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8/10
A Nutshell Review: The Pixar Story
DICK STEEL25 November 2007
Pixar has made so many blockbuster hits, each just about being almost better than the last in terms of anticipation translated to box office receipts, that it's tempting to speculate whether an upcoming movie will be the one infamously credited to bringing the juggernaut to a temporary halt. Going by what The Pixar Story presented, so long as the team stays hungry, focused and passionate with transforming their ideas into films stemming from the heart, then it's probably a formula that would be difficult to break, and computer animation fans will be in for a treat, for a long time to come.

The Pixar Story is a documentary charting the meteoric rise of the company we all have probably in one way or another, come to love, with its groundbreaking effects and animation taking the world by storm with each new release. It's tough for any studio to build upon and better the success of its previous release with the new one, but somehow Pixar always managed to come through unscathed. But as the documentary reveals, it's never plain sailing, and thank goodness most of the cockups, especially weak stories, get junked and reworked, rather than the company crossing its fingers that a mediocre work could cut it. Technological advances also meant that animators get constantly challenged to break new ground, and the film systematically presents these challenges so that we the audience could take a step back, and appreciate the efforts.

Most history buffs will already know that Pixar has its first origins from Lucasfilm (and you can sense George Lucas reeling from letting this opportunity run away), where a division with a mixed expertise of computer scientists and animators spun off to do what they love, and that's to explore the possibilities of combining their skills to make animation. And with angel investor Steve Jobs providing seed funding and despite the studio being in the red in the first few years, one short clip lead to a short film, and with Disney on board in an initial uneven partnership, Toy Story was born, and as they say, the rest is history.

The first parts of the documentary devoted quite a lot of time to John Lasseter, who's credited with making things work with his direction of the first crop of movies coming out of Pixar. It traces his professional start as an animator with Walt Disney, the run ins and the unfortunate firing, which turned out to be a blessing in disguise on hindsight. We see how he, and the rest of his co-workers, had to undertake pressure to perform, each pouring in copious amounts of personal sacrifice to turn their dream into reality. And with each success, the director taking over the reins for the next movie, will no doubt feel the pressure of its predecessor's success, especially Pete Doctor coming off Lesseter's impressive track record, and others like Brad Bird coming from outside the company culture.

We take a sneak peek into the facilities at their swanky company grounds, admiring the grounds in which Pixar creations are conceived, but what is of extreme value here is the tons of archived footage, most of which are unseen because they never see the light of day, be it rough storyboard sketches or skeletal computer animation, most of which contain early stages of the characters with whom we've been acquainted with. The Pixar Story spent significant amount of time on Toy Story (since it's the first movie), and you can witness how the early Woody character and storyline was rejected because they didn't seem right. And it seems that Pixar doesn't compromise on quality - that plans do get trashed if they don't measure up, even with a fixed deadline looming. Talk about grit, determination and perfectionism all rolled into one.

With plenty of interviews with the creators, big name CEOs past and present, and the stars sharing their experience with providing the voices for their digital counterparts, director Leslie Iwersk also provided a brief look into the political wrangling behind the scenes, just for completeness sake, making The Pixar Story well suited for anyone curious to know how it call started, and how the energy is sustained until this very day.
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8/10
I'll never get tired at looking at Pixar's offices.
Sergeant_Tibbs10 July 2013
Like almost every child of my generation, I grew up on Pixar and in particular Toy Story. Some of my fondest and most memorable cinematic memories were going to see Monsters Inc, Finding Nemo and The Incredibles (where afterwards I thought "I can't wait for the sequel"). I remember that one of my first dream jobs in film was to write stories for Pixar and explore all the imaginative possibilities. Now that I've gotten more into film, I've gained a deeper respect for their storytelling and their technology and how hard it is. The Pixar Story tracks the origin of Pixar from when John Lasseter was first inspired to pursue animation to around 2007, before Ratatouille hit the screens. It's an informative look into how the company came to be and of all the struggles. It's very interesting as I would like to get into the industry as well. The biggest chunk is the struggle to create Toy Story - not just to get it commissioned but also to find the story. This is also a trouble with Monsters Inc. where they had the concept but almost too many possibilities to explore. Narrowing down those possibilities is a incredibly difficult job and is something I'm aspiring to achieve at this very moment so it was especially fascinating to watch.

