User Reviews

Excruciatingly slow is the best way to describe this movie...I had trouble keeping my eyes open in the end..A Deepa Mehta movie is generally a good viewing...but this one disappointed me..The idea of the SheshNag was something I found hard to digest...Moreover the mythological story was told in a disjointed manner which made it pretty hard to follow...The performances are good...especially by Vansh who has the intensity required to portray the character of 'Rocky'..and Preity Zinta does give the right expressions..but seems too old to be playing a newly married girl..

5/10

Theme of the movie is presented very well. Deepa mehta did a great job. Whole movie goes wonderfully until climax. Climax is totally unpredictable and little boring. All actors did fine work especially preity zinta. I never expected such a good movie from preity zinta. Cinematography is presented in a very good manner. Absolutely worth watching movie. You will find the characters close to someone you know. You will love the movie as it goes forward and probably won't want to left the chair you are sitting on.Language (punjabi) is quiet hard to understand as i am a pakistani myself. I never expected such a good movie from preity zinta.

The movie is OK to watch. Its true and happening in Canada and other foreign countries. But my comments is not purely about film its about real life scenario too. Most of the film like this are based on pro-women pathetic life in their national and foreign land. Besides this so far , no movies on Indian man who is married to foreign born arrogant wife. Theirs are lot of men who staying foreign from India with their selfish and arrogant wife. Who made their life miserable and down them to too much extent to become a wife follower.

I suggest being all time pro women in movie, there must be movies on man living abroad with "Who care, Nobody cares" personalities nature persons.

The main complaint about 'Heaven on Earth' seems to be in regard with its slow pace. I was quite engaged by the film and the pacing did not bother me at all. It only made it better that Mehta took her time to unfold Chand's character more. Many have stated that Chand lacked development and this I disagree with. The film centers around Chand's struggle with her new life and her character is excellently written. The mother-in-law was portrayed as one-dimensional.

Speaking of writing, I think Mehta did a very good job with the story and I loved the Chand's beautiful monologues. Her use of symbolism and mythology is effective. The film is delicately shot mostly with hand-held camera. I like how Mehta distinguishes the private moments of the characters with black and white. The washed out colours only stress on the tense atmosphere. In terms of execution, 'Heaven on Earth' is on par with 'Water' (which was also stunningly filmed) but I think the former ranks as her best.

Preity Zinta delivers one of the finest performances of her career. She is like one has never seen before. Her portrayal of Chand is subtle, nuanced, heartbreaking and strong. I used to admire Zinta a lot during her pre-'Kal Ho Na Ho' days and saw a very promising actress in her. However, I almost gave up on her when she limited herself on doing movies with the Khans and Yashraj. Now I am glad to see her back on track and hope she keeps doing great work. In my humble opinion, Mehta's 'Heaven on Earth' is a winner and definitely miles better than the not-even-good-enough-for-TV types like 'Provoked'.

It's hard to describe Heaven on Earth in one word or one sentence, and it's even more complicated to explain what it is about in one sentence. It has many aspects of our modern life which are touched so realistically and brilliantly by Deepa Mehta that few words could not describe them well enough. People mistakenly think the film is about domestic abuse, but it's far from being just about that. It is about immigration, the hardship of people who immigrate from one country to another, from one culture to another, from a difficult world to a world that is even worse. It is about isolation, loneliness and the pain of being far from your family. It is about the terrible consequences of arranged marriages. And of course, domestic violence, which is the main aspect that carries the narrative forward and sets the foundation for a spectacular psychological drama.

All these elements are thrown upon the main protagonist of this picture, Chand. A vibrant and lovely girl, she flies to Canada to marry a man she has never met. Ironaically, while people would predict a brighter, better life for a person who immigrates from India to Canada, we soon learn that Chand's new family lives a poor, miserable lifestyle. The family comprises seven members, all of whom live in a two-bedroom flat. The striking portrayal of the life of immigrants in the suburbs of Toronto is precisely realistic. What's more, Chand finds herself becoming a brutally battered and abused wife who bears the brunt of her husband, Rocky's frustration. The harrowing scenes showing Rocky's cruel nature as he beats her, reveal Chand in full pain and fear and are just terrible to watch. It's easy to hate Rocky, but the film shows him to be no less a victim of his circumstances, of all the responsibility thrown upon him, and above all of his rotten upbringing and cultural mindset.

In the midst of a meticulously directed quality piece by Deepa Mehta, with extraordinary cinematography (both black-and-white and colour) and some breathtaking shots, we get to know better Chand. She is a wonderful and among the most profoundly well-written characters. While she might represent all the women-immigrants, all the abused women who are aware of domestic violence being common practice in their culture, it's great to see that in such a world there can be a woman who is so optimistic and positive. She suffers, she is helpless, she misses her mother and her country, she is desperate at the thought that she will have to live the rest of her life with a bunch of monsters, yet she never really loses her sense of life. She does not blame anyone, she does not hate anyone, she turns her difficulties into strengths, she turns her fears into valours by using her imagination. She creates an alternative world that is better, and lives it. She creates a "Heaven on Earth".

