When a British reporter was writing an expose about Black Ops operations Treadstone and Black Briar, and the ones responsible for them are concerned. And when Jason Bourne, former Treadstone operative got the file on Treadstone and Black Briar and gave it to Pamela Landy who then passed it to the media. When the men behind Treadstone and Black Briar learn of this, they're concerned how this will affect other ops they have. They decide it's best to shut down all ops and make sure make everyone involved disappears. They try to take out Aaron Cross who is part of another op called Outcome, but he manages to survive. He then seeks out Dr. Marta Shearing who worked on him when he began. It seems part of the program is for all subjects to take medications but he has run out, which is why he seeks her. But someone tries to kill her. He saves her and she tells him, he should have stopped taking the medications long ago. They go to Manila so that she can help him. Later the men behind Outcome ...Written by
The film was edited by John Gilroy, Tony Gilroy's brother who, with their other brother, Dan, co-wrote the screenplay to this film and Tony co-produced and directed this film. This is the third film that he has edited for Tony Gilroy with the others being Michael Clayton (2007), Duplicity (2004), and this one. He would also edit, Nightcrawler (2014), which was written and directed by Dan Gilroy and produced by Tony Gilroy. See more »
After showing a top-down view of Chicago's downtown elevated rail lines, there is a shot of two subway trains. These are New York City Transit trains, not Chicago Transit trains. See more »
Ouch. I wish Greengrass directed this film, because to me it felt like a mess. Had a good idea with a solid backing, but it failed to take advantage of it. I like that they intertwined the story within the Ultimatum storyline like you see in the preview as well as playing homage to the original series, but the execution sucked not to mention that the Bourne events had no influence on Cross' character - something that "Legacy" would suggest. The storytelling felt disjointed, and the action sequences had way too much camera shake to enjoy them (the first trilogy wasn't so bad). Other than Manila, and the solitude of Alaska, location is one trademark of the legacy that just wasn't there. In the first three films, the assassins didn't need to speak to have personality and character - this film's assassin was just a ghost in your memory.
Even though not directly stated, I think most people would understand by watching this film what MAY have actually happened to Jason Bourne. The only way this film will have any more meaning is if they continue the new trilogy.
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