It's always great fun to have a look into their offices with their scooters and arcades. However, perhaps this documentary has come too soon, they talk about fears of being too factory-line, setting a standard they can no longer top and as this comes before one of their most successful strands of films with Wall-E, Up (a film that I didn't like at first but it's grown on me) and Toy Story 3 and then perhaps the beginning of a very boring strand with Cars 2, Brave and Monsters University, I want to know whether they think they're topping themselves or have sunken into a comfort zone. A short reflection on their fears would be very interesting. The doc focuses on the followup chaos after the Toy Story section, with second project syndrome lingering over the Pixar team. A Bug's Life was considered a success at the time and although in hindsight, many disagree, the documentary put me in the mood to rewatch and while the first act is perhaps a bit too childish, it grows and grows and is exceptional storytelling in the end. I hope Pixar haven't peaked with the closure of Toy Story 3 and they can continue making films that get to me. The documentary also makes great use of graphics and animation which is pretty appropriate for this topic. Very entertaining and informative.

8/10
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9/10
Interesting and very moving documentary
TheLittleSongbird7 September 2010
As a huge animation fan, I like the Pixar films very much. They are funny, poignant and are beautifully animated with lovable characters. In fact, while I prefer some of their films over others there is no Pixar film I hate. I saw this documentary by chance knowing little about it, and I loved it. The Pixar Story was so interesting and even moving. The interviews are well delivered and written, and I found them and how certain scenes were animated and done really intriguing. I also loved the music and the animated sequences featured especially for the door climax from Monsters Inc and the incredibly moving When Somebody Loved Me from Toy Story 2(Tom Hanks summed it up brilliantly). The Pixar Story goes along at a good pace and is a perfect length too. If anything though, I would have liked to have seen more of the Pixar shorts, as some of those are gems. But this is just nitpicking and doesn't take away from the fact that this documentary is wonderful. 9/10 Bethany Cox
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10/10
If you are a fan of CGI, you've gotta see this film...
planktonrules25 January 2012
Wow...what a great and thorough film. This is the story of Pixar Studio--from its earliest days to the present (which was 2007 at the time). It offers so much more than you might expect from such a film--wonderful access to the folks who built the studio who you might think were too busy or too important to participate--but they did. So, in addition to seeing lots of great films being made, you get to meet folks like John Lasseter and Steve Jobs and see them as people--very excited and creative people, but still people. Amazing access, however, isn't all. You also get a great sense of excitement and fun--and it's practically impossible to watch this film without feeling this and feeling inspired--and the music sure helps with this as well. For fans of CGI...heck, for ANYONE, this is a must-see film and you learn a lot and have a great time learning. See this film.
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10/10
An informative, inspiring, and important film, spanning Pixar's story, and the story of technological advancement through 3-D animation
ReviewingHistory5 July 2020
An informative, inspiring, and important film, spanning Pixar's story, and the story of technological advancement through 3-D animation. The documentary walks us through the pre-Pixar era, covering the rudimentary computer graphics in development through the 1970s and 1980s, when Star Wars and Star Trek's special effects ignited a new era in filmmaking . Then, the film describes the early day of Pixar's early founders (e.g., John Lasseter) in venturing through Disney's territory of 2-D animations in general, and his happenstance with Steve Jobs. Some immersive footage and reports are featured in the film all along, transporting the viewer back to the days covered. Further, the viewer will also become familiar with both the early technological challenges and later psychological roadblocks that appeared from a small company that became, in essence, an overnight success (thanks to films like Toy Story). The company's challenges with Disney were also described, and the recreation of the Pixar's leadership and offerings, featuring films from a number of talented and creative director, are also covered. The Pixar Story, therefore, brings inthe contextual and personal factors that have made Pixar the company it then was in 2007, and the company it has now become. This is a must-see for the curious mind on Pixar and for those interested in the computer graphics and animation revolution that Pixar helped launch.
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7/10
Doesn't Compete With What They Put on the Screen
drqshadow-reviews24 July 2011
I'd heard this was remarkable, but it seems like a lot of that was hype. Pixar seems like an unbelievably cool place to work, and I loved the message of "quirky small company refuses to give up their personality for financial stability" but there were only a small handful of moments that really felt like big deals. It's amazing how many huge names they wrangled up for the interviews, though, (seriously, you got Steve Jobs and Bob Iger to sit down for a good length of time? That's pretty impressive) and those little chats are the most revealing, interesting moments of the entire documentary. Once the subject of Toy Story comes up, it becomes a tale of "and here's how we made our next big, huge, runaway success." It's also overproduced to the point of distraction. Good but not great.
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8/10
Rebels without utensils
StevePulaski16 November 2013
My review of The Pixar Story allows me to release a theory on the studio's film Toy Story I vaguely established several months back and only came to fully formulate upon watching the documentary. The film details how Pixar was so advanced, innovative, and intimidating to several graphic designers and the animation industry in general, it was somewhat ostracized and manipulated by Disney because they had no idea just what to do with them. Sort of like how in Toy Story, Buzz Lightyear is sort of brushed off and mocked by Woody and several other toys upon his arrival. However, by the end, the toys all learn to work together in unison for the greater good of...the toybox, perhaps? If you allow Buzz Lightyear to represent Pixar, Woody as Disney, and the additional toys as other animated studios and computer designers, the film is sort of allegorical in the regard to the rise of Pixar. Whether this is intentional or not is up for serious debate. I think it was just my brain overworking itself after a long line of average movies.