Deepa Mehta intelligently incorporates magical realism into this extremist story, and it is fascinating. Every time Chand is maltreated by her husband, she starts quietly reciting beautiful poetic monologues, which efficiently illustrate her loneliness and yearning to see her mother and get back home. When she's alone, she imagines a better life where she is a beloved woman and wife, escaping the cruel reality but little knowing that all of it is surreal. This is a wonderful glimpse into a person's mind. I must note the artistic decision to turn these scenes black and white, making it symbolic of the film's meaning. The mythology-driven sequences involving the snake may be confusing and unclear, but I greatly appreciated the idea that every viewer is free to interpret them just the way they want to. Here "the power of the imagination" (which could be an equally suitable title for the film) receives double-meaning. The audience is given an opportunity to experience the same kind of confusion that Chand herself goes through.

Preity Zinta, in one of the finest performances of her career, is nothing short of spectacular as the struggling Chand. Heartfelt, nuanced, haunting and heartbreaking, this portrayal is pulled off without a single false note. This role is contrary to Zinta's own image of a strong woman of substance, as well as most of her on-screen roles. And she inhabits it so thoroughly that it's almost impossible to believe it is the same woman who played so many happy-go-lucky characters in previous years. She conveys helplessness, fear, despair, and at the same time a certain hope for a better day, with amazing subtlety, depth and pathos. Much of it is internal actually, and all you need to know is in her eyes. Just note the scene when she is looking through the bus window. There's so much pain in her eyes. It's just one bit of a really great performance. That she is supported by a host of talented character actors, all of whom do a fine job in their unlikable parts, only helps.

Heaven on Earth is an extraordinary, deep and intelligent piece, with a commentary on the social structure of today's world. Mehta's presentation of the issue is very measured, it's never one-sided or biased and she doesn't judge her characters. There are no bad or good people in this film, most of them in one way or the other are all victims of their social environment. I loved this concept, I appreciated the well-written dialogues, the twists and the unexpected proceedings. The film is brilliantly directed and edited. Of course, it is definitely not for everyone, Hindi film viewers might find it slow and even tedious. Those who will understand its meaning are likely to forgive the difficult movie experience. I personally consider it a greatly meaningful and rewarding social film which celebrates the resilience of the human spirit, showing people who can maintain full optimism despite their sad reality and, even if it's challenging, change it altogether.

Heaven on Earth is another excellent film by director Deepa Mehta, whose previous work, Water was also very good. This time, she tackles the subject of arranged marriages.

Vibrant travels from Punjab, India to Ontario, Canada, to meet her prospective husband, Rocky. At first she loves the Great North, with its snow and natural beauty. The optimism is short lived, however, as the reality of a household consisting of Rocky's interfering mother, disinterested father, and a sister married to a man without a job, bring many problems. The tension is palpable, as the financial burdens fall on Vibrant's husband.

The suffering bride works at a laundry cleaning factory, and is befriended by Rosa, a co- worker who gives her a magic root to place in her husband's drink to make him fall in love with her. Of course, the magic potion does not work, despite Vibrant's best efforts. The home situation worsens, and the young bride must make some difficult choices. Although not as good as Water, Chopra is a natural storyteller with a keen eye, and she makes Heaven on Earth a realistic and all to human drama.

Great Acting by Zinta!? You have to be kidding. Terrible movie,terrible acting all around. What do you expect when you get actors who have never worked in film? For instance, the lead guy has never worked in film prior the Heaven on Earth! The direction was also so flimsy with nothing to write home about. Deepa Mehta style.All her movies have the same rhythm lacking in depth. Besides,this movie really lacked reality,one could tell from the acting alone. What was the point of shooting it in Toronto when no locales were really highlighted except the snow? Perhaps government incentives, but this movie really is an Indian movie and should not be termed as Canadian. It was horrible.

I don't agree with the earlier review about this being a terrible film. The story is interesting and you are curious throughout where the storyline is gonna go. However, the best thing about this film is the acting---wonderful WONDERFUL acting by ~PREITY ZINTA~. Well done Preity! Vishal is also good. And also the high ratings are not given by the Indian audience in fact it is given by non-Indian viewers. The movie still hasn't released in India...just so you know. If you are in the mood for something ~REALISTIC~, go out and watch this mind-blowing movie.I absolutely loved this movie and I am sure you will love it too is you liked movies such as Monsoon Wedding ,Provoked, etc.

A subtle exploration of the human mind that will be lost on the masses.

