Pledging to keep herself from being the oldest and the only woman in her entire family never to wed, Montana embarks on a thirty-day, thirty-thousand-mile expedition to charm a potential suitor into becoming her fiancé.
All the couples are back for a wedding in Las Vegas, but plans for a romantic weekend go awry when their various misadventures get them into some compromising situations that threaten to derail the big event.
After attending their friend Elise's (Sudano) wedding on New Year's Eve, Trista (Hall), a career-driven talent agent, Viviane (Scott), a successful gossip columnist, and Amaya (Cooper), a ... See full summary »
Four friends (Meagan Good, Kelly Rowland, Keri Hilson, Kellee Stewart) balance their dating adventures with their career ambitions at an upscale magazine, teaching themselves and each other how to get the most out of love and life.
Brandon T. Jackson,
Determined to get engaged before her youngest sister's wedding, flight attendant Montana Moore (Paula Patton) finds herself with only 30 days to find Mr. Right. Using her airline connections to "accidentally" meet up with eligible ex-boyfriends and scour for potential candidates, she racks up more than 30,000 miles and countless comedic encounters, all the while searching for the perfect guy.Written by
After watching this movie, the only thing that should be "claimed" is a refund.
Director-writer David E Talbert provided a creatively idle rom-com starring Paula Patton (Montana Moore); as a flight attendant who under the pressure of her mother (Jennifer Lawrence) and the wedding engagement of her younger sister (Lauren London) somehow finds herself in a position where she has to locate and bring a fiancé to her sister's rehearsal dinner in thirty days. In doing so, she uses her friends to set up an arguably illegal "spy network" to find out which of her ex- boyfriends are taking which flights- so she can manipulate herself aboard and hopefully start again with these men.
She wears the long, straight rom-com hair of ignorance with the smile of innocence which I like to call a ritual of rom-com. The story was naturally predictable adhering to every single rom-com textbook story model and so heavily resting on weak humour. Alongside the contemporary traditional female friend and gay male friend duo (similar to Devil's Wear Prada) it's one large equation for mediocre...if that.
I'm not particularly familiar with Talbert and this is the first film I've seen of his, regardless, in this film it's strongly indicative that he's chosen quantity over quality.
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