On the other hand, the documentary The Pixar Story is, like the studio, something to behold. It's a necessary and efficient profile of one of the best and most powerful studios today, and sheds light on the innovators creating the films loved by kids and adults alike. It begins by showing us three men that drove the forces of Pixar as we know it. They are Ed Catmull, a technical officer, Steve Jobs, the late entrepreneur and CEO of Apple, and John Lasseter, Pixar's founding father. We learn that Lasseter was into animation from just a little kid, and relished the thought that he could grow up to make cartoons for a living.

He attended California Institute of the Arts, where he won back-to-back Student Academy Awards for two short films he made while in school. When he finally got a job at Disney, he spent a lengthy time developing ideas for intriguing and innovative cartoons before he was fired because Disney, ultimately, didn't know what to do with such an ambitious soul. He was trying to introduce the wonders of computer animation to the company in the mid 1980's, when the machine was already being feared as a substitute for man. Lasseter tried to implore, however, that the computer is a tool for the artist and that it's inherently incapable of creative thinking. That's where an artist comes in.

Catmull who assisted a lot with the technical side of Lasster's animation and even is credited with creating the first computer animated scene in film history in the 1976 film FutureWorld, while Jobs invested and believed so much in Lasseter's vision he was able to take several financial beatings before even returning any money, leading him to be called the world's most forgiving venture capitalist. In a sense, these men were rebels without a utensil. They believed in a new way to create art enough to further it and churn out film after film, each one a financial and critical success.

After establishing the three men, the film looks extensively at the production of Toy Story. Lasseter claims that making this the studio's first feature was an intelligent decision because he stated early on he did not want to follow in the footsteps of Disney by creating frothy musicals and mythical fairy-tales. Through numerous uphill battles, the film was made and received universal rave reviews. The animation was dazzling, the storyline clicked with young kids and the adults, who didn't see the film as one to endure but one to enjoy, and the immensity of the animated setting and the gravity-defying ways the characters were moving was simply remarkable and never-before-seen. The film also details how the film's release sparked questions about the future of computer animated features and whether or not they would be the future and hand-drawn/traditional animation would later be phased out with the times. The Pixar staff in the film make perfectly clear that time between Toy Story and A Bug's Life, their followup film, was nervewracking because they had to prove that they were the real deal and people weren't just overhyping their work.

