Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
In 1979, the American embassy in Iran was invaded by Iranian revolutionaries and several Americans were taken hostage. However, six managed to escape to the official residence of the Canadian Ambassador and the CIA was ordered to get them out of the country. With few options, exfiltration expert Tony Mendez devised a daring plan: create a phony Canadian film project looking to shoot in Iran and smuggle the Americans out as its production crew. With the help of some trusted Hollywood contacts, Mendez created the ruse and proceeded to Iran as its associate producer. However, time was running out with the Iranian security forces closing in on the truth while both his charges and the White House had grave doubts about the operation themselves.Written by
Kenneth Chisholm (firstname.lastname@example.org)
The design of the Swissair Boeing 747 as shown in the film was not used until 1981, when the appearance dating from the mid-1950s was overhauled for the 50th birthday of the airline. Until then, the 747's design sported a red stripe around the body on white ground with a grey belly and the name in a different font in black. See more »
This is the Persian Empire known today as Iran. For 2,500 years, this land was ruled by a series of kings, known as shahs. In 1950, the people of Iran elected Mohammad Mossadeqh, a secular democrat, as Prime Minister. He nationalized British and U.S. petroleum holdings, returning Iran's oil to it's people. But in 1953, the U.S. and Great Britain engineered a coup d'etat that deposed Mossadeqh and installed Reza Pahlavi as shah. The young Shah was known for opulence and ...
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Past the photos of cast members and the real people they play, there's audio from an interview with then-President Jimmy Carter talking about the crisis. See more »
After it screened at the Toronto International Film Festival the postscript at the end credits was changed because it was felt that it slighted the Canada's involvement in the rescue of the American hostages. See more »
This is a great movie. The story, acting, pacing, editing, etc. was just fantastic. Affleck's directing was solid, and the suspense will keep you entertained right through to the last seconds. I loved it.
It did have one irritating thing, though, kind of a big one. It pointed most of the accolades to Affleck's character and the CIA. This really was not true. It was Ken Taylor and the Canadians who really pulled 'the Canadian Caper' off so successfully.
"When Taylor heard a few years ago that Mendez had sold movie rights to his book (which, to be fair, is much more generous than the movie about Canada's role), "I said, 'Well, that's going to be interesting.'...."The movie's fun, it's thrilling, it's pertinent, it's timely," he said. "But look, Canada was not merely standing around watching events take place. The CIA was a junior partner."
"The old postscript sent the message that, for political reasons, Canada took the credit. A sarcastic kicker noted that Taylor received 112 citations. The clear implication was that he did not deserve them."(Sept/Oct., 2012, thestar.com)".
So the USA does another revision on history here. I believe 'Argo' goes this far. Yes, it's based on a true story - the movie does it's best to allude that it sticks to technical accuracy. And it really does, in some ways. Historical pictures of flag burners, rioters, gate climbers, etc.. up against Argo film stills run by during the credits make it seem that the facts were adhered to down to the tiniest detail. In reality, it wasn't Tony Mendez or the CIA who were responsible for the success of this operation; actually they were barely there.
Since the movie premiered, Ben Affleck has added emphasis on the movie postscripts since then that gives kudos to the Canadians' role. This was after Ken Taylor politely complained, as a Canadian would tactfully do. But Affleck did this only after pressure from Taylor himself.
I can understand the need to spice up events to make them as exciting and entertaining as possible, don't get me wrong. But this film needs to let the audience know that more explicitly than it does, even after the changed postscripts.
Still, a really entertaining and riveting film, very well done, and easily worth seeing. As a matter of fact, don't miss it.
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