This is a film that confronts so many issues in a very muted and delicate manner. No, I am not talking about domestic abuse. This is an explosive issue, and is dealt with as such. It leaves marks in peoples life, and we see those marks, repeatedly. The issues of expectations…of survival…of denial, these are the ones to watch out for. The occasional black and white shots serve as understated milestones documenting the journey. Many are criticising this film for its lack of three-dimensionality. To those I say: LOOK CLOSER! An intelligent audience doesn't need to see all out, emotional, crying scene to justify actions. A man sitting in a car, lost in though, is more than enough. Rocky isn't shown as a monster, he is shown as a very flawed man who doesn't understand how to deal with his problems, taking his anger out on those weaker than him. Chand is who she is. A girl in a new land. A girl lost in her imagination. A girl with expectations. A girl with wishes. A girl who, in her own way, creates the world she desires. We, as the viewers of this small snapshot in a girl's life, are forced to consider the definitions of mental health. Who is insane? The one that hallucinates? The one that is violent? The one that manipulates? The one that witnesses? Or even the one that helps? I will not even mention technical aspects such as cinematography, editing, sound, lighting etc. This is a Deepa Mehta film and as usual, the highest standard is shown. A special mention must be made of the poetry. And, of course, the acting of one Preity Zinta. Who would have thought her performance could have so much credibility? I for one am very pleasantly surprised, and expect great things from her. A must watch for those looking for a real film, no entertainment here, just vigorous thought provocation.

Heaven on Earth is both excruciating and incredibly beautiful. It's this juxtaposition, along with the magical realism, that pulls us in, chains us to our seats, keeps our eyes and ears open, and exposes our hearts to the intensity of the situation. It opens us to Chand's vulnerability and strength, and commands us to be vulnerable and strong in turn.

The story is told elsewhere, so I won't talk about it here. Preity's performance is amazing, and she deserves any award she gets for this. And everyone else in the cast is also terrific. Like all Mehta's film's, it's literate, beautifully shot and edited, and takes on an issue no one really wants to talk about, let alone see up on a big screen.

While it might not be for everyone, Heaven on Earth is for those with the heart and strength to bare the onslaught of Chand's suffering and her escapes into imagination. The film has stayed with me since I saw it about a month ago. I hope it always does.

I have borrowed all lines from other reviews to make a summary of my own:

A vibrant and lovely girl, Preity Zinta as Chand flies to Canada to marry a man she has never met. Ironically enough, Chand's new family in the First World lives a poor, miserable lifestyle. Soon Chand becomes a brutally battered and abused wife who bears the brunt of her husband, Rocky's frustration. An intelligent audience doesn't need to see all out, emotional, crying scene to justify actions. A man sitting in a car, lost in though, is more than enough. Rocky isn't shown as a monster, he is shown as a very flawed man who doesn't understand how to deal with his problems, taking his anger out on those weaker than him.

Chand is who she is. A girl in a new land. A girl with expectations. Trapped within a system of willing accomplices. She suffers, she aches, she misses her mother, her country, she is desperate thinking that she will have to live the rest of her life with a bunch of monsters, yet she never really loses her sense of life. She does not blame anyone, she does not hate anyone, she seeks solace using her imagination. She creates a world that is better, and lives it. She creates a "Heaven on Earth".

It may be slow paced but it’s still engaging and compact. This is a film that confronts so many issues in a very muted and delicate manner. No, I am not talking about domestic abuse. This is an explosive issue, and is dealt with as such. There are issues of expectations…of survival…of denial, of how young ones react - the subtle explorations of the human mind and nature - these are the ones to watch out for.

We, as the viewers of this small snapshot in a girl's life, are forced to consider the definitions of mental health. Who is insane? The one that hallucinates? The one that is violent? The one that manipulates? The one that witnesses? All silently-screaming puppets on a string being maneuvered into a life of domesticated dereliction by forces that we could designate as fate or just cruel blows of workaday drudgery…

Deepa Mehta stays away from the stereotypical 'Don't-hit-me' pitiable victim and also 'I'll-hit-you-back' kind of liberating experience approach. Mehta doesn't play out any moments of redemption or payback. She simply offers us survival, intelligently integrating magical realism in a rather artistic way. Every time Chand is maltreated by her husband, she starts whispering beautiful, beautiful poetry. When she's alone, she imagines a better life, she imagines she is a beloved woman and wife. All the sequences involving the snake may be confusing and unclear, but what I find great about these essentially surreal incidents is that every viewer is free to interpret them just the way he/she wants to.

This movie is a piece of art. It tugs at your emotions and empathy. The pain of Chand, the main character, is felt as you watch her endless tribulations and abuse in the home of her new in-laws. The end of the film also plays and flirts with Indian folklore and symbolism which makes the ending mysterious. It's clear that there are several mixed reviews, however those who dislike the film most likely don't understand the culture and folklore played into the films inspiring ending.

This was a gem. PZ is great, you can see how well directed she was. This movie is brilliant and heart-breaking. It's sad and lonely, and very real when it comes to the struggles of immigration. It's all that hope and possibilities that soon come shattering down in a definitive way. A difficult movie that was just really well made.