On a final note, the latter act of the film concerns the traditional vs. computer animation debate and how after Disney films began to take a loss in revenue, the medium of traditional animation was rejected in favor of its sleeker, more visually dazzling cousin. In my opinion, the two could've coexisted and the demise was the fault of studios like Disney and DreamWorks not updating their stories and not their technology. Pixar raised the bar in animation, but it did the same in storytelling too, and American audiences didn't care to see a film like Disney's Home on the Range, Jungle Book 2, or Teacher's Pet when their sister-studio Pixar was churning out films like Finding Nemo, Monsters, Inc., and Toy Story 2 during the exact same time. Pixar's magical quality stemmed from them allowing the stereotype of animated films being for kids to gradually disappear and get adults, teenagers, and the elderly excited for their latest endeavor. The bar was raised in both departments, and Disney should've realized that films about singing cows and singing jungle animals weren't going to cut it any longer. The demise of the animation the studio pioneered was its own fault - not Pixar, who unfortunately was handed much of the blame.

The Pixar Story is a solid documentary exploring a profound, revolutionary studio, and, in addition to it taking a look at each individual Pixar film (we can try and forgive the huge amount of time the film spends developing Toy Story and how the remaining six features get the cold shoulder in terms of how much time they're allotted on screen) explores a medium that definitely deserves a documentary in its honor.
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7/10
Nice look into the history of a master in animation
Nostra113 August 2010
Warning: Spoilers
At the moment Pixar is the leading company when it comes to successful computer animated movies. With the combination of stunning graphics en extremely well written stories they have managed to build an impressive movie portfolio. This documentary shows how the company was founded and evolved. Steve Jobs, John Lasseter, Brad Bird and George Lucas are all interviewed and tell about its history and growth. Before Toy Story was made the company didn't make any money and lost millions each year.

The movie show that Toy Story's story would have been very different if the Disney company would have had it its way. Also Pixar's other movies like A Bug's Life, Cars, Monster Inc and Finding Nemo are briefly talked about. It's clear that the company feels the constant pressure to outdo itself with each new movie. I think this is something they usually succeed in, although Cars really wasn't that good (although it is understandably very popular with the kids) I'm always looking forward to seeing new Pixar movies, something I don't have with Disney movies. With Toy Story 3 Pixar has managed to already earn $895 million and the future of Pixar looks bright. It's a company that will not disappear anytime soon. When I think about the Pixar name I think about quality movies and my expectation is that they will manage to keep that image.

The Pixar Story is a very interesting documentary in which there were many new details I didn't know. If you have seen every Pixar movie and if you want to know more about the company itself, then this documentary is something you will want to see.
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10/10
An Outstanding Rags to Riches Story of Pixar
rleecollins10 January 2019
This is an amazing story of artists, engineers and computer geeks who share a fascination with computer animation and movie making. This eclectic collaboration of hard work and family friendly movie making was rivaled only by Walt Disney himself and resulted in a string of amazing cinematic successes rare in the movie industry - a must see!
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7/10
How Pixar came into being - Inspiring story
lethalweapon12 November 2012
The documentary of the history of Pixar Animation Studios. Pixar is absolutely a fabulous success story. It has been often spoken of as an overnight success, but as Steve Jobs says in the film, most overnight successes takes years of hard work.

It was interesting to see the evolution of animation and the kind of dedication and vision that goes behind something that is - in hindsight - a no-brainer decision.

For me, I was surprised to see the fat Steve Jobs in here. The images of slim Steve Jobs with his penetrating eyes was so strongly embedded in my mind that every time Steve spoke, I hardly heard what he was saying over the sound of how chubby he looked. :D

Also, I found out Pixar's original foundation, Lucasfilm, had to regretfully let go due to lack of funds. It was once again a surprise for me that George Lucas, the creator of the 'Holy Trilogy', had a cash problem.

