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Repo! The Genetic Opera (2008)

2:12 | Trailer
A worldwide epidemic encourages a biotech company to launch an organ-financing program similar in nature to a standard car loan. The repossession clause is a killer, however.


Darren Smith (screenplay), Terrance Zdunich (screenplay) | 2 more credits »
3 wins & 1 nomination. See more awards »





Cast overview, first billed only:
Alexa PenaVega ... Shilo Wallace (as Alexa Vega)
Paul Sorvino ... Rotti Largo
Anthony Head ... Nathan / Repo Man (as Anthony Stewart Head)
Sarah Brightman ... Blind Mag
Paris Hilton ... Amber Sweet
Bill Moseley ... Luigi Largo
Kevin 'ohGr' Ogilvie ... Pavi Largo (as Ogre)
Terrance Zdunich ... Graverobber
Sarah Power ... Marni
Jessica Horn Jessica Horn ... Jessica Adams
Branko Lebar Branko Lebar ... Rotti's Chauffeur
Briana Buckmaster ... Sherrie Alviso
Anna Kostan Anna Kostan ... Young Mormon Woman
Brad Austin ... Young Mormon Man
Marty Adams ... Big Man


In the year 2056 - the not so distant future - an epidemic of organ failures devastates the planet. Out of the tragedy, a savior emerges: GeneCo, a biotech company that offers organ transplants, for a price. Those who miss their payments are scheduled for repossession and hunted by villainous Repo Men. In a world where surgery addicts are hooked on painkilling drugs and murder is sanctioned by law, a sheltered young girl searches for the cure to her own rare disease as well as information about her family's mysterious history. After being sucked into the haunting world of GeneCo, she is unable to turn back, as all of her questions will be answered at the wildly anticipated spectacular event: The Genetic Opera. Written by Lionsgate

Plot Summary | Plot Synopsis


It's not just a movie....it's an event! (Road Tour Poster) See more »


Horror | Musical | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for strong bloody violence and gore, language, some drug and sexual content | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


In the first scene on the cemetery, when Shilo hides behind the gravestone (which she previously captured an insect on), we can see the name Peter Block on the stone for a moment. Peter Block is the producer of the movie. See more »


When Shilo first points the gun at Rotti, she has very little blood on her right arm. When she turns to walk away and later returns to take the gun from Rotti, she has more blood on her right arm and back. See more »


Nathan Wallace: If you poop in my pool, don't ask me to go and take a dip.
Nathan Wallace: Just because I have a thankless job old friend, dosen't mean that I take shit!
Rotti's Henchwoman #2Rotti's Henchwoman #1: Henchgirls, ATTACK!
See more »

Alternate Versions

In the original script the film began with the character Shilo Wallace going down to her mother's tomb and the first song was 21st Century Cure. The creators thought that how the movie started was too slow so they decided to take the song 'Genetic Repoman' that was suppose to play at the end of the film and put it at the very beginning. Then they cut the scene Thing's You See in a Graveyard into two separate parts and played part 1 after Genetic Repoman. This gave the film more of a bigger and dramatic opening. See more »


Remake of Repo! The Genetic Opera (2006) See more »

User Reviews

Not so impressed...
21 July 2008 | by RICKYD2000See all my reviews

Fewer words, I imagine, strike greater fear in the minds of audiences and producers alike when the words "passion project" are thrown around. After helming three straight Saw sequels, long-suffering director Darren Lynn Bousman finally gets to cut loose creatively with his gory rock opera Repo, which evolved from a series of quickie stage improvisations courtesy of the film's writer/composers, Darren Smith and Terrance Zdunich. Unfortunately, the film turns out to be more Across the Universe than Hedwig and the Angry Inch, eager to please but ultimately less than enjoyable for anyone not a devout enthusiast of its chosen musical framing – except in this case, it's a nostalgia-fest for turn-of-the-90's goths instead of baby boomers.

Bousman, to his credit, assembled an intriguing cast: Buffy the Vampire Slayer's Anothny Stewart Head (a stage veteran who's also appeared as Frank n' Furter in Rocky Horror), Spy Kids star Alexa Vega, elevator-music superstar Sarah Brightman, renowned character actor Paul Sorvino (Law and Order, Goodfellas), horror vet Bill Moseley, and, in a shrewd bit of meta-casting, tabloid magnet Paris Hilton. In much the same manner that reading the cast list seems to create a logic fissure in the universe, the film's disparate elements never coalesce into anything coherent. Ostensibly an elaborate comment on consumer society and celebrity obsession, Repo seems to serve mainly as a hyperactive springboard for a filmmaker overeager to prove his uniqueness.

Set in a cartoonishly grim future, Repo revolves principally around Nathan (Head), a "repo man" who impolitely collects organs from hapless citizens on behalf of GeneCo (led by Sorvino's sinister, dying Rotti), a massive conglomerate that swooped in to commodify healthy organs following a deadly epidemic of organ failures. His daughter, Shilo (Vega), is ill with the blood disease that claimed her mother, and is kept in unwilling sanctuary in his home. Meanwhile, Rotti's offspring (Moseley, Hilton and Skinny Puppy's Nivek Ogre) bicker, in an obvious nod to King Lear, over which one will inherit their decaying father's empire. Oh, and somewhere in the mix there's also Mag (Brightman), a celebrity singer with GeneCo-implanted holographic eyes who's trapped in a dead-end contract.

If the plot seems needlessly dense, that's because it is, and the film is crippled at the outset by its ludicrous number of characters and plot threads, never to recover. This undercuts both the plot's coherency – already tenuous at the outset – and the integrity of the performances proffered by its diverse cast. Particularly wasted is Moseley, who brings his character to slyly sadistic life, but doesn't get much chance to develop in his eight or so minutes of screen time. Others get shoehorned into thankless roles – Vega, who has Broadway experience and shows evidence of being a capable performer, is saddled with a bratty, shrill heroine, and Sorvino, as the film's principal villain, is never able to find a consistent tone either of internal anguish or righteous indignation, largely because he's provided with a few too many motivations relating to nearly every other character. The supporting cast is uniformly competent – including the widely reviled Hilton – but none besides Mosely leave much of an impression. Head's "repo man" suffers most - his character enjoys his grisly work at some points and is disturbed by it at others, simply at the film's convenience, making him useless either as a figure of scorn or sympathy.

Smith and Zdunich don't only botch the film's plotting but also its densely arranged musical score, which spends most of its time occupying a confounding space somewhere between Ministry and Evanescence that simply shouldn't exist. Occasionally, a novel vocal harmony or passably funny lyric will arise (particularly in scenes where Head and Sorvino duet), but none of the individual songs are at all memorable. There's an opportunity for redemption in the film's embrace of over-the-top satire near the film's conclusion (featuring a memorable moment where Hilton's character loses face a bit) but ultimately opts for a lame, sequel-ready non-ending. For all of the film's references and targets, its Vaseline-on-the-lens aesthetics, leaden musical numbers and generally witless approach keep it from joining the ranks of the beloved "outsider" musicals its creators so obviously worship.

Naked Lunch Radio naked-lunch.org

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Frequently Asked Questions

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Release Date:

20 November 2008 (Czech Republic) See more »

Also Known As:

Repo! The Genetic Opera See more »


Box Office


$8,500,000 (estimated)

Opening Weekend USA:

$53,684, 9 November 2008

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


| (original cut)

Sound Mix:

DTS | Dolby Digital | SDDS



Aspect Ratio:

1.85 : 1
See full technical specs »

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