Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.
- Nominated for 1 Oscar
- 22 wins & 63 nominations total
- Tintin
- (voice)
- Captain Haddock
- (voice)
- …
- Sakharine
- (voice)
- …
- Thompson
- (voice)
- Thomson
- (voice)
- Allan
- (voice)
- …
- Ben Salaad
- (voice)
- Silk
- (voice)
- Nestor
- (voice)
- …
- Tom
- (voice)
- …
- Mrs. Finch
- (voice)
- Pilot
- (voice)
- Co-Pilot
- (voice)
- (as Phillip Rhys)
- …
- Sailor
- (voice)
- …
- Market Artist
- (voice)
Featured reviews
Story Level – Hollywood have adapted many novels for big screen and most of the times it has failed to recreate the finesse of the original work. Spielberg's rendition of Tintin somehow managed a mixed reaction in terms of story. Firstly selecting "The Crab with the Golden Claws" make sense as that shows the boy sleuth meeting the gold hearted Captain Haddock for the first time and in the first encounter Tintin comes face to face with the perennial drinking habit of Captain. "The crab with the golden claws" had enough spice for a full fledged film but may be Spielberg wanted some adventure which prompted him to juggle with "The secret of the unicorn" and "the crab with the golden claws" thus making a concatenation of two stories. Personally I felt that the two stories have been woven wisely with liberty taken in creating an ancestral fight between Captain Francis Haddock and Pirate Red Rackham. Somehow the cocktail was well crafted with the story oscillating between two original books. But the second half was outright outlandish as Spielberg merges his own imagination in creating a full fledged action film which took away the essence of Tintin. The subtlety, intelligence were missing as the director chose to make a 80s Bollywoodish action climax which had no connection to the original one. Moreover the movie ended in the way the comic book "Red Rackham's Treasure" ends yet Spielberg hinted a sequel which is related to Red Rackham's treasure. That shows the sequel will be a total new story by Spielberg (or Peter Jackson) with touches of original. It will be strictly for those who have no idea of what actual Tintin is all about. I mean Spilberg could have named it anything Tom Dick and Harry if not Tintin specially for the second half.
Character Level – Spielberg is almost perfect in designing the characters. The look and the way the screen Tintin reacts brings in nostalgia of childhood days when we imagined (and discussed amongst friends) how Tintin would have behaved if made on screen. The attire to expression was all nicely done. Same goes for Snowy, the cute loyal dog of Tintin who can fight with the goons to save his beloved master. In fact children will fall in love with Snowy after watching this film. In one of the scene when Tintin gets kidnapped Snowy follows the car of the goons to the ship were Tintin was deported. The scene indeed brings out the pathos and concern inside Snowy for his master. Coming to Captain Haddock the characterization isn't as perfect as the comic book. The laziness and craziness in the first half were apt but then Captain fighting in the second half is too hard to digest. The detective duo Thompson and Thomson is appropriate and so is famous nightingale singer Bianca Castaphiore. But Spielberg should have included the verbal fights between Castaphiore and Haddock though he hinted Haddock and Snowy's disgust for Castaphiore's opera. Coming to the villains I am not convinced of Sachcharin as the main villain. The original had Bird Brothers as the villain duo which was more convincing than the screen one. In fact if they wanted to include a dreaded notorious villain then Rastapopulous (the evergreen big nosed enemy of Tintin) would have been the right choice. Even malicious Captain Allan has been relegated to side kick of Sachcharin. Captain Francis Haddock and Red Rackham's characters were true to the original book and it worked well.
Technical Level :- Frankly speaking the 3D effects were disappointing though the animation was top notch. The shadows and the structures created the by gone era with utmost precision. The fight sequence between Captain Francis Haddock and Red Rackham was one of the best sequences in the film. With brilliant camera-work and fine editing the scenes looked captivating on screen. Thought the fight sequences in the climax were loud for Tintin purist but at technical level those are a treat to watch and would be lapped by those who don't have a clue of "actual" Tintin. Dialogues were plain pedestrian and thanks to morality lectures by Captain it becomes ridiculous as a Tintin loyalist to sit through in the second half. As a director Spielberg has lost his midas touch long back which is echoed by this film again.