It was also surprising that even after an unsurpassed, unimaginable success with it's first feature release, creating a whole new genre, raking in cash, accolades and awards, Pixar still had bureaucratic challenges for almost all of its releases. I guess I don't understand Hollywood executives or production houses. But that's OK - I understand the movies, and Pixar is pure magic.
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10/10
great True Story a movie for everyone
jaemiewaters6 May 2012
it is a great True Story it is a movie for everyone to enjoy it is just a perfect Pixar movie i think you will enjoy this wonderful movie that will warm your hart but it should of been a 3D movie that should of been in IMAX 3D now that would of been a cool movie but it was still a cool and sweet movie that is a great movie for everyone i really hope you enjoy this masterpiece of a film that should be back out in theaters on the big screen in IMAX 3D it is a must see film i hope you enjoy this classic i never saw a movie this good before in my life i hope you like it as much as i do it is wonderful family hit this movie is a smash hit for sure i never saw anything like this ever i hope you enjoy i like this movie so much that i want it to come back out of the Disney volt for i can get it that is how much i liked this wonderful movie that is OK for everyone this is like the biggest movie of all times i like this movie a lot and i hope you enjoy this wonderful movie as much as i do i never watched a movie like this in my whole life hope you enjoy everyone
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6/10
Pixar
anthonydapiii26 October 2020
I read "Creativity Inc." by Ed Catmull many years ago. I still wanted to watch this documentary because it provides an insider insight into one of the most innovate, creative studios ever.

It's showing of the evolution of modern media and technology was also intriguing too. I very much enjoyed that.

I love storytelling and science. Ed, John, and Steve were living in the future but just visiting the now.

Amazing,
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1/10
A shallow and boring look at a very interesting subject
JohnFilmfreak16 November 2010
Warning: Spoilers
Yes, Pixar has made some great films.

Yes, they are definitely amongst the best in the world when it comes to computer animation.

Yes, they helped basically change the whole industry.

So why make such an awkwardly shallow "pat-on-the-back" film about them, consisting of nothing but a bunch of people saying how great they are? I wanted to see this because I was fascinated with animation, and hoped to learn some behind-the-scenes secrets and technical insight into how Pixar films are actually created. However this was never addressed in The Pixar Story.

I also thought it would be interesting to hear the back-stories of all the competitive titles that has come out from other companies at about the same time as Pixar films (A Bug's Life/Antz, Finding Nemo/A Shark's Tale, The Incredibles/Meet the Robinsons), but this was never mentioned either.

At some point the "documentary" (if you can even call it that) briefly mentions that it was technically impossible to have more than 50 characters on the screen at once, and this caused a problem during production of A Bug's Life. "Oh," thought I, "this'll be interesting. What was the technical limitations? What computers were they using? How did they work around it?" Instead of answering any of these questions, the film simply moves on to talk about how great the people were who came up with a solution. Of course they never mention what that solution was.

The Pixar Story also goes into great lengths in making it appear as they were basically the inventors of all computer generated images. But what about The Mind's Eye series? Or what about the hundreds of thousands of computers games? What about the hundreds of other animation studios around the world who have been, and are still constantly punching out a great stream of amazing animation? What about the fact that producing high quality animation has become easier and easier, so much so that the greatest computer animated films are not from Pixar at all? Do the people at Pixar feel threatened by all the competition? Do they continue to look for new talent? The Pixar Story also dwells a short while amongst the first Jurrasic Park movie, and how the computer generated dinosaurs in that film changed the way action films were made. But why did nobody question if that was actually a good thing? Why weren't Pixar nailed to the wall with questions about CGI versus authenticity? Again, there was a brief moment towards the end when the death of old-school 2D animation sparked some interest, but again the makers of The Pixar Story moved past it with a few simple statements about how sad it was.

All in all, this could have been an amazing making-off documentary which had 88 minutes to really dig deep and portray a world very few know anything about.

