 May 2009 (USA) See more »

Also Known As:

Obelisk See more »

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Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend USA:

$46,204,168, 17 May 2009

Gross USA:

$133,375,846

Cumulative Worldwide Gross:

$485,930,816
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended edition)

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Several cameos can be seen in the movie. A photo of Sophie Neveu (played by Audrey Tautou in The Da Vinci Code (2006)) stands on a shelf at Langdon's house. Ron Howard's wife, Cheryl Howard, plays a CERN scientist and his father Rance Howard plays a Cardinal. See more »

Goofs

When the, supposedly, red hot final branding iron falls onto the wooden floor, the floor is not burned or even marked. See more »

Quotes

[first lines]
Narrator: The Ring of the Fisherman, which bears the official papal seal, must be destroyed immediately following the Pope's death. The papal apartment is then sealed for nine days of mourning, a period known as "Sede Vacante", the time of the empty throne.
See more »

Crazy Credits

At the very beginning, when the Columbia girl is standing holding aloft the torch, it flickers like the anti-matter. See more »

Alternate Versions

The Australian 2-disc DVD release is an Extended Version with a running time (PAL format) of 140:17 See more »

Connections

Referenced in Who Wants to Be a Millionaire: Episode #4.5 (2009) See more »

Soundtracks

Gregorian Chant: Requiem Aeternam-Introitus (VI)
from "Liturgia Defunctorum, Missae Pro Defunctis"
Traditional
Performed by Schola of the Hofburgkapelle, Vienna
Hubert Dopf S.J.
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more »

User Reviews

 
Slicker and more entertaining than Da Vinci
16 June 2009 | by StampsfightclubSee all my reviews

Symbologist Robert Langdon (Hanks) is called to Rome to help decipher the mystery behind the Illuminati before a new science experiment blows up the city.

The Da Vinci Code broke records in 2006 but for the vast majority of Dan Brown followers it did not do his award winning book justice and though running at a good 2 and a half hours, seemed to bore many.

Having read the book, I was perhaps one of the few who enjoyed Tom Hanks and Audrey Tautou attempt to solve the mystery of the murder in the Louvre but for Angels and Demons the scales were raised once more as lead star and director return.

Having asked around, most people seem to prefer Angels and Demons to The Da Vinci code for an entertaining read and it seems as critiques and fans, whilst still not fully justified, prefer this latest adaptation to the 2006 release.

This Howard picture certainly has a more clinical energy and exercise to it as unlike Da Vinci, Tom Hanks' Robert Langdon has only one night to solve the mysterious activities of the forgotten Illuminati in the Vatican and because of the time limitations, the action and desperation up the ante and deliver an excitement that certainly beats The Da Vinci code but also generates plenty of twists and stunning murder sequences.

The interesting factor of this 2009 release is the constant elements being justified for the murders. Earth, wind, water and fire are all included in drastic and powerful sequences to pronounce a feeling of overall power to the situation.

This really does justify the tag of thriller with a constant tension and sharp drama with the issues and beliefs once more given a full working over.

Just like 3 years ago, there are many debates and discoveries of symbols once believed to be lost forever and Langdon is again the key character to show everyone the light in and amongst the controversy of other pressing circumstances.

It is fair to say Dan Brown is a complex writer; he certainly likes to cram issues and dramas in amongst his action and thrilling sequences. As well as trying to discover the Illuminati, there is also the scenario of the election of a new pope, the dealings with a new scientific experiment and the power of Religion is again present. All interesting to discover and listen to, if occasionally the debates and dialogue tend to send your mind drifting but as there is so much in the novel, this was always likely.

Ron Howard, who kept a frankly ordinary type of direction rolling in Da Vinci, returns in perhaps the worst way possible. His jerky ever moving camera styling does nothing to keep the pressure up, and we can never fully accept what is happening on screen thanks to this frankly awfully portrayed style. He is certainly no Paul Greengrass and this is by no means Bourne.

Slick and stylized this is faster and more interesting than Da Vinci


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