A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Christine Brown is a loan officer at a bank but is worried about her lot in life. She's in competition with a competent colleague for an assistant manager position and isn't too sure about her status with a boyfriend. Worried that her boss will think less of her if she shows weakness, she refuses a time extension on a loan to an old woman, Mrs. Ganush, who now faces foreclosure and the loss of her house. In retaliation, the old woman place a curse on her which, she subsequently learns, will result in her being taken to hell in a few days time. With the help of a psychic, she tries to rid herself of the demon, but faces several hurdles in the attempt.Written by
In preparation for her role in this film, Alison Lohman watched many horror films. Lohman states, "I watched horror classics every day." She goes on to say, "I would just sit there, turn off the lights, and watch films like 'The Shining'." See more »
When Clay drops Christine off at work and shows her the rental car, he is behind the wheel. When the camera angle changes, he is in the passenger seat. See more »
You tricked me, you black-hearted who-o-o-o-o-ore! You b-i-i-i-i-i-i-i-itch!
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The 1960's Universal logo is used in the opening credits See more »
The unrated director's cut DVD adds four notable extended shots/sequences:
1. The scene where Christine's nose squirts blood is extended, adding a shot of blood pouring out of her mouth. She covers her mouth, causing the fountain of blood to erupt from her nose.
2. The shot of Christine raising the knife above her cat is extended, showing Christine plunging the knife down several times, with some squirting blood.
3. We also see the cat's bloodied body fall into the hole in Christine and Clay's yard, just before Christine begins to shovel dirt upon it.
4. When Christine drops the anvil on Mrs. Ganush, Christine still gets splattered with Mrs. Ganush's eyeballs and brain matter, but now it's blood red colored.
Drag me to Hell is, really, a throwback in so many ways to the fun of The Evil Dead 2. The camera angles, the excellent score - it all recalls how Raimi played with us in his earlier trilogy. What has changed however, is the sense of pace. We know its coming and Raimi employs all his skills to draw out the tension. The thrills are all there in place, I jumped like there was an electric buzzer under my seat. Perhaps a little too much CGI is indulged in but its easy to forgive in a film as wicked and blackly comic as this. I genuinely found the film disturbing for a 15 as well, again I think this is a mark of tension that Raimi creates with the score and camera work throughout the film. So incredibly refreshing to see a horror film with out the hallmarks of the recent saw franchise. Special mention for the ending, which has conviction and guts and was the proverbial cherry on top of the cake. throughly entertaining.
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