Instead it's just your average "oh, I am so great, and so are all my colleagues" snore-fest, which runs three times as long as it should have.
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10/10
"Art challenges technology, (while) technology inspires the art", so Iwerks' end crawl itself elevates her fabulous doco to art. AVAILABLE ON DISC2 OF WALL-E (Sp.Edn).(10/10)
lizziebeth-117 April 2009
Warning: Spoilers
Writer/producer/director/co-editor Leslie Iwerks, granddaughter of Ub Iwerks (SFX Oscar-winner, The Birds(1964)), submitted this doco of hers for Oscar consideration too, but The Pixar Story received only Emmy and American Cinema Editors award nominations.

Such oversights don't prevent this delicious voyage from Mickey to Ratatouille(2007) from also being an emotive, ennobling ride--much as Pixar Treks usually are. Along the way we discover that animation is a labour of love for keen students, the best of whom go to CalArts to be lectured by Disney's retired artists, who themselves retain a student's attitude despite being lifelong pros. And when the lecturers went home, we're told the animation students taught each other--just like computer scientists do. I know that excitement well.

It dawns on us that animation really is a me-generation- and recession-busting globaliser of minds.

Back in 2004-5, according to this "lucid" ('Bottom Line: the lucid and entertaining story behind Pixar's success', Kirk Honeycutt, THR, 9 Oct 2007) feature documentary, the traditional animation industry was being dismantled. Established and talented 2D animators were being laid off in an industry contraction blamed on 3D and Pixar specifically. Ed Catmull goes to great lengths on camera to emphasize how being scapegoated hurt them. After all, they were just animators trying to survive in a hostile business environment.

The trades kept declaring that 'Animators draw less as computers tooning up' (Greg Reifsteck), and '3D success is flattening traditionally animated pix' (THR's Carl Diorio). Of course by then Pixar had been in a production deal with Disney Studios, which distributed their product, for 14yrs. Perhaps to buy time for their own 2D animators, Disney is alleged to have decided to source Pixar's blockbusters to create direct-to-video 2D sequels without any Pixar input. The decision would prove contentious since Pixar creators would not abandon their "children" (to career-killing sequelitis). A mighty battle over creative control allegedly ensued within the Pixar/Mouse House.

Eventually, 6yrs after the alleged Toy Story2(1999) near-calamity, there was a massive Disney shake-up instead.

According to Iwerks' roadmap, the Mouse House had also been struggling with an industry-wide Fear of the Computer for some time, which first resulted in their early loss of John Lasseter in 1984. They had expected 3D to be cheaper than 2D! This industry war may have lasted 30+yrs, but venerable Disney artist Joe Grant, speaking just months prior to his death in 2005, makes the astonishing admission that in losing Lasseter, Disney was set to lose their heir to Walt.

Lasseter had been 3D-animating his 'Brave Little Toaster' at Disney during the early 1980s, while concurrently, Pixar co-founders Alvy Ray Smith and Ed Catmull were creating the famous high-quality early CGI "Genesis Project" clip for STII-The Wrath of Khan(1983) at ILM. Interestingly, Star Trek performed the same universal-appeal humanist function then that Pixar does today.

Iwerks' documentary reveals that during that momentous year at a computer graphics conference, Catmull, having heard SOME of Lasseter's tale of woe, instantly snapped him up post-Disney as the new animation hire for the fledgling CGI company that George Lucas had permitted them to start up. The Pixar Story also claims that for two decades afterwards, Disney kept trying to tempt Lasseter back, but he always remained more committed to Pixar.

In the late 1990s Disney finally over-invested in the lukewarm 2D/3D actioner Treasure Planet(2002), and LOST around $100M for their Feature Animation division. This was almost certainly the cause of the subsequent organisational shake-up in late 2005, when Michael Eisner was replaced by Bob Iger as head of Disney. And with that, The Pixar Story informs us, the entire mood, prospects, and history of Pixar changed.

3D's success is arguably just a natural evolution; if it wins the final look of cinema feature animation, so what? Conversely, many feel much more comfortable with 2D full-frame for TV weekly comedies, which according to Seth MacFarlane of Family Guy fame, is a much more intimate format for his type of entertainment.