As a whole Adventure of Tintin started of brilliantly but lost its true sense with faulty narrative towards later half. Tintin loyalists would feel cheated but then they would still watch it for Nostalgia. Non-Tintin fans would lap it for the action. But believe me the Belgian reporter who resides in the heart of millions deserve a better on-screen representation thus doing justice to original masterpiece created by genius Herge. Whatever may be the fate of Spielberg's Tintin please go and read the original comic series. Each is brilliant in it's own way..On-screen or off-screen Tintin and Snowy rocks!! Tintin the film 6/10..Tintin the comic book 11/10
The main character is Tintin, who is a journalist who we never see doing any journalism though, but that doesn't matter because he is the textbook example of a heroic boy with boy scout qualities. The voice of Jamie Bell fits perfectly for the character. Andy Serkis gives here an incredible performance as Captain Haddock, the drunken sailor who to me was often reminiscent of a grumpy Harrison Ford. The story did seem as too much centered on Captain Haddock though, you could even say this should have been called "The Adventures of Captain Haddock" instead of Tintin. Daniel Craig is unrecognizable as the main villain Sacharine. Although his voice did jump to his normal voice in one line but otherwise you didn't know it was him. Of course I can't forget to mention the lovable dog, Snowy. He steals almost every scene that he is in. He is very realistic, he acts like a real dog and even gets his own chase scene. I'm telling you will adore this dog.
The animation is magnificent, the motion capture has gone a long way since The Polar Express. It looks very realistic, especially all the features on Captain Haddock's face. The beard, the wrinkles and the eyes, they all looked amazing. Especially the eyes, they aren't so dead-eyed anymore as in The Polar Express.
The action scenes are brilliantly written and directed, the angles of the camera, the drive of the action scenes, timing of all the jokes(physical or visual) is genius. Because Spielberg is a genius. He is the master of adventure movies and there never will be another genius in adventure movies like him.
Overall Spielberg has created an old-fashioned style adventure movie for the whole family to enjoy,where the important things are just the hunt for the treasure, the friendship two people can make and the most important thing of all that it is an entertaining ride. Spielberg never disappoints, it doesn't matter if you are a fan of Tintin or not, you will enjoy this film nonetheless
I also happen to be a fan of Spielberg's, probably since seeing E.T. when I was about 5 years old. The two could be mutually exclusive. I could take the role of the harcore comics fan who despises the adaptation, or the rabid Spielby fan forgiving everything.
Thankfully, after having the chance to see it before most people out here in Belgium and everywhere else thanks to a journalist buddy, I found out I can to be none of the above. Spielberg and Jackson and all the team behind the adaptation obviously gave the original material the love and respect it deserved, while making it their own.
To clarify the origins of the story itself, you have to know that it isn't the adaptation of one, but three Tintin comics. Its beginning takes root in "Le Crabe aux Pinces D'or", while the rest of the movie revolves around the two-albums story of the hunt for Rakham the Red's treasure, "Le Secret de la Licorne" and "Le Trésor de Rakham le Rouge". While it could seem like a lot of material for a whole movie, the choice of blending those three (two and a half) stories together turns out giving the movie a rather perfect pacing.
To kill a double controversy in the making, and like I've already read in a couple critics: Tintin has always been a "bland" character in the comics. He has no asperities. He is brave, always gets out of the tangles he gets in, he is a good guy, he doesn't know doubts... Tintin as a character has his limits, dramatically speaking, and even Hergé knew that... It is actually the reason for the appearance of Captain Haddock after a few albums. Haddock is the dark side of Tintin, prone to anger and shouting insults, hard drinker, natural born loser... Far from a being just a comical sidekick, Haddock is the human counterpart to the flawless hero that Tintin is (remember, this is a comic, originally aimed at kids and older kids). The movie has the intelligence of starting off the big screen adventures of Tintin with the two meeting up and becoming friends, a real turning point in the continued adventures of Tintin.
The movie also deftly skips what could have been a typically Hollywoodish mistake of giving Tintin exposition. But none of that nonsense here. Tintin is a reporter, that's all you need to know. That's all the comics ever told us about him. None of them ever showed Tintin doing actual reporter work. I don't think he ever used a typewriter, he has no boss, no workplace. Tintin just finds himself where adventure is. Because he's a reporter. Hergé never needed more, kudos for the guys behind this movie for keeping true to that. It will be held against them, but that will be coming from people who don't know the original material.
But I somehow had little worries about that, honestly. It was only obvious they wouldn't touch the spirit of what's considered a classic worldwide. Well, not those guys. I had more doubts about the transition from Hergé's "Ligne Claire" type of drawing to CGI's and even more so to the use of 3D. And that's where I was truly impressed. Not that I'm adverse to CGIs, mind. In fact it's the cartoons that bred those doubts in me. The varied 2D, celluloid adventures of Tintin always bugged me, because of that transition from the seemingly simple but incredibly dynamic looks of the books, looking so wrong when brought to animated life. Yet the movie did a great job of shutting up the Tintin geek. It simply looks stunning, and your mind easily jumps back and forth between forgetting these are cartoon characters and appreciating their transition to a 3D environment, respectful of the original designs but literally bringing them to life.