As industry insiders know, 2D is still the staple of animation and the bulk of the business--it's just not sexy. 2D is also vital to 3D itself pre-rendering, so plenty of animation jobs remain at as many studios as are able to offer great UNIVERSAL STORYTELLING. Roy Disney (Walt's nephew) confirms this in the home stretch of Iwerks' triumph.

But more than that, enchanting storytelling perhaps needs to be rarer/harder to do than the annual supply of 3D multiplex features currently proposed. Even 3D's over-reliance on animal-allegories/fables can prove fatal. Audiences are already reaching saturation point from their inundation by the big three 3D studios. This could prove just as devastating as Disney's "perfectionist" movement-over-characterisation had become to 2D. Under no circumstances should anybody again attempt a Meet Dave(2007)-like stylistic debauchery of contemporary cultural cool.

Thankfully, Iwerks reveals Pixar artists as remaining "hungry" after a decade-and-a-half of financial success. Equally, they're well aware of their high regard not only by the public at large, but among 2D traditional animators, recently giving their "9 Old Men"/CalArts lecturers Ollie Johnston and Frank Thomas animated cameos within The Incredibles(2005).

The Pixar Story also features welcome live-action cameos by the two saddest quick-succession losses to animation in 2005: Joe Grant (Fantasia(1940), Dumbo(1941)--heart attack); and Joe Ranft (our beloved Heimlich--car accident). Tragically neither saw Iwerks' doco, 7yrs in the making, completed.

This often gobsmacking, educational and deeply moving feature documentary finally concludes with a moving end credit sequence full of quiet dignity showcasing the enormous workloads underpinning wireframes. The end crawl is overlain by a powerfully Beatlesesque instrumental, "Modern Inventions", by The Submarines. It sells the whole message of 3D, willing us to fall in love with the entire precept of animation--and certainly with the Pixar folks at Emeryville, CA.

For everything else I had to say about The Pixar Story(2007), consult Honeycutt's review referenced earlier.(10/10)
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9/10
Very interesting documentary
onxpii5 July 2022
It is basically about how pixar came to be through its hardships and successes. It is a very interesting and informative documentary. It taught me a lot about the history of computer animated movies that i had not known before seeing it. Im not usually a big fan of documentaries but something about this just kept me watching the whole way through. I definitely would recommend this.
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4/10
How Can One Make Pixar Boring?! Watch This.
iquine9 February 2019
Warning: Spoilers
(Flash Review)

This is a documentary about Pixar the computer animation movie production company. Makers of Toy Story, Finding Nemo, A Bugs Life, Cars and more. It was more or a less an assortment of file footage, interviews and a smattering of clips. There was no smartly narrated central theme to give needed context or clarity. It was more about the business side and the Steve Jobs influence and many clips of the goofy employees horsing around the office. There were some flashes of neat behind the scenes footage of rough cuts or early prototypes of their early characters but I didn't learn anything beyond the people responsible and some business moves. It simply just felt stale and completely uninteresting which is sad for the creative genius they consistently pump out.
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The pixars behind the scenes tour makes fans go gaga
jasper1020111 October 2011
Jasper102011 here to review The pixar story.

Pixar is the company with a luxo lamp as a mascot and a cabinet full of academy rewards.

This film shows that great movies and great story's can go through pain and hard work and even one of the best film company's can go through that.

The man himself john lasseter has the idea for computer-animation or CGI but Disney dumps it with john stuck at lucasfilms and make very famous short films.

A hard-core pixarfan would stare at the screen watching every step of the way because I am one and one word would move the story onwards.

The pixar story is a overall brilliant documentary, the movie tells that its not the technology that makes the movies great, but its the people who make it.

I really like the film with its interviews with famous Disney animators and tells you when pixar had a problem, it tells you how they solved it.

i wish pixar make a sequel for the more modern movies.

If your a really big fan or you just heard of pixar i highly recommend it so grab some popcorn and enjoy!
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