In short, all these elements drew me to the same conclusion, Spielby and co. managed to deal a great adaptation. One that has true respect for the original material, and the great ambition of adding something to it. Yes, not everything of it. "Le Crabe aux Pinces D'or" could have deserved a whole movie. Shortcuts are taken, and as true to their originals as they are, the characters have been redesigned. But in the end you have a movie that can be appreciated both by fans of the comics as well as people who have "just heard about them". It is fun, packed with adventure and action, enjoyable at all ages. And most of all, you can go see it without having to worry about seeing another piece of Hollywood-flavoured perversion, a fast-foodified betrayal. If that's what you like, note, there's been that Smurf thing, recently (another childhood favourite). You know, that other Belgian comics adaptation that took the little blue dudes from their tiny corner of European medieval forest to... Modern New York? But if you have more gourmet tastes, better bet your money on Jackson and Spielberg. Trust this true childhood Tintin fan.
From that point on, it's more or less non-stop comedy—some fizzles, most of it works—with gags ranging from jaw-dropping blockbuster chase antics to throwaway background humour. Captain Haddock works brilliantly for the most part: he's unpredictable, endearing, and colourful in all the ways Tintin himself isn't. While the youngster is well played by Jamie Bell, he's mostly just there to work out the clues for the audience. Tintin and Haddock make for a good double-act, though: brains and brawn, cunning and in-over-his-head rashness; together they'd make a good Indiana Jones.
The plot is a by the numbers mystery/adventure/treasure hunt, complete with bumbling detectives (so-so comic support from Simon Pegg and Nick Frost), exciting sea plane action and hidden clues, but it's brought to life in gorgeous visual style. While the script only comes alive in fits and starts, the whole film is bursting with rich detail, and is given added depth by a good, solid use of 3D. The virtual camera-work throughout is stupendous.
One extended chase sequence through the flooding streets of a North African city is so dazzling and dizzying it reminded me why no other filmmaker can match Spielberg when he lets his imagination out for a spin. Another action scene, told in flashback, depicts a breathless pirate showdown in a storm, and features some of the most playful transitions I've seen since Ang Lee's Hulk. There's a pretty good villain, too, played by a wily Daniel Craig.
Snowy, while definitely smarter than your average cute canine, is also given to chasing cats, digging up fossilised bones from the desert, and gobbling sandwiches at decidedly inopportune moments. In other words, he's an instant audience favourite.
All in all, it's a rollicking good adventure, one of Spielberg's most fun movies in a long time, and I'll be buying it on Blu-ray next year.
Storyline
Did you know
- TriviaThe "Market Artist" at the beginning bears the likeness of Hergé, creator of the "Tintin" comics. Furthermore, he draws Tintin's portrait in Hergé's style. Using Hergé's likeness is an homage to the artist's own private joke of incorporating the likenesses of friends and family in his Tintin comics. Humorously, the first lines of the film, as stated by the painter are: "Very nearly there, sir. I have to say, your face is familiar. Have I drawn you before?" Tintin, responds: "Occasionally."
- GoofsAt several points during the film, characters talk about "INTERPOL". While the organization that we now commonly know as INTERPOL first came about in 1923, well before the time of the film, it did not take the name "INTERPOL" until 1956. Prior to that it was the International Criminal Police Organization or ICPO. "INTERPOL" was its telegraphic address and where it got its current name from.
- Quotes
Captain Haddock: I thought you were an optimist.
Tintin: You were wrong, weren't you? I'm a realist.
Captain Haddock: Ah, it's just another name for a quitter.
Tintin: You can call me what you like. Don't you get it? We failed.
Captain Haddock: Failed. There are plenty of others willing to call you a failure. A fool. A loser. A hopeless souse. Don't you ever say it of yourself. You send out the wrong signal, that is what people pick up. Don't you understand? You care about something, you fight for it. You hit a wall, you push through it. There's something you need to know about failure, Tintin. You can never let it defeat you.
- Crazy creditsThe font used in the opening and ending credits is the font used in the Tintin comics.
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Las aventuras de Tintín - El secreto
- Filming locations
- Wellington, New Zealand(Studio)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $135,000,000 (estimated)
- Gross US & Canada
- $77,591,831
- Opening weekend US & Canada
- $9,720,993
- Dec 25, 2011
- Gross worldwide
- $373,994,233
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
- 2.39 : 1
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